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| sent on September 10, 2013 (13:50) | This comment has been automatically translated (show/hide original)
Great shot, beautiful diagonal ;-) Grande scatto, bellissimo in diagonale |
| sent on September 10, 2013 (14:03) | This comment has been automatically translated (show/hide original)
Thank you very much Franco! I am glad you liked it! ;-)
Greetings :-) Grazie mille Franco! son contento ti sia piaciuta!
Saluti  |
| sent on September 12, 2013 (17:48) | This comment has been automatically translated (show/hide original)
"Docking" crazy .... congratulations ....
Fast ... but with these actors try to follow them with a kind of panning or shooting when you're standing still?! (If the subject is more or less the front of course the question does not make much sense ..) "Aggancio" pazzesco....complimenti....
...ma con questi soggetti veloci cerchi di seguirli con una specie di panning o nel momento dello scatto sei fermo??! ( se il soggetto è più o meno frontale ovviamente la domanda non ha molto senso..) |
| sent on September 12, 2013 (17:59) | This comment has been automatically translated (show/hide original)
Hello Fabio, the Eleonora's falcons follow unpredictable trajectories, so I follow them when I see them from far away, often by hand, often come right back to me ...... yes, I try to follow them by keeping them at the center of the frame with the point of maf in spots. Are so fast that I often find myself wrong with a tripod, I prefer to hand-held shooting for greater freedom of movement ;-)
Greetings and thanks for the ride and comment! :-)
Enrico Ciao Fabio, i falchi della regina seguono traiettorie imprevedibili, dunque li seguo da quando li vedo lontani, delle volte di lato, delle volte vengono dritti verso di me...... si, cerco di seguirli tenendoli sempre al centro del fotogramma con il punto di maf in spot. Talmente son veloci che spesso mi trovo male con il treppiede, preferisco scattare a mano libera per aver maggior libertà nei movimenti
Saluti e grazie per il passaggio e il commento!
Enrico |
| sent on September 12, 2013 (18:11) | This comment has been automatically translated (show/hide original)
:-P big shot .. well hooked! and the background is not homogeneous and 'super  grande scatto..agganciato benissimo!!! e lo sfondo non omogeneo e' super |
| sent on September 12, 2013 (18:14) | This comment has been automatically translated (show/hide original)
Beautiful shot. Great shot. Compliments.
Eraldo. Bellissima inquadratura. Ottimo scatto. Complimenti.
Eraldo. |
| sent on September 12, 2013 (18:40) | This comment has been automatically translated (show/hide original)
Fantastic shot, given the difficulty of framing to focus on a subject so sleek and fast. Great Enrico add a burst of great value to your gallery already very remarkable. Congratulations to you soon!
Pier Fantastico scatto, per inquadratura vista la difficoltà di mettere a fuoco un soggetto cosi slanciato e veloce. Grande Enrico aggiungi uno scatto di grande valore alla tua galleria già molto notevole. Complimenti a presto !
Pier |
| sent on September 12, 2013 (19:52) | This comment has been automatically translated (show/hide original)
Thank you all! :-D
Greetings
Enrico Grazie a tutti! 
Saluti
Enrico |
| sent on September 25, 2013 (22:28) | This comment has been automatically translated (show/hide original)
really nice! congratulations veramente bella!! complimenti |
| sent on November 03, 2013 (18:34) | This comment has been automatically translated (show/hide original)
Make afraid!: D Great!
But the maf spots: you mean the one and only central point? .. With all those that you have to cross on the 7d? (Ask for inexperience ;)) Fai paura!!:D Grandioso!
Ma la maf spot: intendi il solo e unico punto centrale?..con tutti quelli a croce che hai sulla 7d?? (chiedo per inesperienza;) ) |
| sent on November 03, 2013 (21:13) | This comment has been automatically translated (show/hide original)
Thank you very much! you use the center spot in 70% of cases. When the subject is close to the point move in the composed, in these situations is the mode that gives me greater certainty. the cross-type points, with these non-homogeneous and low-contrast backgrounds do not engage, engage even the background ;) already with the sea is a mess ..... I use them and I rarely give good results only when I have the sky as background ..
Greetings
Enrico
Grazie mille! si uso lo spot centrale nel 70% dei casi. Quando il soggetto è vicino sposto il punto in base alla composizione scelta, in queste situazioni è la modalità che mi da maggiori certezze. i punti a croce, con questi sfondi non omogenei e a basso contrasto non agganciano, anzi agganciano lo sfondo ;) già col mare è un casino..... li uso raramente e mi danno buoni risultati solo quando ho il cielo come sfondo..
Saluti
Enrico
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