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| sent on October 23, 2011 (10:51) | This comment has been automatically translated (show/hide original)
Some white and yellow are overexposed at this point with the type of light you'd have to compensate existing negative light and shadows to diffuse them through a diffuser panel.
The subject I see a little 'central, perhaps a little better decentrarlo' at the top right of the observer. Alcuni bianchi e gialli sono sovraesposti, a questo punto con il tipo di luce esistente avresti dovuto compensare negativamente ed illuminare le ombre per attenuarle tramite un pannello diffusore.
Il soggetto lo vedo un po' centrale, forse meglio decentrarlo un po' in alto alla dx di chi osserva. |
| sent on October 23, 2011 (11:01) | This comment has been automatically translated (show/hide original)
Thanks for the advice, will be useful for the next click! Hello Alessandro Grazie per i consigli, saranno utili per i prossimi click! Ciao Alessandro |
| sent on October 23, 2011 (11:30) | This comment has been automatically translated (show/hide original)
A very pleasant good composition set to maf on the flower ;-) Una composizione ambientata molto gradevole ottima al maf sul fiore |
| sent on October 23, 2011 (13:11) | This comment has been automatically translated (show/hide original)
in these shots as the composition is crucial and according to my taste there is something wrong, both the arrangement (as noted) is the inclination of the head, in addition to creating a feeling of "instability" is inconsistent with those of the background ... ;-) in scatti come questi la composizione è decisiva e secondo il mio gusto qui c'è qualcosa che non va, sia per la collocazione (come già rilevato) sia per l'inclinazione del capolino che, oltre a creare una sensazione di "instabilità" è incongruente con quelli dello sfondo... |
| sent on October 23, 2011 (13:36) | This comment has been automatically translated (show/hide original)
Are in agreement with Massimo before me, the flower in the foreground seems stuck to the background, as if put there. I would try to frame the daisy trying to compose and ambientarla otherwise.
The MAF instead on the flower in the foreground is perfect, kudos for that!
HELLO Sono in accordo con Massimo che mi precede, il fiore in primo piano sembra appiccicato allo sfondo, quasi fosse messo lì. Proverei a inquadrare la margherita cercando di comporla e ambientarla diversamente.
La MAF invece sul fiore in primo piano è perfetta, complimenti per ciò!
CIAO |
| sent on October 07, 2014 (23:19) | This comment has been automatically translated (show/hide original)
personally, being shot from above I do not think there were many opportunities to compose otherwise, the limit could avoid the subject in the center of the frame, but in this case you would have missed the diagonal effect of daisies in the background (by moving down left) --- essentially it will not be by the book but the composition seems reasoned and not random critical --- instead the lack of any given shutter speed and the ability to view the shot in high definition (which allows you to evaluate the quality the PP) - in fact the subject deserved exposure + elaborate! personalmente, essendo un'inquadratura dall'alto non credo vi fossero molte possibilità di comporre diversamente, al limite si poteva evitare il soggetto proprio al centro del fotogramma ma in questo caso si sarebbe perso l'effetto diagonale delle margherite sullo sfondo (spostandolo in basso a sx) --- in sostanza non sarà da manuale ma la composizione mi sembra ragionata e non casuale --- critico invece la mancanza di ogni dato di scatto e la possibilità di visionare lo scatto in alta definizione (che permette di valutare la qualità della PP) - in effetti il soggetto meritava un'esposizione + elaborata! |
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