Peter Paul Rubens | JuzaPhoto

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Still Life

8.2 MEGAPIXEL

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Il Polo Reale di Torino (1) View gallery (21 photos)

Peter Paul Rubens sent on January 29, 2015 (22:09) by Dantes. 9 comments, 1635 views.

, 1/10 f/6.3, ISO 1600, hand held.

Deianira tentata dalla Furia Olio su tela 245 x 168 cm L'opera è unanimemente riferita a Rubens, che la realizzò ? sotto un evidente influsso tizianesco ? durante la fase avanzata dellla carriera, forse dopo la committenza della Torre de la Parada, conclusa entro il 1638. Deianira è ripresa nell'atto di ricevere da una Furia la tunica insanguinata del centauro Nesso, con la quale suo malgrado causerà la morte di Ercole, suo marito. Nonostante le evidenti somiglianze, il dipinto potrebbe non necessariamente costituire il pendant di Ercole nel giardino delle Esperidi (inv. 1059), come lascia intendere la discrasia di scala delle figure. Fra il 1780 e il 1810 è documentata nella collezione Gentile di Genova; entrò in Sabauda nel 1981. Ercole nel giardino delle Esperidi Olio su tela 246 x 168,5 cm Rubens realizzò il dipinto nella fase tarda della carriera, forse dopo il 1638. Chiaramente indebitato con Tiziano, mostra nella figura virile anche lo studio approfondito dell'Ercole Farnese ? già in Palazzo Farnesea Roma e ora al MuseoArcheologico Nazionale di Napoli. La tela raffigura la felice conclusione dell'undicesima fatica di Ercole, con l'eroe intento a cogliere i pomi d'oro dopo l'uccisione del drago posto a guardia del giardino delle Esperidi. Sebbene molto simile a Deianira tentata dalla furia non fu necessariamente concepita come pendant. Fra il 1780 e il 1811 è documentata presso il palazzo della famiglia Gentile di Genova: dopo diversi passaggi di proprietà giunse a Torino, prima in deposito a Palazzo Madama e infine in Galleria Sabauda, a seguito dell'acquisto con diritto di prelazione da parte dello Stato nel 1981.

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Saverio Perrotta

sent on January 29, 2015 (22:14) | This comment has been automatically translated (show/hide original)

A more beautiful than the other !!!
Salutoni saverio

Albertopantellini

sent on January 29, 2015 (22:31) | This comment has been automatically translated (show/hide original)

Bravo Dante, in addition to take them back to the great, we always presents a profound and beautiful description accompanying each shot, facilitandoci reading of the same. Greetings alberto

Dantes

sent on January 29, 2015 (22:36) | This comment has been automatically translated (show/hide original)

Alberto Xavier and I enjoy it so much with these shots, thanks in 1000 !!!
hello, Dante

Micio

sent on January 29, 2015 (22:50) | This comment has been automatically translated (show/hide original)

I look .. and these are a pretty sight .. But I got a whim ..
..the foot Deianira .. I look just ugly!
Whatever the merits of the author and do not discuss Dante! ;-)

Dantes

sent on January 29, 2015 (22:59) | This comment has been automatically translated (show/hide original)

with everything else to look at the feet you stop ??? biricchino !!! :-D:-D:-D
hello Micio and resent!
Dante

Paolo P

sent on January 30, 2015 (18:13) | This comment has been automatically translated (show/hide original)

The feet are not that great but the rest is nice.
I accomuno to Alberto for praise is to shoot, both captions always timely and interesting.
Ever thought of giving a logical grouping of so many documents all in a book?
Hello Dante.
Paul

Dantes

sent on January 30, 2015 (20:06) | This comment has been automatically translated (show/hide original)

Paul never thought it would not be a bad idea, I have to think about, and as I wrote in a comment a few days ago where I was proposed your same idea, I jokingly said "too much effort".
I thank you for your visit and wish you a good weekend !!!
Dante

Arvina

sent on January 30, 2015 (20:27) | This comment has been automatically translated (show/hide original)

Always the best !!
Thanks Dante:-):-P

Dantes

sent on January 30, 2015 (20:31) | This comment has been automatically translated (show/hide original)

hello Arvina thanks and good evening!
Dante

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