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| sent on August 14, 2015 (18:13) | This comment has been automatically translated (show/hide original)
Beautiful light and beautiful vertical cutting Luce stupenda e bello il taglio verticale |
| sent on August 15, 2015 (8:06) | This comment has been automatically translated (show/hide original)
Gorgeous!
Greetings Christiano. Bellissima!
Un saluto Christiano. |
| sent on April 11, 2016 (23:08) | This comment has been automatically translated (show/hide original)
Very nice Andrea! I like the light and depth Molto bella Andrea! Mi piace molto la luce e la profondità |
| sent on April 12, 2016 (23:15) | This comment has been automatically translated (show/hide original)
Thanks Giulio Grazie Giulio |
| sent on December 10, 2023 (11:02) | This comment has been automatically translated (show/hide original)
A very beautiful image: in which the dynamic force of the vertical framing, combined with the natural progression of the planes and the splendid LIGHT accompanied, and enhanced, by the origin of the same three-quarter back, contribute to creating an almost perfect combination that enhances, and transcends, the beauty of the place.
My compliments Andrea,
Paolo.
P.S. - it should be noted that the not excellent sharpness, combined with the imperfect performance in backlight, are not to be attributed to the lens but to the adapter (necessarily equipped with a draught correction lens) which has treacherously lowered the quality of the lens in use, which, however, especially in the control of the flare, even in these very critical conditions, proves to be superior to the EF counterpart ;-) Una immagine molto bella: in cui la forza dinamica dell'inquadratura verticale, unita alla naturale progressione dei piani e alla LUCE splendida accompagnata, ed esaltata, dalla provenienza della stessa di tre-quarti posteriore, contribuiscono a creare un connubio pressoché perfetto che esalta, e trascende, la naturale bellezza del luogo.
I miei complimenti Andrea,
Paolo.
P.S. - va rimarcato come la non eccelsa nitidezza, unita alla non esemplare resa in controluce, non siano da attribuire all'obiettivo ma all'adattatore (necessariamente munito di lente di correzione del tiraggio) che ha proditoriamente abbassato la qualità dell'ottica in uso la quale, tuttavia, soprattutto nel controllo del flare, anche in queste assai critiche condizioni si dimostra superiore all'omologo EF  |
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