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sent on February 24, 2015 (10:23) | This comment has been automatically translated (show/hide original)
I post on a street have decried this shot ... personally do not agree, it is a shot pleasant, well Iluminato and full of interesting messaggo: the architecture / urban planning, the difference in communication both direct commercial contrasts materice so different from our everyday world. Perhaps the composizioan epatisce the vehicle and garbage cans ... but wanting are also part of the everyday. In conclusion I believe that you have been too hard on yourself. Hello Max I un post sulla street hai denigrato questo scatto... personalmente non sono daccordo, è uno scatto gradevole, ben iluminato e pieno di messaggo interessanti: la struttura architettonica/urbanistica, la differenza di comunicazione sia diretta che commerciale, le contrapposizioni materice così differenti dal nostro mondo quotidiano. Forse la composizioan epatisce l'automezzo e i bidoni della spazzatura... ma volendo fanno parte anch'essi del quotidiano. In conclusione ritengo che tu sia stato troppo severo con te stesso. Ciao Max
sent on February 24, 2015 (12:18) | This comment has been automatically translated (show/hide original)
Hello Max, thanks for the nice comment ...
it is true there are some interesting elements that struck me during shooting (the insignia and the two boys are tired), otherwise I would not have even developed ...
But what I wanted to say in the discussion on the street is that although "ok" as a scene (in the sense that tells a moment in a fairly readable) lacks quell'immersività typical of the genre, which I do very hard to get because I do not ever get close enough. Who knows how it would have been the same scene from the sidewalk?
cars and dumpsters I left them deliberately just to tell the best setting, initially I had croppati out, but I think it works better the glimpse seeing everything;-)
Ciao Max grazie per il bel commento...
è vero ci sono alcuni elementi interessanti che mi hanno colpito in fase di ripresa (le insegne e i due ragazzi stanchi), altrimenti non l'avrei sviluppata neanche...
però quello che volevo dire nella discussione sulla street è che seppur "ok" come scena (nel senso che racconta un momento in maniera abbastanza leggibile) manca di quell'immersività tipica del genere, che io faccio molto fatica ad ottenere perchè non mi avvicino mai abbastanza. Chissà come sarebbe stata la stessa scena dal marciapiede?
auto e cassonetti li ho lasciati volutamente proprio per raccontare al meglio l'ambientazione, inizialmente li avevo croppati fuori, ma secondo me funziona meglio lo scorcio vedendo tutto
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