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| sent on January 16, 2020 (16:01) | This comment has been automatically translated (show/hide original)
Better the 1st...
The lines of the building converge on the mask creating and giving overall greater interest, this is an uncontextualized close-up Meglio la 1...
Le linee del palazzo convergono sulla maschera creando e dando nel complesso maggior interesse, questo è un close-up non contestualizzato |
| sent on January 16, 2020 (16:05) | This comment has been automatically translated (show/hide original)
"very good" - I shot first the 1 precisely in the intention that you well highlight about the lines of the buildings. Then. as you do in these cases, I made some variants. Thank you very much again, hello, Marco. *bravissimo* - ho scattato prima la 1 proprio nell'intenzione che tu bene evidenzi circa le linee dei palazzi. Poi. come si fa in questi casi, ho realizzato delle varianti. Grazie tante di nuovo, ciao, Marco. |
| sent on January 16, 2020 (19:56) | This comment has been automatically translated (show/hide original)
Personally I prefer the other, vignette aside. The more contextualized, the subject is an integral part of the story, the less protagonist end in itself. In addition, the presence that sustains the work is more eye-catching. Congratulations anyway for both of you! Personalmente preferisco l'altra, vignettatura a parte. Più contestualizzata, il soggetto è parte integrante del racconto, meno protagonista fine a se stesso. Inoltre, balza più all'occhio la presenza che sostiene l'opera. Complimenti comunque per entrambe! |
| sent on January 17, 2020 (15:49) | This comment has been automatically translated (show/hide original)
I prefer this, the attention is focused on the scream of the mask that could emphasize the discomfort of an entire city because of the high water.
Personally I would have framed or taken in full even the top of the mask or cutting more (my personal taste).
The photo remains, for me, beautiful, congratulations Io preferisco questa, l' attenzione si incentra sull' urlo della maschera che potrebbe sottolineare il disagio di un' intera città per via dell'acqua alta.
Personalmente avrei inquadrato o prendendo per intero anche la parte superiore della maschera o tagliando maggiormente (gusto mio personale).
La foto rimane, per me, bellissima, complimenti |
| sent on January 17, 2020 (16:46) | This comment has been automatically translated (show/hide original)
thank you, Daniel. The raw does not cut the mask, it goes to sleep, but I will follow your advice to cut a little more: I can no longer stand my approach too classic, the subjects have to go out beyond the photographic flap, if possible, so the photos speak more, always respecting opp balances and space fills. Thank you! Hello, Marco. grazie, Daniele. Il raw non taglia la maschera, va a pelo, ma io seguiro' il tuo consiglio di tagliare un poco di piu': non sopporto piu' il mio approccio troppo classico, i soggetti devono uscire oltre il lembo fotografico, se possibile, cosi' le foto parlano di piu', sempre nel rispetto di opportuni bilanciamenti e riempimenti di spazi. Grazie! Ciao, Marco. |
| sent on November 24, 2020 (18:19) | This comment has been automatically translated (show/hide original)
beautiful black and white composition, great original shot, kudos hello from Marco bella composizione bianco e nero, ottimo scatto originale, complimenti ciao da Marco |
| sent on May 13, 2023 (10:55) | This comment has been automatically translated (show/hide original)
Hello,
I point out that the photo was mentioned in the discussion forum "The Hidden Treasures of Juza, Hunt for Forgotten Masterpieces - #3". Take a leap in.
Best regards, Massimo Ciao,
segnalo che la foto è stata menzionata nel forum di discussione "I Tesori Nascosti di Juza, Caccia ai Capolavori Dimenticati - #3". Fateci un salto.
Saluti, Massimo |
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