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| sent on March 11, 2017 (15:05) | This comment has been translated
Very nice! |
| sent on March 11, 2017 (16:30) | This comment has been automatically translated (show/hide original)
Thank you all ... too good ;-) Grazie a tutti...troppo buoni  |
| sent on March 11, 2017 (19:24) | This comment has been automatically translated (show/hide original)
Beautiful, congratulations!
Hello
Roberto Bellissima, complimenti!
ciao
Roberto |
| sent on March 11, 2017 (20:02)
Superb! |
| sent on March 11, 2017 (21:39) | This comment has been automatically translated (show/hide original)
nice cut and sequence of plans .............
jerry bel taglio e sequenza dei piani.............
jerry |
user113787 | sent on March 11, 2017 (23:07) | This comment has been automatically translated (show/hide original)
Beautiful and intense.
John Bella e intensa.
Giovanni |
| sent on March 12, 2017 (11:10) | This comment has been automatically translated (show/hide original)
really good, as a great photographic eye. Technically, I would have preferred an all sharp focus on the foreground. For the post, focus that the contrast in the parts out of focus, in all probability 'obtained in single pass, caused a sclettatura visible in gray tones. Congratulations, hello, Mark. davvero ottima, da grande occhio fotografico. A livello tecnico, avrei preferito un tutto fuoco tagliente sul primo piano. Per la post, attenzione che il contrasto nelle parti fuori fuoco, con tutta probabilita' ottenuto in passata singola, ha causato una visibile sclettatura nei toni dei grigi. Complimenti, ciao, Marco. |
| sent on March 12, 2017 (13:31) | This comment has been automatically translated (show/hide original)
@Campi Thank you very much for your technical analysis. As regards the fire, I know that is not perfect, but given the conditions in which I took is indeed a "miracle" that has come almost right.
I still remember the exif data: Focal 200 (zoom 80-200 2.8 True union that coupled with the D700 we are above 2.5 kg), time 1/50. In fact I had to turn up the ISO. I also remember that the scene is not a set, I was on the street, little time to think, still less to act. I will not apologize for what I did wrong, but despite the defect, are really happy with the result. Your very welcome comments confirm this.
The blockiness of the post, is not a real problem, you can always redo, thanks for letting me know :)
Thanks a lot to everyone ;-) @Campi Ti ringrazio davvero tanto per la tua analisi tecnica. Per quanto riguardo il fuoco, so benissimo che non è perfetta, ma visto le condizioni alla quale ho scattato è davvero un "miracolo" che sia venuta quasi bene.
Ricordo ancora i dati exif : Focale 200 ( zoom 80-200 2,8 Bighiera che in accoppiata alla D700 siamo oltre i 2,5 kg), tempo 1/50. In realtà avrei dovuto alzare gli iso. Ricordo inoltre che la scena non è un set, ero per strada, poco tempo per pensare, ancora meno per agire. Non voglio scusarmi per quanto ho fatto male, ma nonostante il difetto, sono veramente contento del risultato ottenuto. I vostri graditissimi commenti lo confermano.
La scalettatura della post, non è un problema reale, si può sempre rifare, grazie per avermelo fatto notare :)
Grazie mille a tutti |
| sent on March 13, 2017 (15:04) | This comment has been automatically translated (show/hide original)
Well, shoot at 1/50 to 200 mm with a non-stabilized and not 'all :-) Let me, however,' to say that I do not think it's just camera shake, there 'in my opinion a depth component' of the field.
On iso, a consiglietto who do not always everyone thinks. The exposition variables are three: speed, aperture, ISO. Set two of three variables, the third is determined by the correct exposure. In the selection of two variables we do not forget that we can also choose aperture and shutter speed, letting the machine choose the ISO. It 'a choice to try when depth' of field and times are both important variables.
