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  1. Galleries
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  3. Landscape with human elements
  4. » Staircase of Italian Galleries

 
Staircase of Italian Galleries...

Milano - 6

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Staircase of Italian Galleries sent on August 27, 2015 (14:13) by Roberto P. 2 comments, 1164 views. [retina]

, 25 sec f/5.6, ISO 800, hand held. Milano, Italy.

Lunedì 6 aprile 2015, h 15.44. Arch. Luigi Canonica, 1830 ca. Si tratta dello scalone d'onore del Palazzo Anguissola Antona Traversi. Tale palazzo, di origine cinquecentesca, venne ristrutturato prima dall'architetto Carlo Felice Soave da Lugano tra il 1775 e il 1778. Nel 1829 il celebre avvocato Giovanni Battista Traversi, figura di spicco della società milanese del primo Ottocento, dopo aver acquistato il palazzo incaricò Luigi Canonica, il più noto architetto dell'epoca, di rifare la facciata su via Manzoni, il chiostro e appunto lo scalone d'onore. Nel Novecento il palazzo fu la dimora di Raffaele Mattioli, amministratore delegato della Banca Commerciale Italiana, che aveva sede nel contiguo palazzo progettato da Luca Beltrami all'inizio del secolo. Insieme a quest'ultimo, al Palazzo Brentani e al giardino di Alessandro Manzoni, attualmente costituisce il complesso delle Gallerie d'Italia. https://www.gallerieditalia.com/it/milano/museo/ . Qui probabilmente il Canonica ha preso come riferimento stilistico lo scalone d'onore del vicino Palazzo Reale, realizzato da Giuseppe Piermarini nel secolo precedente. #Musei #Interni



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avatarsenior
sent on May 09, 2016 (0:48) | This comment has been automatically translated (show/hide original)

Bella the idea of ??combining a natural perspective to another academic.
Compliments

avatarsupporter
sent on May 09, 2016 (17:58) | This comment has been automatically translated (show/hide original)

Thanks Daniel.
As you have already understood, the choice of two types of perspective is due to the fact that on the right picture I had the horizon line in the frame, in that the left no.
The right picture I made with Photoshop by pasting two or three shots made by moving the camera vertically. I had an extra piece of the ceiling, but at this point, and in that area the anamorphic distortion became excessive, so I cut there.

A risentici.


RCE Foto

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