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Nikon 28mm f/2.8 AI-s : Specifications and Opinions


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The Nikon 28mm f/2.8 AI-s is a wide-angle lens for FF and APS-C, manufactured from 1981 (discontinued). The focus is done by Manual Focus, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 400 €;
21 users have given it an average vote of 9.9 out of 10.


If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuySample Photos




 Specifications
 Focal lenght   28 mm
 Angle of view   75.4°
 Format   FF, APS-C
 Max. aperture   f/22
 Aperture blades   7
 Lenses/Groups   8 elements in 8 groups
 Min. focus distance   0.20 meters
 Reproduction ratio  

 Features
 Stabilization   No
 Focus   Manual Focus
 Internal AF   No
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   52 mm
 Lens hood   Yes (not supplied)
 Weather sealing   No
 Weight   250 g
 Dimensions   63 x 59 mm
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Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on December 31, 2017

Pros: Overall yield, microcontrast and color saturation, excellent sharpness at the center, construction, it behaves very well on low density sensors up to f8 and on very dense sensors up to f5.6.

Cons: Edge sharpness acceptable by f4, start diffraction from f8 to d810.

Opinion: Used mostly for landscapes and street (in hyperfocal) it was a real surprise. An excellent manual focus and well-built at an honest price. It always behaves excellently, giving back crystalline images and colors saturated and well contrasted. On the 36 mpx of the d810 comes to life. Better yield at f5.6, where the edges are good. On dense sensors it is better not to go further, otherwise start diffractive phenomena (already at f8), with a slight drop in sharpness. Vote 9

avatarjunior
sent on August 19, 2017

Pros: Sharpness across the entire frame and constant to all diaphragms, "almost" macro, weight, size, construction, old but remarkable colors

Cons: Nobody, except the price in the used, but more than justified.

Opinion: I can not hide that under the 50 this is how it is rendered my preferred optics; I recently took the Sigma 35 Art beyond the focal point, it is completely different as a concept of optics and while being content, if I was forced to throw one from the tower, the Sigma buttered without hesitation. This improper comparison with the latest and very good Sigma 35 is to emphasize its quality. Remarkable in the blur of TA, remarkable in yield in the landscape, remarkable in the absence of distortion, remarkably close at hand thanks to the minimum 20 cm MAF, perhaps its most distinctive feature. I share those who preceded me: if one is lover of the Nikon vintage optics together with the masterpieces 105 2.5 and 180 2.8 ED, this can not be missed, but I also recommend it to the AF only, maybe for "relaxing" And think and who likes the close photo.

avatarsenior
sent on January 02, 2016

Pros: Construction, weight, size, crisp, glassy rendering, color and passionate forms.

Cons: Sometimes it is hard to focus when focus (especially when the light is not 'friend').

Opinion: Objective assoluto.rnE 'very, very similar to the 28mm f3.5, which is in a bit less contrast, so I use it instead of APSC (D300) to its full potential, while this one has a better fuzzy and well digradato , focus to 20cm away from the subject, and has a more vivid clarity and marcata.rnForme and colors are tasty / and full-bodied, like the pictures of the great glamor magazines, full of depth and sensazione.rnE 'fairly neutral, which whether inanimate objects or human forms, capturing the significant details of everything without attacking, keeping a second participant and plan well digradato.rnLa made the edges is equal to or slightly lower than the 3.5, but not much. The strength of this lens is that it has a rather uniform behavior at all diaphragms without boring the quality or sharpness falls. I plan to buy a 28mm f2 ais, but put me thinking of its vulnerability to the reflections and reverberations of light, inconvenience I suffer frequently on meor 85mm f2 ais TA.rnAd in every way, is a prestigious lens and worth the money it costs (used I paid 300euri, original in excellent condition), also because there are no other 28mm of the same optical quality nor higher, home Nikon, (not even 28 f1.4AFD, which is greatly brighter, but qualitatively not higher. but Costa six / seven times!). rnInsieme to 105 to 180 f2.8 and f2.5 ais ais ED is a lens to hold on to for vita.rnFocheggia at close range, giving photographs a fantastic prospective momentum, while maintaining a certain geometric balance and contained distortions (24mm, for example, is too extreme for me as it has the most close fires therefore tends to bend the lines. The 28, instead, is very similar to 35, but most 'athletic' and dynamic)

user20981
avatarjunior
sent on June 07, 2013

Pros: Sharpness micidale on any format (FF), excellent colors, sharp contrast.

Cons: I would say no

Opinion: Used on FF is truly a spectacle lens. Having the slide broken for the MAF is easy to focuse even in areas of little luce.rnRispetto the latest 28mm f2.8 AF is much better as sharpness and colors. Underexpose slightly saturated in a very visible colors donating antiflatulent polarizer ... really a great lens.

avatarjunior
sent on April 04, 2013

Pros: nikon old school, very strong and almost completely of metal, maf minimum 20cm thanks to the CRC, all manual, crystal clear on sheets from edge to edge, great at room temperature, made in japan.

Cons: personally anyone, even if someone rightly prefer the modern autofocus.

Opinion: the nikon 28mm f2.8 ais is a wide among the best managed house nikon, almost no distortion, crystal clear even in low light, perfect for night photography, with adapter ring is mounted on the other hand on the camera and can also be used for photographs macro.rnio the use of d800 with "goals without cpu" with excellent results

Photos taken with Nikon 28mm f/2.8 AI-s

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