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| sent on February 28, 2016 (16:43) | This comment has been automatically translated (show/hide original)
very nice :-) molto bella  |
| sent on February 28, 2016 (16:48) | This comment has been automatically translated (show/hide original)
Thanks lello :-) Grazie lello |
| sent on March 03, 2016 (23:12) | This comment has been automatically translated (show/hide original)
That's a good one!!!
"Necessity is the mother of invention" :-D
Hello, Renato Bella questa!!!
"La necessità aguzza l'ingegno" 
Ciao, Renato |
| sent on March 03, 2016 (23:42) | This comment has been automatically translated (show/hide original)
With the scaleo I photographed all of Amsterdam, not having the Shiftable (then) it occurred to me that the scale was the only way not to have all the photos with falling lines of the buildings; the publisher was very happy with my photo shoot.
Hello Con lo scaleo ho fotografato tutta Amsterdam ,non avendo i decentrabili (all'epoca) mi venne in mente che la scala era l'unico modo per non avere tutte le foto con linee cadenti degli edifici; l'editore fu molto contento del mio servizio fotografico.
Ciao |
| sent on March 03, 2016 (23:43) | This comment has been automatically translated (show/hide original)
Spectacular Spettacolare |
| sent on March 04, 2016 (8:48) | This comment has been automatically translated (show/hide original)
Thanks Renato, Amnesio :-)
Bonky 73 thank you for sharing your story, it must have been amazing! Grazie Renato, Amnesio
Bonky 73 grazie per aver condiviso il tuo racconto, deve essere stata incredibile! |
| sent on March 13, 2016 (10:31) | This comment has been automatically translated (show/hide original)
Yes, white people are a little bit gone, but the sense of this picture and the particular time that is within the upper hand and they are perceived, beyond your words. very nice for me. sì, i bianchi sono un pò andati, ma il senso di questa foto e il momento particolare che c'è dentro hanno il sopravvento e si intuiscono, al di là delle tue parole. molto bella per me. |
| sent on March 13, 2016 (14:41) | This comment has been automatically translated (show/hide original)
Thanks Agata, I'm glad you enjoyed the photo :-) Grazie Agata, sono contento che ti sia piaciuta la foto |
| sent on December 25, 2016 (17:40) | This comment has been translated
Nice! |
| sent on November 27, 2017 (16:13) | This comment has been automatically translated (show/hide original)
Good evening, a technical question. There was talk of burning sky. Yesterday I ran into a similar situation where I had a part of the shadow scene and the other with full and almost backlight (cloud-filtered light). In the various shots the camera showed me the completely burnt sky or completely black shadows.
How do you behave in these situations? Braketing then making a HDR?
Greetings. Buonasera, una domanda tecnica. Si parlava del cielo bruciato. Ieri mi sono imbattuto in una situazione simile in cui avevo una parte della scena in ombra e l'altra con luce piena e quasi controluce (luce filtrata da nubi). Nei vari scatti la fotocamera mi evidenziava il cielo completamente bruciato o le ombre completamente nere.
Come vi comportate voi in queste situazioni? Braketing per poi fare un HDR?
Saluti. |
| sent on November 27, 2017 (16:16) | This comment has been automatically translated (show/hide original)
Baribal, you're the author of the photo (nice the same as I am concerned), with the hint of what would you do to avoid that white sky? Baribal, tu che sei l'autore della foto (bella lo stesso per quanto mi riguarda), con il senno di poi cosa avresti fatto per evitare quel cielo bianco? |
| sent on November 27, 2017 (17:28) | This comment has been automatically translated (show/hide original)
Doing a double exposure in these cases is not always easy, probably considering the excellent recovery capability of the nikon d610, I would have exposed the sky and open the shadows in pp. Fare una doppia esposizione in questi casi non sempre è semplice, probabilmente considerando le ottime capacità di recupero delle ombre della nikon d610, avrei esposto correttamente il cielo e aperto le ombre in pp. |
| sent on November 27, 2017 (17:29) | This comment has been automatically translated (show/hide original)
Doing a double exposure in these cases is not always easy, probably considering the excellent recovery capability of the nikon d610, I would have exposed the sky and open the shadows in pp. Fare una doppia esposizione in questi casi non sempre è semplice, probabilmente considerando le ottime capacità di recupero delle ombre della nikon d610, avrei esposto correttamente il cielo e aperto le ombre in pp. |
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