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| sent on May 16, 2018 (16:38) | This comment has been automatically translated (show/hide original)
If you follow the road my gaze ends up on the tractor of that train ;-) Se segui la strada il mio sguardo va a finire sulla motrice di quel treno |
| sent on May 16, 2018 (16:42) | This comment has been automatically translated (show/hide original)
Saied not say it around, but the real subject is the tractor... Shhhh non lo dire in giro, ma il vero soggetto è la motrice... |
| sent on May 16, 2018 (16:45) | This comment has been automatically translated (show/hide original)
I don't know if you're taking me for C... Or or I don't know, I was just doing to have a comparison :-( Non so se mi stai prendendo per il c..O oppure non so,facevo solo per avere un confronto |
| sent on May 16, 2018 (16:47) | This comment has been automatically translated (show/hide original)
No, I'm serious... :-D at least within the limits of my possibilities. But if you notice I placed it on the intersection of thirds... ;-) No, sono serio... Perlomeno nei limiti delle mie possibilità. Ma se ci fai caso l'ho piazzata sull'intersezione dei terzi... |
| sent on May 16, 2018 (20:29) | This comment has been automatically translated (show/hide original)
Beautiful situation, I find the composition rich in lines that separate the various parts. You could make a puzzle! The colors were managed at best, even if enriched in post, what counts is the end result. Bella situazione, trovo la composizione ricca di linee che separano le varie parti. Si potrebbe fare un puzzle! I colori sono stati gestiti al meglio, anche se arricchiti in post, quello che conta è il risultato finale. |
| sent on May 17, 2018 (9:15) | This comment has been automatically translated (show/hide original)
Alessio, the blue lines are guidelines for the look that is being conducted to the tractor. and chromatically the image benefits from the complementarity of blue and yellow. Which is why I strengthened the tones. From there to hemicircle you arrange the secondary subjects of the scene, which you can define workers or not depending on the Guzzo. The complementarity is strengthened by passing from yellow to orange, and finally there is the element of rupture, formed by the red pair, also reinforced in post. But Quintana or sect? Alessio, le linee blu fanno da direttrici per lo sguardo che viene condotto alla motrice. E cromaticamente l'immagine giova sulla complementarità del blu e del giallo. Motivo per cui ho rinforzato i toni. Da lì ad emicerchio si dispongono i soggetti secondari della scena, che puoi definire lavoratori o meno a seconda del guzzo. La complementarità si rinforza passando dal giallo all'arancio, ed infine c'è l'elemento di rottura, formato dalla coppia rossa, anch'essa rinforzata in post. Ma quintana o setta? |
| sent on May 17, 2018 (11:46) | This comment has been automatically translated (show/hide original)
Ok Maserc on your interpretation, but not easy to read, not even intuitive, remains in my personal judgement very messed up, you always do to compare. ;-) Finally in my view you do not understand in the picture the element you want to emphasize and therefore the reading is complicated, both in the title and for the Observer. Ok Maserc sulla tua interpretazione,ma non di facile lettura,nemmeno intuitiva,rimane a mio giudizio personale molto incasinata,si fa sempre per mettersi a confronto. infine a mio modo di vedere non si capisce nella foto l elemento che si vuole mettere in risalto e quindi la lettura si complica,sia nel titolo che per l osservatore. |
| sent on May 29, 2018 (21:07) | This comment has been automatically translated (show/hide original)
Give peace... National geographic is somewhere else and you're not McCurry!!! Good evening... ah I forgot nice picture! Alessio del frate datti pace...National geographic è da un'altra parte e tu non sei mccurry!!! Buona serata...ah dimenticavo bella foto! |
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