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| sent on August 05, 2011 (12:57) | This comment has been automatically translated (show/hide original)
gladly accept tips, being early in macro photography.
The background is very confusing, I know, but not having a macro lens, I arranged with the 28-135 using a large (maybe too much) opening, and then I tried to improve a little 'background in ps. accetto molto volentieri suggerimenti, essendo agli inizi nella fotografia macro.
Lo sfondo è molto confuso, lo so, ma non avendo un obiettivo macro, mi sono arrangiato con il 28-135 usando una grande (forse anche troppo) apertura, e poi ho cercato di migliorare un po' lo sfondo in ps. |
| sent on August 18, 2011 (14:21) | This comment has been automatically translated (show/hide original)
first the background and the lens I see mostly a light too hard: try to shoot with the lights at the beginning and end of the day or shielding direct light and you'll see the difference ... prima dello sfondo e dell'obiettivo io vedo soprattutto una luce troppo dura: prova a scattare con le luci di inizio e fine giornata o schermando la luce diretta e noterai la differenza... |
| sent on August 18, 2011 (20:42) | This comment has been automatically translated (show/hide original)
you're right, this photo I shot in the afternoon and the light was actually very hard. To shield the light what can you use?
Thanks for the ride anyway. si hai ragione, questa foto l'io scattata nel pomeriggio ed effettivamente la luce era molto dura. Per schermare la luce cosa si può usare?
Grazie del passaggio comunque. |
| sent on August 19, 2011 (7:31) | This comment has been automatically translated (show/hide original)
In this case, at the level of composition, would have opted for a vertical ... in addition to parts burned on the subject, I do not see the subject looks sharp .. In questo caso, a livello di composizione, avrei optato per un verticale... oltre a parti sul soggetto bruciate, non vedo il soggetto nitido.. |
| sent on August 19, 2011 (10:27) | This comment has been automatically translated (show/hide original)
now I'm gone, but if I remember correctly the histogram presented the burnt areas (I think), when I get home rechecking.
Hello thanks adesso sono via, ma se non ricordo male l'istogramma non presentava zone bruciate (mi pare), quando torno a casa ricontrollo.
Grazie ciao |
| sent on August 22, 2011 (17:36) | This comment has been automatically translated (show/hide original)
This is the histogram of the picture
As you can see there are areas burned, except a few pixels, but not relevant.
questo è l'istogramma della foto
come vedi non ci sono zone bruciate, se non qualche pixel, ma non rilevanti.
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| sent on August 28, 2011 (23:47) | This comment has been automatically translated (show/hide original)
Good composition of this close-up. To emphasize the shot I underexposed by 1/3 stop, reduced shake and subject your (lack of sharpness) and optimized the maf.
If there was no wind, remember that it is never constant .. There are some micro-moments where the oscillation dies. hello and good light, laurel Buona la composizione di questo close-up. Per enfatizzare lo scatto avrei sottoesposto di 1/3 di stop, ridotto il micromosso tuo e del soggetto (mancanza di nitidezza) e ottimizzato la maf.
Se vi era vento ricordati che non è mai costante .. ci sono alcuni micro-istanti dove l'oscillazione muore. ciao e buona luce, lauro |
| sent on October 19, 2011 (14:13) | This comment has been automatically translated (show/hide original)
If you look at the histogram and then interveini heavily on contrasts is clear that the lights burn. Use RGB or sRGB? Raw or jpg? If you do not see evil in the histogram that you posted the highlights are not smashed .. Se guardi l'istogramma e poi interveini pesantemente sui contrasti è chiaro che bruci le luci. Usi RGB o SRGB? Raw o jpg? Se non vedo male nell'istogramma che hai postato le alte luci non sono sfondate.. |
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