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| sent on January 13, 2014 (13:21) | This comment has been automatically translated (show/hide original)
This beautiful slim cut that emphasizes very well the colonnade.
This series of shots Romans is really "creative" ;-) and in no way anonymous.
Mauro Bravo!
Ciaooo
Michela Bello questo taglio stretto che enfatizza molto bene il colonnato.
Questa serie di scatti romani è davvero "creativa" e per nulla anonima.
Bravo Mauro!
Ciaooo
Michela |
| sent on January 13, 2014 (19:42) | This comment has been automatically translated (show/hide original)
Thank you Michael, always very friendly, as the gallery is growing, I hope they are at the other shots.
Hello, Mauro. Grazie Michela, sempre molto gentile, visto che la galleria è in crescita, spero siano all'altezza anche gli altri scatti.
Ciao, Mauro. |
| sent on May 29, 2014 (13:40) | This comment has been automatically translated (show/hide original)
A strange com, my eye can not decide between the two parties: the dome and lights :-(
I included one of the two.
hello
GmG Una strana compo, il mio occhio non sa decidersi fra i due soggetti: cupola e lampade 
Avrei escluso uno dei due.
ciao
GmG |
| sent on June 03, 2014 (18:25) | This comment has been automatically translated (show/hide original)
I am really pleased that you have touched on this shot and have expressed your critical point of view that I find very useful. I really love the cut pano, but when it comes to subjects that are not really views the composition is complicated, often not even help in the rule of thirds. In this case I built the image as if it were composed of two shots side by side, aware that with the "two parties" would have created a kind of rebound effect between the sides of the image. As for this "strange compound" was effective or disorder is what I wanted to find out. For this I am sorry that the image has failed to arouse enough curiosity and at the same time I really appreciate your opinion.
Hello, Mauro. Mi fa davvero piacere che ti sia soffermato su questo scatto ed abbia espresso il tuo punto di vista critico che trovo molto utile. Io amo molto il taglio pano, però quando si tratta di soggetti che non sono propriamente dei panorami la composizione si complica, spesso non viene in aiuto nemmeno la regola dei terzi. In questo caso ho costruito l'immagine come se fosse composta da due scatti affiancati, consapevole che con "due soggetti" si sarebbe creato una specie di effetto rimbalzo fra i lati dell'immagine. Quanto questa "strana compo" fosse efficace o di disturbo è ciò che intendevo scoprire. Per questo mi rammarica che l'immagine non sia riuscita a suscitare sufficiente curiosità e nel contempo apprezzo molto la tua opinione.
Ciao, Mauro. |
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