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| sent on October 01, 2015 (18:15) | This comment has been automatically translated (show/hide original)
Emotional comment: practically impassive bride, does not reveal anything.
Notes: I must say that I really like the strong contrast, blacks and whites here are very energetic, grays almost perfect thanks to the light side. Even geometries are almost perfect to marry the bride's radiant expression.
A different picture from the usual as you perceive.
Hello.
Commento emozionale: praticamente quasi impassibile la sposa, non lascia trasparire nulla .
Commento tecnico: devo dire che il forte contrasto mi piace molto, qui neri e bianchi sono davvero molto energici, i grigi praticamente perfetti grazie alla luce laterale. Anche le geometrie risultano perfette quasi a sposarsi con l'espressione fulgida della sposa.
Una foto diversa dalle solite tue a quanto percepisco.
Ciao.
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| sent on October 01, 2015 (18:21) | This comment has been automatically translated (show/hide original)
Thanks Raf, I agree on everything, I chose this just because I managed to get the bride a more depersonalized by the classic double. I'm fascinated by other reasons, perhaps perhè concedes nothing or perhaps because it is rare to achieve a shot with a party inexperienced. It 'was really very good for the whole service. Grazie Raf, concordo su tutto, ho scelto questa proprio perchè sono riuscito ad ottenere dalla sposa un approccio più spersonalizzato dal classico matrimoniale. Mi affascina per altri motivi, forse perhè non concede nulla o forse perchè è uno scatto raro da realizzare con un soggetto inesperto. E' stata veramente bravissima per tutto il servizio. |
| sent on October 01, 2015 (20:57) | This comment has been automatically translated (show/hide original)
8-)  |
| sent on October 05, 2015 (10:18) | This comment has been automatically translated (show/hide original)
Hello George, I have spent some more time on this shot and I find myself more and more perplexed ... I like it a well-balanced composition, the delicacy of white nothing short of perfect, the yield and the detail of the veil at the top, the play of light on the face and neck, all details and elements that make me feel like ... I'm stuck on the look as if it were turned off.
IMHO of course. ;-) Ciao Giorgio, mi son soffermato più volte su questo scatto e mi ritrovo sempre più perplesso...mi garba la composizione ben bilanciata, la delicatezza dei bianchi a dir poco perfetta, la resa ed il dettaglio del velo al top, il gioco di luce sul viso e sul collo, tutti particolari ed elementi che mi trasmettono piacere... mi blocco sullo sguardo come fosse spento.
IMHO naturalmente.  |
| sent on October 05, 2015 (10:45) | This comment has been automatically translated (show/hide original)
Thanks for the appreciation Max, they understand the concept.
It 's really difficult to cross over the wedding pictures into something different, the depersonalization of the subject is the practice of taking advantage of complicated construction non-professional models in life situations. Let's say that, as I wrote above, I became more fascinated by the rarity of the shot that the effective applicability in a classic approach matrimonialista, cmnq've already included in the album, like it or not I like it too! -D
Steven Meisel is what I had in mind. www.google.it/search?q=Meisel&source=lnms&tbm=isch&sa=X&am eyes lost or off as you define them, are deartteristica almost always primary.
Hi dear. Grazie per gli apprezzamenti Max, comprendo il concetto.
E' veramente difficile far sconfinare la foto di matrimonio in qualcosa di differente, la spersonalizzazione del soggetto è pratica di complicatissima realizzazione usufruendo di modelle non professioniste in situazioni di vita vissuta. Diciamo che, come scrivevo sopra, mi sono fatto affascinare più dalla rarità dello scatto che dall'effettiva applicabilità in un classico approccio matrimonialista, cmnq l'ho già inserita nell'album, volenti o nolenti a me piace troppo! 
Steven Meisel è ciò che avevo in mente. www.google.it/search?q=Meisel&source=lnms&tbm=isch&sa=X&ved=0CAcQ_AUoA gli occhi persi o spenti come li definisci tu, sono la caratteristica quasi sempre principale.
Ciao caro. |
| sent on October 05, 2015 (11:36) | This comment has been automatically translated (show/hide original)
With the c? Meisel is the No. 1 8-) Grazie al c? Meisel è il n°1 |
| sent on October 05, 2015 (12:25) | This comment has been automatically translated (show/hide original)
Amen. Amen. |
| sent on October 05, 2015 (23:12) | This comment has been automatically translated (show/hide original)
You know George !!! I have opened a new world, thanks for the tip, deserves my approfinfimento.? Sai Giorgio!!! mi hai aperto un nuovo mondo,grazie per la segnalazione, merita un mio approfinfimento.? |
| sent on October 05, 2015 (23:49) | This comment has been automatically translated (show/hide original)
I agree with all those who preceded me. I'll always like my compliments to your compositional approach always engaging. Concordo in tutto con chi mi ha preceduto. Ti faccio come sempre i miei complimenti per il tuo approccio compositivo sempre coinvolgente. |
| sent on October 07, 2015 (9:31) | This comment has been automatically translated (show/hide original)
Thanks guys, glad to be helpful in my small. Hello. Grazie ragazzi, felice di essere utile nel mio piccolo. Ciao. |
| sent on October 26, 2015 (10:12) | This comment has been automatically translated (show/hide original)
Granite. Very good to take it. Greetings.
Granitica. Molto bravo a coglierla. Saluti.
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| sent on November 11, 2015 (8:13) | This comment has been automatically translated (show/hide original)
Up wow! Up  |
| sent on November 11, 2015 (20:50) | This comment has been automatically translated (show/hide original)
Cult hello, sorry I missed. Thanks so much for your appreciation. ciao Cult, scusa mi era sfuggito. Grazie mille per l'apprezzamento. |
| sent on October 10, 2018 (18:06)
Very nice 3/4 shot. Good crop. On my screen the midtones cut off to blacks abruptly. |
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