Venice, only words, page 2

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Venezianità View gallery (20 photos)

Venice, only words sent on February 09, 2015 (20:38) by Giorgio Meneghetti. 57 comments, 3790 views.

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Venezia, case popolari dell'Area "Ex Saffa" (progetto "Gregotti Associati" 1984-1989). Da tempo avevo notato quel singolare murales: un strano omino di sembianze extraterrestri blaterante, emergente dalla pavimentazione come da una eccezionale acqua alta di cemento. L'ho fotografato più e più volte (come, penso, tanti altri di noi) , ma senza coglierne alcun senso. Poi due fatti: una foto dell'amico Maron ("Exit") che mi ha fatto riflettere sulla natura di quell'area e sulla vita che vi si dipana e un colloquio con una inquilina, innamorata di quel posto ma costretta ad abbandonarlo dopo pochi giorni per uno sfratto. Sensazioni e parole: la foto è venuta da sola e mi parla! Mi piacerebbe sapere se quelle parole raggiungono anche qualcuno di voi.

88 persons like it: 1niko, Abayal, Acromion69, Adolfo Panarello, Adriano Campione, Afrikachiara, Albieri Sergio, Andrea Cristofoli, Andrew Reutov, Anonima.genovese, Arconudo, Ayps, Bambi's Revenge, Bor8640, Briè, Caterina Bruzzone, Ciska, Cola, Cosiminodegenerali, Cristina Benedetti, Cristopher, Daniela cCostantini, Daniele_rom, Ellebi, Enrico Chiavassa, Fabio Castagna, Fefo, Fil, Filiberto, Flaber70, Gabriele Bertalotto, Gabrielle Martin, Giamba55, Giani Scarpa, Ginno, Giovanni Riccardi, Giuseppe Guadagno, Gramolelli Claudio, Il Cappellaio Matto, Jamsus, Jessy68, Jhon, Jj_ale, Klaudiom, Kramer71, Lamberto, Lelac3, Leoconte, Leonardo Bonetti, Liver, Luigi Mossali, Luigi_d., Lully, Marchese75, Marco50, Marisa194, Maron, Massimorolandi, MatthewX, Mauropol, Maxange, Maxlaz66, Menuder, Michela Checchetto, Misterg, NaCapaTanta, Nicolas Falmel, Redento Trento, Renato Urbano, Rial, Ricciulino, Ritz, Rizioc, Roccorusso, Ruzza Stefano, Sergio Levorato, Stefano Marangoni, Stefano Masala, Stefano Morbelli, Tan, Tiroby, Valter19, Vava975, Vinciaru, Vinsss, Vittorio Scatolini, Vittorio.f, Wildvideo

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Stefano Masala

sent on February 10, 2015 (18:42) | This comment has been automatically translated (show/hide original)

george should not only come to us those words, but other characters who still fuck it (excuse the term)
hello stefano

user39791

sent on February 10, 2015 (18:44) | This comment has been automatically translated (show/hide original)

It sounds like a voice that, unfortunately, will disappear ........ Very nice, hello Filiberto.

Giorgio Meneghetti

sent on February 10, 2015 (18:51) | This comment has been automatically translated (show/hide original)

@ Stephen! @ Filiberto! Thank You! I share the hope that those words come and to come loud and clear. And perhaps our photographs can, perhaps, help them. Hello

Giamba55

sent on February 10, 2015 (18:54) | This comment has been automatically translated (show/hide original)

The words come ... I would say beautiful!
Congratulations.
;-) 8-) Giamba

Lamberto

sent on February 10, 2015 (18:55) | This comment has been automatically translated (show/hide original)

Giorgio beautiful! wow! And significant! wow!

