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The Gouffre...

Bretagna 2

View gallery (35 photos)

The Gouffre sent on January 16, 2013 (13:18) by Caterina Bruzzone. 89 comments, 12250 views.

, Posa B f/16.0, ISO 100, tripod. Gouffre de Plougrescant, France.

#Seascape Nd 110 121 secondi doppia esposizione. Tutte le foto contenute in queste gallerie sono copyright Caterina Bruzzone e non possono essere utilizzate in alcuna forma senza il consenso dell'autore.



230 persons like it: 19leo90, 1niko, 7h3 L4w, Adi, Adrimas51, Aerlaeron, Agazzi Franco, Albatrosslive, Alberto Perer, Albertopalu, Albertopantellini, Alessandro Laconi, Ali_mohtashami, Andrea Panagini, Andrea Stefanoni, Andrea3074, Andrea87pn, Andrynoce, Angelo Butera, Angelo456, Antonio Motolese, Babu, Beppe, Bonati75, Brontolo83, Brunetto, Bruno87, Carlo Bassi, Carlo Orsi, Cesco.pb, Chabotte, Ch_claudio, Cian7, Cianlox, Cirillo Donelli, Claudio Boccardo, Claudio Dubbiosi, Claudio Finotelli, Claudio Salandini, Claudio Santoro, Cola, Conti Cristiano, Dadyorchidea, Dario84, Darioceresoli, Davide__m, Diego Cuzzolin, Diego49, Dinocelle, Diodato Campagna, Domenico, Donalds, Doudou, Duego74, Dvittorio, Egio, El Blanco, Emanuele T., Emilio Paolo, Emozionevisiva, Enzo64, Enzotto76, Erin, Estroverzia, Fabio S., Fabiofranco, Fabrizio Bellandi, Falconfab, Fedebobo, Federico Militello, Federico_28, Felux69, Finco, Fotomistico, Franco B, Franco Bonanni, Franco Giannattasio, Franco Molinari, Francoitaly, Fulvio Gioria, Fuso, Gabriele Castellari, Gabriele Chemello, Gaetano Perego, Gare75, Giamby86, Giampiero Gandolfo, Gian Mario Zaino, Giancarlo Priore, Giannix, Giatura, GionaTabarini, Giorgio Disaro, Giorgio Pirola, Giorgio49, Giuseppe Patruno, Giuseppe Spairani, Gpierocompostela, Gufonico, Guido G., Hawkeye, Hokusai72, Ian.postuma, Il Vime, Ilfruttodelpeccato, Ilmore52, Jahromi, Jappone, Jarmila, Joseph L., Kyagi, Lamagra, Laurence Corbie, Laurenzo, Lorenzf, Luca Alessi, Luca Antonutti, Luca.mc, Luca.serravalli, LucaRossi76, Lucas, Lucianob, Luckytownman, Ludovica, Lured60, M3ndoza, Maaax, Marco Mercuri, Marco No, Marco Renieri, Marco Tagliarino, Maridana, Mario Balboni, Mario Nardinocchi, Mario.bono, Markos Loudaros, Martinclimber, Massimiliano Antonello, Massimo Scorzoni, Massimo Vertuani, Massimoeos, Matteo_mengh, Maurizio Attiani, Mauro Mgl, Mauro Sansivero, Mauro266, Maxmontella, MaxShutterSpeed, Maxspin73, Maxt, Mazzerix, Medri Silverio, Michela Checchetto, Michele Cloch, Michele Marini, Michele Morosini, Mick62, Miki C., Mikypan81, Mirkot_, Misterg, Monica Rotulo, Morettim, Nadir Francesco Capoccia, Nahual, Nebbia, Nemesi9191, Nicola Furini, NievesY, Nikcola, Nikispinnato, N_i_c_o, Paolo Lombardi, Paolo_54, Peter Pipistrello, Picco Paolo, Pierluigi C., Pierluigi Medda, Pix And Love, Raffaeletrek, Ramvam, Rinaldo Di Iorio, Robb1672, Roberto Albergoni, Roberto Cilli, Roberto Nisi, Roberto Onano, Roberto Paneroni, Roberto Parmiggiani, Roberto Vacca, Roberto1966, Robi98, Ruben.Reggiani, Saeed Hadipour, Salvatore Oppedisano, Salvo Trupiano, Salvomanfrotto, Sasasicilyuno, Scooby, Scuter1956, Sensation81, Seo, Seo Photo, Sercarlo, Shutter, Silviab, Simona Gosi, Simone, Simonefrigo, Sinbad, Slawek, Soujirou17, Ste77, Stef65, Stefanophotography, Steve Mackay, Technophil, Terrestre Extra, Timothy Stark, Tiziano Fuser, Tofa90, Uccio, Uy84, Volo, Walter Dall, Yago, Zaffozaffo, Zman, Zoemanu, Zuniga Lorenzo Norberto


