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| sent on October 15, 2016 (16:43) | This comment has been automatically translated (show/hide original)
beautiful!!!!!!!
a greeting Bruno bella!!!!!!! un saluto Bruno |
| sent on October 15, 2016 (17:01) | This comment has been automatically translated (show/hide original)
Exciting! Nice picture. Compliments! A greeting Anna Maria Emozionante! Ottimo scatto. Complimenti! Un saluto Annamaria |
| sent on October 15, 2016 (21:46) | This comment has been automatically translated (show/hide original)
Anna and Bruno,
THANK YOU Annamaria e Bruno, GRAZIE |
| sent on November 09, 2016 (13:47) | This comment has been automatically translated (show/hide original)
Just gorgeous, revives the past Semplicemente stupenda, fa rivivere il passato |
| sent on November 09, 2016 (15:26) | This comment has been automatically translated (show/hide original)
Thanks for visiting and appreciation Grazie per la visita e l'apprezzamento |
| sent on February 12, 2017 (8:37) | This comment has been automatically translated (show/hide original)
A true historical document! Compliments! Un vero documento storico! Complimenti! |
| sent on February 12, 2017 (16:14) | This comment has been automatically translated (show/hide original)
Thanks Lele ;-) Grazie Lele |
| sent on August 07, 2017 (15:24) | This comment has been automatically translated (show/hide original)
Beautiful a piece of history bellissima un pezzo di storia |
| sent on August 07, 2017 (17:20) | This comment has been translated
Thanks Angelo |
| sent on February 16, 2018 (22:13) | This comment has been automatically translated (show/hide original)
This is vintage! Beautiful! Greetings! Marco. Questa e' d'annata! Bella! Saluti! Marco. |
| sent on August 05, 2018 (17:01) | This comment has been automatically translated (show/hide original)
.... how much emotion to see the mythical Clay on the red... :-) Very nice, congratulations! A greeting Ivan .... quanta emozione nel vedere il mitico Clay sulla Rossa ... Molto bella, complimenti!! Un saluto Ivan |
| sent on August 05, 2018 (17:50) | This comment has been automatically translated (show/hide original)
Dear Ivan, some sensations can only retry those who have lived in the past. Try to ask a twenty-year-old who is Clay, I'm willing to bet that would be very few who can answer........ unfortunately. Spare the greeting Augustus Caro Ivan, certe sensazioni le possono riprovare solo coloro che le hanno vissute in passato. Prova a domandare ad un ventenne di oggi chi fosse Clay, sono pronto a scommettere che sarebbero ben pochi quelli in grado di rispondere........ purtroppo. Ricambio il saluto Augusto |
| sent on April 23, 2020 (13:02) | This comment has been automatically translated (show/hide original)
How beautiful. The most beautiful Ferrari formula one for me Che bella. La più bella Ferrari formula uno per me |
| sent on April 23, 2020 (17:48) | This comment has been automatically translated (show/hide original)
@Italo: .. for me too, together with the progenitor 312B1 (this is the B2) are the most beautiful Ferrari F1 cars ever built. A tribute to the unforgettable Clay, and the mythical ing. Mauro Forghieri designer of these single-seaters. @Augusto: in those years I was working in the city, in Reggio Emilia, not far from the headquarters of the helmets he sponsored (the one he also wears here in the photo) and often came there and with the owner they went to have a coffee at the bar in front of the company where I worked and when with colleagues enthusiasts we saw from the window the Ferrari Daytona green was the signal that Clay was there and with an excuse we asked for a permit to go. Always friendly and smiling he signed us his autograph and thanked us: gentlemen of yesteryear!! :-) ;-) A greeting Ivan @Italo: ..anche per me, assieme al progenitrice 312B1 (questa è la B2) sono le più belle auto di F1 Ferrari mai costruite. Un omaggio all'indimenticabile Clay, ed al mitico ing. Mauro Forghieri progettista di queste monoposto. @Augusto: in quegli anni lavoravo in città, a Reggio Emilia, poco distante alla sede dei caschi da lui sponsorizzati (quello che indossa anche qui nella foto) e spesso veniva lì e con il titolare andavano a prendersi un caffè al bar di fronte alla azienda dove lavoravo e quando con i colleghi appassionati scorgevamo dalla finestra la Ferrari Daytona verde era il segnale che Clay era lì e con una scusa chiedevamo il permesso per andare a prenderci il caffè anche noi. Sempre cordiale e sorridente ci firmava l'autografo e ci ringraziava: signori d'altri tempi!! Un saluto Ivan |
| sent on April 23, 2020 (20:25) | This comment has been automatically translated (show/hide original)
Ivan, perhaps even for his gentlemanliness Clay has remained indelible in the memory of all. Italo, the B2 was certainly beautiful but Niki's T what it was........ A warm greeting to both of us Ivan, forse anche per quella sua signorilità Clay è rimasto indelebile nella memoria di tutti. Italo, la B2 era certamente bellissima ma la T di Niki cos'era ........ Un caro saluto ad entrambi Augusto |
| sent on April 24, 2020 (0:46) | This comment has been automatically translated (show/hide original)
Ivan, Augustus, I too had the pleasure of being next to Clay, in Imola, in the last period of his life. Look for the photo in my galleries. Ivan, Augusto, ho avuto anch'io il piacere di essere accanto a Clay, ad Imola, nell'ultimo periodo della sua vita. Cercate la foto nelle mie gallerie. |
| sent on October 15, 2022 (23:29) | This comment has been automatically translated (show/hide original)
Were color films easy to find in 1971? Anyway beautiful collection Nel 1971 le pellicole a colori erano di facile reperibilità? Comunque bellissima raccolta |
| sent on November 12, 2022 (20:03) | This comment has been automatically translated (show/hide original)
Hello, thank you and sorry for the delay in replying. In 1971 color films had already been around for years, but the cost of film + development + printing was very high. He often fell back on slides, much cheaper, beautiful when projected but quite poor when printed. In addition, the process of color development / printing was not within the reach of all amateur photographers: it was almost essential to turn to specialized laboratories with a consequent increase in time. Finally, it must be said that, very often, the quality of the printed color degraded within a few years (sometimes, unfortunately, only months) and you found yourself with "faded" prints not comparable to what you originally had. Personally I worked a lot with the b / w that I developed and printed personally. Those prints, after 50 years, are still perfect. Ciao, grazie e scusami per il ritardo nella risposta. Nel 1971 le pellicole a colori c'erano già da anni, ma il costo pellicola + sviluppo + stampa era molto elevato. Spesso si ripiegava sulle diapositive, molto più economiche, bellissime quando proiettate ma abbastanza scadenti quando stampate. Inoltre il processo di sviluppo/stampa del colore non era alla portata di tutti i fotoamatori: era quasi indispensabile rivolgersi a laboratori specializzati con conseguente aumento dei tempi. Infine bisogna dire che, molto spesso, la qualità del colore stampato degradava nel giro di pochi anni (a volte, purtroppo, solo mesi) e ti ritrovavi con stampe “sbiadite” non paragonabili a ciò che avevi in origine. Personalmente lavoravo molto con il b/n che sviluppavo e stampavo personalmente. Quelle stampe, dopo 50 anni, sono ancora perfette. |
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