Giorgio Meneghetti

sent on February 10, 2015 (19:14) | This comment has been automatically translated (show/hide original)

@ Giamba! @ Lamberto! Thanks for your compliments very welcome! Hello! ;-)

user24517

sent on February 10, 2015 (19:24) | This comment has been automatically translated (show/hide original)

Master ... could be a new beginning for a photograph of street different ??? Without permission and releases various ??? Hopefully, thanks for the time 8-)

Afrikachiara

sent on February 10, 2015 (19:51) | This comment has been automatically translated (show/hide original)

Quite certain that it was your own ... and it is !!! I would say ... a talk on the wall! ;-)
Superb!
Hello, Chiara

Ruzza Stefano

sent on February 10, 2015 (19:55) | This comment has been automatically translated (show/hide original)

Dear George here must increase the No. of the photos to see Friday. :-D
hello stefano

Giorgio Meneghetti

sent on February 10, 2015 (20:44) | This comment has been automatically translated (show/hide original)

@ It might be expensive brie, could: there certainly nobody complained! ;-)

@ Thanks Chiara, very kind! But perhaps the walls have ears, and then there is some hope! ;-)

@ Stephen! : Cool: I think we will dawn !! :-D

A dear greeting!

Ciska

sent on February 10, 2015 (21:48) | This comment has been automatically translated (show/hide original)

Giorgio beautiful !!!
Hello Master
Ciskawow! Wow! Wow!

Giorgio Meneghetti

sent on February 10, 2015 (21:57) | This comment has been automatically translated (show/hide original)

Thanks dear Ciska !! Hello! ;-)

Vittorio Scatolini

sent on February 10, 2015 (22:08) | This comment has been automatically translated (show/hide original)

Great shot, congratulations 8-);-);-);-)
Hello
Vittorio;-) 8-)

Giorgio Meneghetti

sent on February 10, 2015 (22:19) | This comment has been automatically translated (show/hide original)

Thanks Victor! A dear greeting! ;-)

Rial

sent on February 11, 2015 (10:19) | This comment has been automatically translated (show/hide original)

Hello George. I find the pictures very evocative. I see a figure that slowly sinks into the sand and tells you why. After I read your story as a person who is not resigned to protest more and emits only their moans and is carried away by events.
Surely a shot well cared for composition and contrast.

Giorgio Meneghetti

sent on February 11, 2015 (11:14) | This comment has been automatically translated (show/hide original)

Thank you for your contribution and your particular interpretation Rial! Hello!

Anonima.genovese

sent on February 11, 2015 (17:04) | This comment has been automatically translated (show/hide original)

In the picture "exit" of Maron, the man is coming, in the direction of a ray of light, the light of hope, as he himself says.
In your other hand the black figure is babbling in the direction of the dark, and his words are a tangle of signs unreadable. I would say hopeless.
But now I would love to know your thoughts, because the thought of the author remains the most important, in my opinion.
Hello There:-)

Giorgio Meneghetti

sent on February 12, 2015 (21:22) | This comment has been automatically translated (show/hide original)

Here I am Paola! ;-) In my opinion, however, once the photos (like any creative act, however) is published acquires autonomy and their lives "his" short or long existence, regardless of the intent of the author: I'd still talk to people who have created the murals! That of the author, if not the most important, is no doubt, however, say, an "authoritative interpretation", which I provide now to give, given your just and gentle request! ;-) I would treat separately the formal side of the image to that of the "meaning" that you want to give, even if, in the end, you'll see significant similarities. From the point of view of creation of the image (something I have already mentioned in the caption, and is an integral part of the speech), I chose at the outset (photo, the, end taken to flying the colleague who had to go to the lavatoryor!) partition into two equal fields (pace, alas, the rule of thirds!) clearly opposed to the form and content, on the one hand the little man on a white field (the strength of the light), the other writings on dark field ('restlessness of darkness). This choice was necessarily operate in recovery (with all the necessary arrangements) because in reality the two camps are distant about ten meters! In the division I decided just to leave the band dark green in the left half (not exactly half because I did not want to cut too much written, and here perhaps I broke another rule, that of symmetry, mah!), As the first hurdle system implosion that find the words shouted dall'omino. Luckily also penned the words on the wall have different texture in the sub-fields left more marcatee understandable at first glance (I was reminded of the concept of rubber wall) then become faint and ghostly in the black portion. In so light I left the pavement, I could easily elide: I think it is a basic element of the image, the cultural roots of that figure. I left on the figurine also deliberately smearing black ones that detach from the chin and neck: they gave me the idea of ??the strength and fatigue that character to exit the light and scream to the world his reasons. And 'this same concept of force that led me to produce a sharp image, bluntly. Turning now to the meaning, if you read what is written well before the formal point of view you also have an answer to the meaning which I attribute to the photo: the little man for me is coming out strongly from the quagmire, you are not inabissando; his words pierce the first curtain and remain, sepalbeit in vague form, in the social environment where it is, then there is hope, it is up to us all, resume, give it a shape and relaunch, this for the good of Venice (in particular, given the context) and its inhabitants, especially those most vulnerable. In summary we can say that the first title had the question mark, then, ragionandoci I added: I hope I was right! Paola if you got this far without falling asleep, you launch a dear greeting, praying that he will not remain trapped in the "walls" digital !! ;-)

