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| sent on September 12, 2013 (21:53)
Thank you Sandro and have a good evening. |
| sent on September 12, 2013 (21:54) | This comment has been automatically translated (show/hide original)
I probably would have left a little more space to the left and up, and I would not cut his long hair down.
I really like the background, the make-up of the model, and I appreciate the fact that you have left that little mole near the lips, a touch more sensual.
you're a talented photographer, I had already seen a lot of shots, let me, this time, to compliment the beauty of your wife, because she is a woman really fascinating, with really expressive eyes and magnetic.
you're really lucky ... a big hello my friend ;)
david io forse avrei lasciato un po piu di spazio a sinistra e in alto,e non avrei tagliato i suoi lunghi capelli in basso.
mi piace molto lo sfondo,il trucco della modella,e apprezzo il fatto che tu hai lasciato quel piccolo neo vicino le labbra,che da un tocco piu sensuale.
che tu sia un bravissimo fotografo,lo si era gia visto in moltissimi scatti,permettimi,stavolta,di fare i complimenti alla bellezza di tua moglie,perché è una donna davvero affascinante,con degli occhi veramente espressivi e magnetici.
sei davvero fortunato...un grande saluto amico mio ;)
davide |
| sent on September 12, 2013 (22:01)
Thank you David for a lovely compliment. My wife has a lot more than beauty she has a big heart and very sound and bright mind. Yes I am lucky thank god. I will try as you have commented next time I take more shots. Hello |
| sent on September 12, 2013 (22:25) | This comment has been automatically translated (show/hide original)
I like the point of recovery. Overall not convince me for these reasons:
Your micro-rough
-Point of focus in advance on the lips and eyes that are a result of a reference for our eyes are unfortunately blurred
-Yellow cast
-Little air above and to the left
Hello, laurel
Mi piace il punto di ripresa. Nel complesso non mi convince per questi motivi:
-tuo micro mosso
-punto di messa a fuoco anticipato sulle labbra e di conseguenza gli occhi che sono un riferimento per il nostro sguardo sono sfortunatamente sfocati
-dominante gialla
-poca aria sopra e a sinistra
Ciao , lauro
|
| sent on September 12, 2013 (22:30)
Greetings to you Laurel. I appreciate your technical comments and I promise you next time it will be better. Hello |
| sent on September 12, 2013 (22:40) | This comment has been automatically translated (show/hide original)
If you like to compose a shot and work less in the after shot, using a single point af, af-continuous mode and you decide the white balance ;-) Se ti piace preparare lo scatto e lavorare di meno nel dopo scatto, usa un solo punto di af, modalità af-continuo e decidi tu il bilanciamento del bianco  |
| sent on September 12, 2013 (22:44)
Hi Laurel. I usually shoot AF single shot and WB depending on the atmosphere I work on then I do some adjustment on Lightroom 5. |
| sent on September 12, 2013 (23:25) | This comment has been automatically translated (show/hide original)
It 'a good approach but you also have to consider that the model may fluctuate and even the photographer, if you are using a large aperture and shallow depth of field with single af af is likely that the point you selected before you take then lose the' hooking original precisely because of your involuntary movements - oscillations of the body.
hello, laurel E' un buon approccio ma devi anche considerare che la modella può oscillare e anche il fotografo, se usi un diaframma molto aperto hai poca profondità di campo e con af singolo si rischia che il punto af da te selezionato prima di scattare perda poi l'aggancio originale proprio a causa dei vostri involontari movimenti - oscillazioni del corpo.
ciao, lauro |
| sent on September 12, 2013 (23:27)
Hi again Laurel. I thank you for your advice and I am sure you are right. |
| sent on September 12, 2013 (23:32) | This comment has been automatically translated (show/hide original)
Dear Zman, I wish with all my heart that the future of Lebanon is finally beautiful as beautiful is the picture of your wife. Hello Carissimo Zman, ti auguro con tutto il cuore che il futuro del LIbano sia finalmente splendido come splendida è l'immagine di tua moglie. Ciao |
| sent on September 12, 2013 (23:36)
This is the best comment I have had for a shot. Thank you a lot for your very sincere and warm wishes. Hello |
| sent on September 13, 2013 (11:26) | This comment has been automatically translated (show/hide original)
Hello Zman, congratulations for the portrait and congratulations to your wife, very beautiful.
A greeting! Sergio:-P Ciao Zman, complimenti per il ritratto e complimenti a tua moglie, molto bella.
Un saluto! Sergio |
| sent on September 13, 2013 (15:35)
Thank you Sergio for your nice compliment. Hello |
| sent on September 13, 2013 (17:49) | This comment has been automatically translated (show/hide original)
Congratulations ;-) ;-)
Maurizio Complimenti
Maurizio |
| sent on September 13, 2013 (18:01) | This comment has been automatically translated (show/hide original)
hello Zman
congratulations to you for the photo and your wife for her beauty.
you have said it all, I just wanted to add my opinion a very personal:
I find the expression of your wife dissonant with the title you gave to the photo,
seems to say "Ugh ... you move to shoot?"
is it just me ;-) but it is what I see, a woman a little irritated, perhaps due from the outer corners of the mouth that fold down.
I also add that the dark pencil to outline the lips not very becoming.
ciao Zman
complimenti a te per la foto e a tua moglie per la sua bellezza.
ti hanno già detto tutto ,volevo solo aggiungere un mio parere del tutto personale:
trovo l'espressione di tua moglie dissonante dal titolo che hai dato alla foto,
sembra dire "uffa...ti muovi a scattare??"
è solo una mia impressione ma è quello che vedo,una donna un poco irritata,forse è dovuto dagli angoli esterni della bocca che piegano verso il basso.
aggiungo anche che la matita scura a contorno delle labbra non le dona molto.
|
| sent on September 13, 2013 (20:53)
Thank you Maurizio. Hello |
| sent on September 13, 2013 (20:56)
Thank you Mecamacro for your elaborate technical comment. This was not a professional shoot . It is ok come on take a shot and let us go. I like the simplicity of the pose that shows her beauty. Hello |
| sent on September 13, 2013 (20:59)
Hi Falena . Why not take the shot as is ,just a shot in a hotel room before we go and meet people in a reception. I think the simplicity of the shot gives way to the beauty of the subject. Thank you Felena for your nice comment. Hello |
| sent on September 13, 2013 (21:23) | This comment has been automatically translated (show/hide original)
“ Why not take the shot as it is, just a shot in a hotel room „
.................
I thought it was a shot sought by the analysis here, so you're forgiven (in part):-D
“ I think the simplicity of the shot gives way to the beauty of the subject „
undoubtedly hence no rain.
sometimes we are deformed photographically is always think to more complex things;-)
my little guilt.
Hello;-) " Perché non prendere il colpo come è, solo un colpo in una camera d'albergo"
.................
pensavo fosse uno scatto ricercato da qui l'analisi, quindi sei perdonato (in parte)
" Penso che la semplicità del tiro lascia il posto alla bellezza del soggetto"
senza dubbio da qui non ci piove.
a volte siamo deformati fotograficamente è pensiamo sempre alle cose più complesse
una mia piccola colpa.
ciao |
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