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| sent on August 15, 2014 (23:30) | This comment has been automatically translated (show/hide original)
Congratulations .... is the dream of every photographer take a picture like that. (Peter Lik would be envious) Complimenti .... è il sogno di ogni fotografo realizzare una foto così.(Peter Lik sarebbe invidioso) |
| sent on August 16, 2014 (9:29) | This comment has been automatically translated (show/hide original)
Thanks again and thanks to Roberta Jean and Dominic. :-) Grazie ancora Roberta e un grazie anche a Jean e Domenico.  |
| sent on August 16, 2014 (23:52) | This comment has been automatically translated (show/hide original)
Remarkable. Congratulations on your choice of location! Notevole. Complimenti per la scelta della location! |
| sent on August 19, 2014 (8:32) | This comment has been automatically translated (show/hide original)
Thanks Dalex! Grazie Dalex! |
| sent on August 24, 2014 (22:40) | This comment has been automatically translated (show/hide original)
Beautiful beautiful!'ve Caught the right time!
Hello
Stefano Bella bella!hai colto il momento giusto!
Ciao
Stefano |
| sent on August 25, 2014 (16:10) | This comment has been automatically translated (show/hide original)
Thank you Stephen. :-) Grazie Stefano. |
| sent on September 01, 2014 (22:35) | This comment has been automatically translated (show/hide original)
Tremendous applause ... wow! Applausi tremendi...  |
| sent on September 02, 2014 (19:53) | This comment has been automatically translated (show/hide original)
Thanks Nick ... too good! :-) Grazie Nick... troppo buono! |
| sent on December 20, 2014 (15:34) | This comment has been automatically translated (show/hide original)
Spectacular, congratulations! Spettacolare, complimenti! |
| sent on December 23, 2014 (8:41) | This comment has been automatically translated (show/hide original)
Thank you for picking me up! :-) Grazie per il passaggio! |
user754 | sent on February 27, 2015 (13:03) | This comment has been automatically translated (show/hide original)
Now we step short time on this Juza and I missed ...
A classic really well done !!!
I imagino heel elevator that you did to get there on time ...
Hello
Alessandro Ormai ci passo poco tempo su Juza e questa me la sono persa ...
Un classico veramente ben eseguito!!!
Mi imagino che alzataccia che hai fatto per arrivare per tempo ...
Ciao
Alessandro |
| sent on February 27, 2015 (16:33) | This comment has been automatically translated (show/hide original)
Many heel elevator, if you want I'll tell you as soon as we see. :-D
Pengo Thanks! Molta alzataccia, se vuoi ti racconto appena ci vediamo. 
Grazie Pengo! |
| sent on January 10, 2016 (10:47) | This comment has been automatically translated (show/hide original)
Great view. Gran colpo d'occhio. |
| sent on January 10, 2016 (10:54) | This comment has been automatically translated (show/hide original)
Thank you! :-) Grazie! |
| sent on January 10, 2016 (17:00) | This comment has been automatically translated (show/hide original)
Hello Maxfelici,
I went back to look at this shot after some time, I wanted to ask you a question.
The sun is wedged partially strikes the rocks at the bottom of the arc, whose warm brown reach but 'portions that certainly are not affected by sunlight. In addition, the rock of the arc of homogeneous composition does not justify the difference in color tones between the part inferiere bow, brown, and the rest, gray. Can you please tell how there 'of natural and artificially created in the image of what in relation to the brown and the gray areas of the arc?
In no way my must be taken as a negative criticism. Indeed, I think that what 'makes sugestiva this is precisely thebrown frame, I wondered if it was due to nature and how much the artistic hand of the creator and implementer after-image.
Thanks, sincere congratulations, Mark.
Ciao Maxfelici,
sono tornato ad esaminare questo scatto dopo qualche tempo, volevo rivolgerti una domanda.
Il sole che si incunea colpisce parzialmente le rocce nella parte inferiore dell'arco, i cui toni caldi marroni raggiungono pero' porzioni che certamente non sono colpite dai raggi solari. Inoltre, la roccia dell'arco di composizione omogenea non giustifica la differenza di toni cromatici fra la parte inferiere dell'arco, marrone, e il resto, grigio. Mi puoi per cortesia dire quanto c'e' di naturale e quanto di creato artificialmente nell'immagine in relazione alle zone marroni e a quelle grigie dell'arco?
In nessun modo la mia deve essere presa come una critica negativa. Anzi, ritengo che cio' che rende sugestiva questa immagine sia proprio la cornice marrone, mi chiedevo quando di essa fosse dovuto alla natura e quanto alla mano artistica del realizzatore e post-realizzatore dell'immagine.
Grazie, sinceri complimenti, Marco.
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| sent on January 10, 2016 (20:10) | This comment has been automatically translated (show/hide original)
Hello Marco, in all honesty I had to re-read a few times because I did not understand the question (and maybe I have not understood: -D)
That is the part that you do not back is the strong lighting of the arch with the sun is on its line, right?
I do not even explained to me, and I was there before.
I guess it all depends on the reflection of the underlying rock that is not just sheer, I act like a big reflector. The composition of the rock it will contribute to this, but we should seek guidance to a geologist.
I enclose the full screenshot of Lightroom NEF as fire, I think is already evident from this that the area has a show completely different from the rest.
[URL =] https: //dl.dropboxusercontent.com/u/650301/01.png
This however is the screenshot with the adjustments made (it lacks sharpness but I think it is necessary)
[URL =] dl.dropboxusercontent.com/u/650301/02.png
Ciao Marco, in tutta onestà ho dovuto rileggere alcune volte il quesito perché non capivo (e forse non l'ho ancora capito )
Cioè: la parte che non ti torna è la forte illuminazione della volta dell'arco con il sole che è sopra la sua linea, giusto?
Non me lo spiegavo neanche io, e mi trovavo lì davanti.
Credo che tutto dipenda dal riflesso della roccia sottostante che non è proprio a strapiombo, penso agisca come un grande pannello riflettente. Anche la composizione della roccia credo contribuisca a questo, ma bisognerebbe chiedere lumi ad un geologo.
Allego lo screenshoot di Lightroom del NEF come scattato, penso sia già evidente da questo che la zona ha un'esposizione completamente diversa dal resto.
dl.dropboxusercontent.com/u/650301/01.png
Questo invece è lo screenshot con le regolazioni apportate (manca la nitidezza ma non penso sia indispensabile)
dl.dropboxusercontent.com/u/650301/02.png
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| sent on January 10, 2016 (22:36) | This comment has been automatically translated (show/hide original)
So the warm brown, from where the rock arch at the left side seems to turn face to those who resumes, are due to a kind of reflection of the warm rays of early morning on the rocks placed behind the arc. Interesting. Hello Marco. dunque i toni caldi marroni, fin dove la roccia dell'arco nella parte laterale sinistra sembra rivolgere la faccia verso chi la riprende, sono dovuti ad una sorta di riverbero dei raggi caldi del primo mattino su rocce poste alle spalle dell'arco stesso. Interessante. Ciao, Marco. |
| sent on January 10, 2016 (22:38) | This comment has been automatically translated (show/hide original)
That nice picture
Cosimo Che bella foto
Cosimo |
| sent on January 10, 2016 (22:56) | This comment has been automatically translated (show/hide original)
SPECTACULAR...!!! SPETTACOLARE...!!! |
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