Eccomi Paola! ;-)

Secondo me, invece, una volta che la foto (come qualsiasi atto creativo, peraltro) è pubblicata acquista una autonomia propria e vive la "sua" breve o lunga esistenza, a prescindere dall'intento dell'autore: mi piacerebbe comunque parlarne con chi ha realizzato il murales! Quella dell'autore, se non la più importante, è senza dubbio, comunque, diciamo, una "interpretazione autorevole", che provvedo subito a dare, vista la tua giusta e gentilissima richiesta ! ;-)

Tratterei in modo separato il lato formale dell'immagine da quello del "significato" che si voglia dare, anche se, alla fine, vedrai assonanze significative. Dal punto di vista di ideazione della immagine (qualcosa ho già riportato in didascalia, e fa parte integrante del discorso) ho scelto d'acchito (foto, alla, fine scattata al volo con il collega che doveva andare in bagno!) la partizione in due campi uguali (con buona pace, ahimè, della regola dei terzi!) nettamente contrapposti per forme e contenuti, da una parte l'omino su campo bianco (la forza della luce) , dall'altra le scritte su campo scuro ('inquietudine delle tenebre). Tale scelta era necessariamente da operare in ripresa (con tutti gli accorgimenti del caso) perché in realtà i due campi sono distanti una decina di metri! Nella ripartizione ho deciso subito di lasciare la fascia verde scuro nella metà di sinistra (non è la metà esatta perché non volevo tagliare troppo scritte, e qui forse ho infranto un'altra regola, quella di simmetria, mah!), come primo ostacolo del sistema di implosione che trovano le parole urlate dall'omino. Fortunosamente anche le parole vergate sulla parete hanno consistenza diversa nei sotto-campi di sinistra: più marcate e comprensibili al primo impatto (mi è venuto in mente il concetto di muro di gomma) diventano poi evanescenti e spettrali nella porzione nera. Nella parte in luce ho lasciato la pavimentazione, che avrei potuto facilmente elidere: secondo me è un elemento basilare dell'immagine, le radici culturali di quella figura. Sull'omino ho lasciato anche volutamente quelle sbavature di nero che si staccano dal mento e dalla nuca: mi davano l'idea della forza e della fatica di quel personaggio per uscire alla luce e urlare al mondo le sue ragioni. E' questo stesso concetto di forza che mi portato a produrre una immagine drastica, senza mezzi termini. Passando ora al significato, se leggi bene quanto scritto prima dal punto di vista formale hai anche una risposta al significato che io attribuisco alla foto: l'omino per me sta uscendo con forza dal pantano, non si sta inabissando; le sue parole bucano la prima cortina e rimangono, seppure in forma vaga, nell'ambiente sociale dove si trova, quindi una speranza c'è, sta a noi, tutti, riprenderle, dargli una forma e rilanciarle, questo per il bene di Venezia (in particolare, visto il contesto) e dei suoi abitanti, sopratutto quelli più indifesi. In sintesi ti posso dire che il primo titolo non aveva il punto di domanda, poi, ragionandoci l'ho aggiunto: spero di aver avuto ragione! Paola se sei arrivata fin qua senza addormentarti, ti lancio un carissimo saluto, pregando che non resti intrappolato anche lui nei "muri" digitali!! ;-)

Anonima.genovese

sent on February 13, 2015 (20:06) | This comment has been automatically translated (show/hide original)

Far dall'addormentarmi, I read and re-read carefully your answer, and I'm grateful for giving me so much time and so a detailed explanation.
See, I like to learn, and I try to understand.
You helped me to do so. :-)
Thanks, Paola.

Marisa194

sent on February 13, 2015 (23:00) | This comment has been automatically translated (show/hide original)

The words do not listen to a public distracted or absent are the graffiti on the wall just mentioned ...
Photo alienating great expressiveness.
A greeting
Marlene

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