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sent on August 26, 2015 (0:38) | This comment has been automatically translated (show/hide original)
Here you have attempted the impossible (or nearly so).
If you notice, you've shot so close that you can not focus on even a small portion of the face is on fire just a detail.
In a portrait so narrow the search osservattore the expressiveness of the eyes, but the detachment of stories that you've gotten brings attention to the eyebrows: those are in focus, the eye is not already over, and that distracts and disturbs. It just has to do, it is this technique that is difficult. The autofocus goes about his business, the subject moves (perhaps imperceptibly, but those distances ...) ... you have to do here multiple shots, hoping to find the right one.And because of millimeters ...
Try to do it again in a more controlled manner.
Qui hai tentato l'impossibile (o quasi).
Se ci fai caso, hai scelto un'inquadratura talmente ravvicinata che non si riesce a mettere a fuoco nemmeno una piccola porzione del volto, va a fuoco solo un dettaglio.
In un ritratto così stretto l'osservattore cerca l'espressività dello sguardo, ma lo stacco di piani che hai ottenuto porta l'attenzione sulle sopracciglia: quelle sono a fuoco, l'occhio non lo è già più, e questo distrae e disturba. Tu c'entri poco, è proprio questa tecnica che è difficile. L'autofocus va per i fatti suoi, il soggetto si muove (magari impercettibilmente, ma a quelle distanze...)...bisogna fare anche qui scatti multipli, sperando di trovare quello giusto. Perchè e questione di millimetri...
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