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sent on March 29, 2012 (15:34) | This comment has been automatically translated (show/hide original)
I would have given a horizontal cut ...... removing a few pebbles below, but giving more space to the scene on the right side where I find it slightly muffled io gli avrei dato un taglio orizzontale......togliendo qualche sassolino sotto, ma dando più spazio alla scena sul lato destro dove la trovo leggermente soffocata
sent on March 29, 2012 (16:30) | This comment has been automatically translated (show/hide original)
I agree with those before me. I would like most if it had been in the frame where the pier (or rock) at the top come to earth Concordo con chi mi precede. Mi sarebbe piaciuta di più se fosse stato nell'inquadratura il punto in cui il molo (o rocce) in alto arrivano a terra
sent on March 29, 2012 (16:58) | This comment has been automatically translated (show/hide original)
@ Costabile: Thanks for the advice ;-) In fact the rocks are rather chaotic and unpleasant at this point but during shooting I thought that with a horizontal cut would have included additional distractions.
@ Apekos: I would need a fisheye to get to the point where the pier to reach the beach:-D @costabile: Grazie dei consigli In effetti i massi sono piuttosto caotici e poco piacevoli in questo punto ma in fase di scatto ho pensato che con un taglio orizzontale avrei inserito ulteriori elementi di distrazione.
@Apekos: mi sarebbe servito un fisheye per arrivare al punto in cui il molo arriva alla spiaggia
sent on March 29, 2012 (20:49) | This comment has been automatically translated (show/hide original)
I like so much this cut enhances the boulders in the foreground, with the right growing, slowly comes to the human figure in the background.
Riki A me piace così, questo taglio valorizza molto i massi in primo piano e, con un giusto crescendo, piano piano si arriva alla figura umana sullo sfondo.
sent on March 29, 2012 (20:59) | This comment has been automatically translated (show/hide original)
Thank you Riki. I enjoy reading your composition. It means that I have no intention totally screwed up. Ti ringrazio Riki. Mi fa piacere la tua lettura della composizione. Significa che nell'intenzione non ho totalmente toppato.
sent on March 29, 2012 (22:09) | This comment has been automatically translated (show/hide original)
absolutely!! messed up for nothing, I have only given my reading image and I tried to imagine a horizontal cut! assolutamente!!!! toppato per nulla, io ho dato solo la mia lettura all'immagine e ho provato ad immaginare un taglio orizzontale!
sent on March 30, 2012 (9:04) | This comment has been automatically translated (show/hide original)
A horizontal cut with the human figure rightly decentralized to the right would have meant to include a large portion of sky and water, or use a telephoto lens, I like the feeling of depth 'that gives the row of rocks and the transition from green to pink. Un taglio orizzontale con la figura umana giustamente decentrata a dx avrebbe voluto dire includere una grande porzione di acqua e cielo, oppure l'uso un tele, a me piace la sensazione di profondita' che l'infilata di scogli dona e il passaggio dal verde al rosa.
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. Scattata ad Ostia. 