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avatarsupporter
sent on April 18, 2013 (21:23)


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Grazie Raffaele e GiuseppematteraSorriso
Il filtro è il B+W 110 da 10 stop, dopo averci preso un po' di confidenza mi ci trovo bene, a volte da una dominante calda ma è uniforme su tutto il fotogramma e quindi facilmente eliminabile.
Ciao.

Thanks Raffaele and Giuseppemattera :-)
The filter is the B + W 110 10 stop, after having taken a little 'confidence I like them, sometimes by a dominant warm but is uniform across the frame and then easily removed.
Hello.

avatarsupporter
sent on May 01, 2013 (18:55)


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bellissima,complimenti!

beautiful, congratulations!

avatarsupporter
sent on May 01, 2013 (21:24)


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Grazie PaoloSorriso
Ciao.

Thanks Paul :-)
Hello.

avatarjunior
sent on July 02, 2013 (18:32)


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Guardo frequentemente le foto pubblicate e di ogni genere ma è la prima volta che decido per un commento. Ho deciso di farlo su questa ma lo avrei potuto fare su decine di tue altre foto. Bellissime mi affascinano, le guardo e le riguardo tante volte. Alcune vere opere d'arte. Complimenti, sei semplicemente un'Artista. Mi piace la tecnica del tuo "paesaggio" che cercherò di intraprendere.
Un saluto
Vincenzo

I look at the pictures posted and frequently of all kinds but it is the first time I decide for comment. I decided to do this but I could make out dozens of your other photos. Beautiful fascinate me, I look at them and about so many times. Some true works of art. Congratulations, you are simply an Artist. I like the technique of your "landscape" I will try to take.
Greetings
Vincenzo

avatarsupporter
sent on July 10, 2013 (10:50)


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Grazie Vincenzo, troppo buonoSorrisoSorriso
Ciao.

Thanks Vincenzo, too good :-) :-)
Hello.

avatarsenior
sent on March 04, 2014 (10:39)


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scatto che aggiunge un'atmosfera trascendente, quasi senza tempo, ad una costa affascinante che visitai circa 22 anni fa, foto eccellente e perfetta. Complimenti per le performance raggiunte.
saluti Cirillo

shot which adds a transcendent, almost timeless, with a fascinating coast that I visited about 22 years ago, excellent photo and perfect. Congratulations to the performance achieved.
Regards Cyril

avatarsupporter
sent on March 04, 2014 (14:26)


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Grazie Cirillo Sorriso
Un saluto.

Thanks Cyril :-)
A greeting.

avatarjunior
sent on December 29, 2015 (14:12)


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Ciao Caterina. Foro molto bella. Puoi spiegarmi, per favore, quali elementi sono stati scomposti nella doppia esposizione (es. Acqua e rocce+cielo)? Per entrambi l'esposizione e' di 121sec?
Grazie in anticipo; Vincenzo

Hello Catherine. Hole very nice. Can you explain, please, what elements have been factored in double exposure (eg. Water and rocks + sky)? For both the exposure and 'of 121sec?
Thank you in advance; Vincenzo

avatarsupporter
sent on December 29, 2015 (14:21)


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Ciao Vincenzo, la seconda esposizione è servita per il cielo che in alcuni piccoli punti tendeva a sforare, in questi casi tendo a mantenere lo stesso tempo compensando la necessità di un'esposizione minore con la chiusura del diaframma anche a f22 visto che non c'è problema visto il soggetto di perdere dettaglio per via della rifrazione;-)MrGreen non è invece utile abbassare gli is0 a 50 perché vista la curva di risposta più ripida si finisce comunque quasi sempre per bruciare lo stesso le alte luci anche con uno stop in meno teorico d'esposizione.
Un saluto.

Hello Vincenzo, the second exposure is served for the sky that in some small points tended to stay within, in these cases tend to maintain the same time compensating for the need for a lower exposure and with the closing of the diaphragm to f22 also seen that there ' is no problem as the subject of losing detail due to refraction ;-) -D not be helpful to lower the IS0 50 view because the response curve steeper you end up almost always to burn the same highlights even with a stop less theoretical exposure.
A greeting.


RCE Foto

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