Again congratulations, hello, Mark. Beh, fotografare a 1/50 a 200 mm con un obiettivo non stabilizzato non e' da tutti :-) Lasciami pero' dire che non mi pare sia solo micromosso, c'e' a mio parere una componente di profondita' di campo.
Sugli iso, un consiglietto a cui non sempre tutti pensano. Le variabili nell'esposizione sono 3: tempo, diaframma, iso. Impostate due delle tre variabili, la terza rimane determinata dalla corretta esposizione. Nella scelta delle due variabili non dimentichiamoci che possiamo anche scegliere diaframma e tempo, lasciando alla macchina di scegliere gli iso. E' una scelta da provare quando profondita' di campo e tempi sono entrambe variabili importanti.
Di nuovo complimenti, ciao, Marco. |
| sent on May 21, 2017 (20:15) | This comment has been automatically translated (show/hide original)
Particular, me delighted particolare, me gradevolissima |
| sent on December 08, 2020 (19:10) | This comment has been automatically translated (show/hide original)
Ottimo BN shot for composition and rigor.
Nick
Ottimo scatto BN per composizione e rigore.
Nick |
| sent on December 08, 2020 (21:17) | This comment has been automatically translated (show/hide original)
Thanks Nick  Grazie Nick |
| sent on January 08, 2021 (23:35) | This comment has been automatically translated (show/hide original)
That's really great.
I really like the cultured moment and the frame cut.
A picture like this I think is already born in BW.
Favolosa, congratulations.
MArco
Davvero eccezionale.
Mi piace molto il momento colto ed il taglio del frame.
Una foto così credo nasca già in BW.
Favolosa, complimenti.
MArco
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| sent on June 05, 2021 (17:19) | This comment has been automatically translated (show/hide original)
Magnific BN close-up that expresses a fearful and insecure tension in the face of the young nun who has abandoned the pleasures of life outside the silence and austerity of the convent...
Nick
Magnifico primo piano BN che esprime una timorosa ed insicura tensione nel volto della giovane suora che ha abbandonato i piaceri della vita esterna al silenzio e all'austerità del convento...
Nick |
| sent on October 01, 2021 (19:58) | This comment has been automatically translated (show/hide original)
super beautiful! congratulations!
mark :-P super bella! complimenti!
marco  |
| sent on October 10, 2021 (16:09) | This comment has been automatically translated (show/hide original)
A great photograph, full of emotions and humanity.
Standing ovation
Gabbia65 Una grande fotografia, ricca di emozioni e di umanità.
Standing ovation
Gabbia65 |
| sent on October 10, 2021 (23:01) | This comment has been automatically translated (show/hide original)
A photograph, in b / w, that excites me.
Technically not perfect (I read the previous comments....) Nevertheless..... has a way to get me into the photograph, how to say ... passionate?, and, also, tragic.
The contrast of the foreground and the blurred, for me, is enchanting !! The profile of the second nun leaves room for any inerpretation.
The beautiful, in my opinion, the nun in the foreground is a kind of disturbance for the second nun. Beautiful opposition.... !! ;-)
For me, it is worth more than many manipulated or pseudo-artistic photos ;-)
A greeting!!
Una fotografia,in b/n , che mi emoziona .
Tecnicamente non perfetta (ho letto i commenti precedenti....) Eppure..... ha un modo di farmi entrare dentro alla fotografia,come dire...passionale?, e,anche, tragico.
La contrapposizione del primo piano e dello sfocato ,per me, è incantevole !! Il profilo della seconda suora lascia spazio a qualsiasi inerpretazione.
Il bello,a mio modo di vedere, la suora in primo piano è una specie di disturbo per la seconda suora. Opposizione bellissima.... !!
Per me,vale più di tante foto manipolate o pseudo-artistiche
Un saluto !!
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| sent on October 11, 2021 (8:49) | This comment has been automatically translated (show/hide original)
Very, VERY pleasant and intimate, suggests respect and quiet. Molto, MOLTO piacevole ed intima , suggerisce rispetto e quiete. |
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