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| sent on September 20, 2016 (20:40) | This comment has been automatically translated (show/hide original)
Gorgeous. Extraordinary sharpness. Great reflex. ;) Bellissima. Nitidezza straordinaria. Ottimo riflesso. ;) |
| sent on September 20, 2016 (21:07) | This comment has been automatically translated (show/hide original)
Thanks Stefano and Francesco :-) Good evening, hello. Grazie Stefano e Francesco Buona serata, ciao. |
| sent on September 20, 2016 (22:35) | This comment has been automatically translated (show/hide original)
Fantastic picture. I garbano much glare and managing the lights. Compliments. Antonio Fantastica Immagine. Mi garbano molto i riflessi e la gestione delle luci. Complimenti. Antonio |
| sent on September 21, 2016 (11:31) | This comment has been automatically translated (show/hide original)
Thanks Antonio :-) Have a nice day bye! Grazie Antonio Buona giornata, ciao! |
| sent on September 24, 2016 (8:09) | This comment has been automatically translated (show/hide original)
Beautiful landscape. Bellissimo paesaggio. |
| sent on September 24, 2016 (13:15) | This comment has been automatically translated (show/hide original)
Thanks Maurizio :-) Greetings, good weekend! Grazie Maurizio Un saluto, buon fine settimana! |
| sent on September 25, 2016 (18:06) | This comment has been automatically translated (show/hide original)
A really excellent work Un lavoro davvero eccellente |
| sent on September 25, 2016 (20:36) | This comment has been automatically translated (show/hide original)
Thanks Daniel :-) Good evening, hello! Grazie Daniele Buona serata, ciao! |
| sent on September 28, 2016 (11:10) | This comment has been automatically translated (show/hide original)
Hello, I omit the strameritati compliments, moreover, it could not be otherwise to avoid repeating what they have written those who preceded me. I ask advice / opinion to a professional like you: when I am in a similar situation as in this photo of yours, it would make sense to make a kind of stacking focus, from the foreground to the mountains? Thank you and excuse me if I say a nonsense. Greetings Ciao, tralascio i complimenti strameritati, del resto, ma non poteva essere altrimenti per evitare di ripetere quanto hanno scritto chi mi ha preceduto. Chiedo un consiglio/parere ad una professionista come te: quando mi trovo in una situazione simile come in questa tua foto, avrebbe senso effettuare una sorta di focus stacking, dal primo piano fino alle montagne? Grazie e scusami se ho detto una castroneria. Saluti |
| sent on September 28, 2016 (11:22) | This comment has been automatically translated (show/hide original)
Thanks Yoctox :-) Absolutely, I have recourse at times to this technique, it depends on how close the first floor according to the focal, I do not close the aperture f16 addition, when this value is not enough to pdc stacking is required is obviously better still try the maximum pdc on individual shots so you can merge on common fire area better if not too detailed, we are not in the macro where we move the focus through the micrometer slide and the reproduction ratio does not change, by turning the focus ring the images will however, slightly different, you have to minimize the problem, do a lot of attention to the subject of interference in the foreground with the background that might not be easy to manage, in short, to get good results it takes a bit 'of attention and practical but nothing d' impossible. Have a nice day bye. Grazie Yoctox Assolutamente si, io ricorro a volte a questa tecnica, dipende da quanto è vicino il primo piano in base alla focale, non chiudo il diaframma oltre f16, quando a questo valore la pdc non basta lo stacking è obbligato ovviamente è meglio cercare comunque la massima pdc sui singoli scatti in modo da poter fondere su un'area di fuoco comune meglio se non troppo dettagliata, non siamo in macro dove spostiamo il fuoco attraverso la slitta micrometrica e il rapporto di riproduzione non cambia, agendo sulla ghiera del fuoco le immagini saranno comunque leggermente diverse, bisogna minimizzare il problema, fare molta attenzione anche alle interferenze di soggetti in primo piano con lo sfondo che potrebbero essere non semplici da gestire, insomma per ottenere buoni risultati ci vogliono un po' d'attenzione e pratica ma nulla d'impossibile. Buona giornata, ciao. |
| sent on September 28, 2016 (11:28) | This comment has been automatically translated (show/hide original)
Thanks Catherine, I am comforted by this review. I do not remember but someone had taken me for a fool when I said that the FS can be applied, of course, in particular situations, even the landscape photos. I have to try. Grazie Caterina, mi conforta questo tuo commento. Non ricordo ma qualcuno mi aveva preso per scemo quando dissi che il FS si può applicare, ovviamente in particolari situazioni, anche alle foto paesaggistiche. Devo provare. |
user104607 | sent on September 28, 2016 (11:36) | This comment has been automatically translated (show/hide original)
This kind of shots I love them. You're great Catherine. Questo genere di scatti li adoro. Sei grande Caterina. |
| sent on September 28, 2016 (14:42) | This comment has been automatically translated (show/hide original)
Thanks Catherine, very kind. I visto..che say, masterpieces !!. Excuse me one last question, then I swear I do not break you more. Why apertures? if you have in mind to achieve a FS might as well open, with resulting benefits in terms of time, in case there was a bit 'of wind or waves that you want to freeze. Thank you in advance ;-) grazie Caterina, gentilissima. Ho visto..che dire, capolavori !!. Scusa un ultima domanda, poi giuro non ti rompo più. Perchè diaframmi chiusi? se si ha in mente di realizzare un F.S. tanto vale aprire, con relativi benefici in termini di tempo, nel caso ci fosse un po' di vento oppure onde che si vogliono congelare. Grazie anticipatamente |
| sent on September 28, 2016 (14:59) | This comment has been automatically translated (show/hide original)
For the speech I was doing before, have a common focus area for several shots to find the perfect melting point, among other things on the field becomes spent it difficult to assess the real extent of the pdc and want to work at open aperture exposes the possibility of "fire holes" in addition to complications due to possible variations in the scene you have already guessed the handle many shots, personally I always try to use the least number of shots possible, including with regard to the speech range. Per il discorso che facevo prima, avere una zona di fuoco comune ai diversi scatti in cui trovare il punto di fusione ideale, fra l'altro sul campo diventa speso difficile valutare la reale estensione della pdc e voler lavorare a diaframmi aperti espone alla possibilità di "buchi di fuoco" oltre alle complicazioni dovute a possibili variazioni nella scena che hai già intuito nel gestire molti scatti, personalmente cerco di ricorrere sempre al minor numero di scatti possibile, anche per quanto riguarda il discorso gamma. |
| sent on September 30, 2016 (15:16) | This comment has been automatically translated (show/hide original)
Beautiful composition, managed to great light Hello
Luca Bellissima composizione, luce gestita alla grande ciao Luca |
| sent on September 30, 2016 (19:37) | This comment has been automatically translated (show/hide original)
Thanks Luca :-) Good evening, hello! Grazie Luca Buona serata, ciao! |
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