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sent on May 22, 2015 (18:38) | This comment has been automatically translated (show/hide original)
The original black and white that returns with multiple detail all the beauty of the location .... unconvincing compositional structure with subjects that are right out and too crushed to the edge of the frame .... a physiological reading would require the subject to the left and placed on the front lines of force with space for research and a good balance of the composition dynamic component .... my very personal sensazioni.Ciao Gianni. Esemplare il bianco e nero che restituisce con molteplicità di dettaglio tutta la bellezza della location ....non convincente la struttura compositiva con i soggetti posti a destra in uscita e troppo schiacciati al bordo del frame....una lettura fisiologica avrebbe richiesto i soggetti a sinistra e posti sulle linee di forza con spazio davanti per ricercare equilibrio compositivo e una buona componente dinamica ....mie personalissime sensazioni.Ciao Gianni.
sent on May 23, 2015 (8:10) | This comment has been automatically translated (show/hide original)
Thanks for the ride Giovanni. As you suggested, and 'acceptable but I have seen many pictures of great names, like Avedon or Elliot Erwit, and less large but currently in vogue as Gabriele Rigon that break completely the rule of having the subject (if the subject is the people walking) on ??the third and headed to the large frame to effect input. The intent of the photos at the click was just to communicate the fade effect and usita the frame connecting me to the tune of fully equipped arcs that terminate on the right. Subject of the photo are the strings that are reinforced in their meaning from the two perosne that walking out of the frame .... maybe but 'I could not communicate well everything' Grazie per il passaggio Giovanni. Quanto da te suggerito e' condivisibile ma ho visto molte foto di grandissimi nomi, tipo Avedon o Elliot Erwit, e meno grandi ma al momento in voga come Gabriele Rigon che rompono del tutto la regola di avere il soggetto (ammesso che il soggetto siano le persone che camminano) sui terzi e diretti verso parte ampia del frame per un effetto di ingresso. L'intento della foto allo scatto era proprio di comunicare l'effetto di dissolvenza e usita dal frame collegandomi al motivo delgli archi che si interrompono sulla destra. Soggetto della foto sono gli archi che vengono rafforzati nel loro significato dalle due perosne che camminando escono dal frame .... magari pero' non sono riuscito a comunicare bene tutto cio'
sent on May 23, 2015 (10:26) | This comment has been automatically translated (show/hide original)
Thank you for the answer totally exhaustive, it is always a pleasure to exchange views in the reading of images with people debating photography knowledgeably and enrich themselves and those who are its interlocutors .... again thanks a ... salutissimo Gianni. Ti ringrazio per la risposta totalmente esaustiva,è sempre un piacere scambiare opinioni nella lettura delle immagini con persone che discettano di fotografia con cognizione di causa e che arricchiscono se stessi e coloro che ne sono interlocutori....di nuovo grazie...un salutissimo Gianni.
sent on May 23, 2015 (15:14) | This comment has been automatically translated (show/hide original)
Thank you John. A short collection of views of Copenhagen a little 'different ... the color will be' the subject, but nin advance another :-) Grazie a te Giovanni. A breve una raccolta su viste di Copenhagen un po' diversa ... il colore sara' il soggetto, ma nin anticipo altro :-)
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