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| sent on February 06, 2019 (22:34) | This comment has been automatically translated (show/hide original)
Here!!! only those who have shared a place can appreciate the full photo. Choice Bold with this diagonal cut, but if there is a place where it was to be tried it was definitely there. I remember very well the lack of depth of field, the use of wide angle if on one side helped by the other wore in elements of disturbance in quantity. and them is the skill and intuition of having seen it this way sincere compliments. Giorgio eccola!!! solo chi ha condiviso un luogo può apprezzare al pieno la foto. Scelta ardita con questo taglio diagonale, ma se c è un posto dove andava provata però era sicuramente li. Mi ricordo benissimo la mancanza di profondità di campo , l'uso del grandangolo se da una parte aiutava dall'altra portava dentro elementi di disturbo in quantità. e li sta la bravura e l'intuito di averla vista in questo modo Complimenti sinceri. Giorgio |
| sent on February 07, 2019 (8:08) | This comment has been automatically translated (show/hide original)
Dear Giorgio, You are absolutely right, this very beautiful location was not at all easy to photograph. Among other things I arrived there at an hour when the light conditions were particularly "unfavorable" (Shadows "harsh" and high lights... "Shoot") so, shooting me exclusively in JPEG, to try to get a shot "decent" I had a little... "Climb up". I'm very happy that you appreciated this cut a little "hardy" (to which, for other, I'm not usually) and thank you so much for the always very welcome congratulations. Hello, Paul Carissimo Giorgio, hai perfettamente ragione, questa location molto bella non era per niente facile da fotografare. Tra l'altro io sono arrivato lì ad un'ora in cui le condizioni di luce erano particolarmente "sfavorevoli" (ombre "durissime" ed alte luci... "sparate") per cui, scattando io esclusivamente in jpeg, per cercare di ricavare uno scatto "decente" ho dovuto un pò... "arrampicarmi". Sono molto contento che hai apprezzato questo taglio un pò "ardito" (a cui, per altro, non sono solito) e ti ringrazio tantissimo per i sempre graditissimi complimenti. Ciao, Paolo |
| sent on September 09, 2021 (14:19) | This comment has been automatically translated (show/hide original)
Particular image Compliments Paul A greeting Mauro Particolare immagine Complimenti Paolo Un saluto Mauro |
| sent on September 09, 2021 (14:28) | This comment has been automatically translated (show/hide original)
My dear Mauro, sempre thanks for your attention and for the very appreciated compliments. cheers, Paolo Carissimo Mauro, sempre mille grazie per l'attenzione e per i graditissimi complimenti. Ciao, Paolo |
| sent on April 11, 2024 (17:53) | This comment has been automatically translated (show/hide original)
And this one also deserves a comment because given the subject and the cut of the frame it could almost be said to be a "reflection" on the ground, on a pool of water. The ephemeral balance of the lines and the sinuosity of the whole, as well as the compositional choice, subtract points of reference from the observer. Really nice photo, congratulations Paolo!. E anche questa merita un commento perchè dato il soggetto ed il taglio dell'inquadratura potrebbe dirsi quasi un £riflesso" a terra, su una pozza d'acqua. L'equilibrio labile delle linee e la sinuosità dell'insieme, oltre alla scelta compositiva, sottraggono punti di riferimento all'osservatore. Davvero una bella foto, complimenti Paolo!. |
| sent on April 11, 2024 (18:18) | This comment has been automatically translated (show/hide original)
Dearest Daniele, thank you very much for the beautiful comment and for having appreciated this image of mine that made me a bit "troubled" at the time of shooting for the very difficult light conditions. Hello and good evening, Paolo Carissimo Daniele, ti ringrazio tantissimo per il bellissimo commento e per avere apprezzato questa mia immagine che mi ha fatto un pò "tribolare" al momento dello scatto per le difficilissime condizioni di luce. Ciao e buona serata, Paolo |
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