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| sent on October 21, 2014 (14:04) | This comment has been automatically translated (show/hide original)
Great resume point for this beautiful castle that seems to soar in the sky! Very nice play of light and shadow and the color contrast!
Congratulations dear Vincenzo! ;-)
Hello hello, Chiara Ottimo punto di ripresa per questo bellissimo castello che sembra svettare in cielo! Molto bello il gioco di luci e ombre e il contrasto cromatico!
Complimenti caro Vincenzo!
Ciao ciao, Chiara |
| sent on October 21, 2014 (19:23) | This comment has been automatically translated (show/hide original)
Thanks is a photo that I pulled out of the drawer in this period that I'm not paying too much to nature photography.
I'm not going to change their gender but also other areas I would like to deepen ....... I need your for help but ......
Hello
Vincenzo Grazie è una foto che ho tirato fuori dal cassetto in questo periodo che non mi sto dedicando troppo alla fotografia naturalistica.
Non ho intenzione di cambiare genere ma vorrei approfondire anche altri settori.......mi serve il vostro aiuto peró......
Ciao
Vincenzo |
| sent on October 21, 2014 (19:27) | This comment has been automatically translated (show/hide original)
Beautiful photo Vincenzo. Bella foto Vincenzo. |
| sent on October 21, 2014 (23:18) | This comment has been automatically translated (show/hide original)
“ .mi need your help though .. „ But it's there ... !!! :-D:-P " .mi serve il vostro aiuto peró.." Ma va là...!!!  |
| sent on October 22, 2014 (8:09) | This comment has been automatically translated (show/hide original)
Excellent hand, congratulations, 2.1 sec freehand is not easy to have photo stops, excellent compo, most just the timing of the light typical to limit the start of the night (now blue), I also like the use of the pushed wide angle that gave convergence upward to vertical lines and pdr, all returned to the majestic fortified building, so I know that Clare is right to write on the help "... But it's there."
Hello Vincenzo.
Antonio.
Ottima mano, complimenti, 1/2 sec a mano libera non è facile avere foto ferma, ottima la compo, giustissima la scelta del momento per la luce tipica al limite dell'inizio notturno (ora blu), mi piace anche l'utilizzo del grandangolo spinto che ha dato convergenza verso l'alto alle linee verticali ed il pdr, il tutto ha restituito maestosità alla costruzione fortificata, mi sa tanto che Chiara ha ragione a scrivere sull'aiuto "Ma va là...".
Ciao Vincenzo.
Antonio.
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| sent on October 22, 2014 (8:41) | This comment has been automatically translated (show/hide original)
Hello Antonio this photo was part of a sequence of shots all variously moved, then authenticates luck or who did not support the machine somewhere? ..... But where? there is a wall, but it was impossible to compose and then also the other shots were identical and should not have been moved .....
I do not remember ...... anyway lucky shot Ciao Antonio questa foto faceva parte di una sequenza di scatti tutti variamente mossi, quindi autentica fortuna oppure che non abbia appoggiato la macchinetta da qualche parte?.....ma dove? c'è un muretto ma sarebbe stato impossibile comporre e poi anche gli altri scatti sarebbero stati identici e non sarebbero dovuti essere mossi.....
Non mi ricordo proprio......comunque scatto fortunoso |
| sent on October 22, 2014 (8:41) | This comment has been automatically translated (show/hide original)
Thanks Cyrus. Grazie Ciro. |
| sent on October 22, 2014 (9:44) | This comment has been automatically translated (show/hide original)
So, probably why you kept shooting well elbows close to the body and push the car on the eye so that the oscillations induced by the arms and hands were muffled by the whole body, I see no other logical explanation if you did not stand and there was no wall.
At least this is the technique to use for slow times, I have always followed and I have a very high percentage of photos "firm", we always talk about landscape and use of wide-angle focal, otherwise not worth what is written above. Allora, probabilmente per questo scatto hai tenuto bene i gomiti stretti al corpo e spinta sull'occhio la macchina facendo in modo che le oscillazioni indotte dalle braccia e mani siano state attutite da tutto il corpo, non vedo altra spiegazione logica se non avevi cavalletto e non c'era nessun muretto.
Perlomeno questa è la tecnica da usare per tempi lenti, io l'ho seguita sempre ed ho una percentuale altissima di foto "ferme", parliamo sempre di paesaggio e utilizzo d focali grandangolari, altrimenti non vale quello scritto sopra. |
| sent on October 25, 2014 (9:27) | This comment has been automatically translated (show/hide original)
beautiful picture !!! bravo !!!
Regards Bruno bella immagine!!! bravo!!!
saluti Bruno |
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