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| sent on May 03, 2013 (0:28) | This comment has been automatically translated (show/hide original)
Congratulations deserved!
Complimenti meritatissimi!!!
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| sent on May 03, 2013 (1:08) | This comment has been automatically translated (show/hide original)
Composition to scream. The rest is not far behind. Congratulations also to the hp. Hello ;-) Composizione da urlo. Il resto non é da meno. Complimenti anche per l'hp. Ciao |
| sent on May 03, 2013 (9:44) | This comment has been automatically translated (show/hide original)
Beauty photo aside, technically excellent, it is precisely the moment when the subjects are portrayed which is really cool :) Bellezza della foto a parte , tecnicamente ottima, è proprio il momento in cui vengono ritratti i soggetti che è davvero fantastico :) |
| sent on May 03, 2013 (11:36)
Congratulations, well deserved!  |
| sent on May 03, 2013 (14:45) | This comment has been automatically translated (show/hide original)
thanks to all of the visit
francesco sextiles a special thanks
hello grazie a tutti della visita
francesco sestili un grazie particolare
ciao |
| sent on May 03, 2013 (16:48) | This comment has been automatically translated (show/hide original)
Even though much later I'll really so many compliments on the recognition, great as always! Anche se con molto ritardo ti faccio davvero tanti complimenti per il riconoscimento, grandissimo come sempre!!! |
| sent on May 03, 2013 (19:19) | This comment has been automatically translated (show/hide original)
Congratulations on the EP and the amazing image. I too would like to better understand this sentence: the second we found it more 'late on the lawn and then I created this composition. It means that you've moved the butterfly? In the explanation to say that 11 came the breath of wind, but at 11 the butterflies were still stuck? With the dew on the antennae? Or the photo above?
The questions are not intended to steal secrets, but to better understand the construction of this beautiful image.
Thanks in advance.
d Congratulazioni per l'EP e per la strepitosa immagine. Anche io vorrei capire meglio questa frase: la seconda l'abbiamo trovata piu' tardi sul prato e poi ho creato questa composizione. Significa che hai spostato la farfalla? Nella spiegazione dici che alle 11 è arrivato il filo di vento; ma alle 11 le farfalle erano ancora ferme? Con la rugiada sulle antenne? O la foto è precedente?
Le domande non sono volte a carpire segreti, ma a comprendere meglio la realizzazione di questa splendida immagine.
Grazie in anticipo.
d |
| sent on May 03, 2013 (21:24) | This comment has been automatically translated (show/hide original)
hello danvigo who knows me knows that I have no secrets and I tend to disclose. Unfortunately, many do not even put the shooting data but I pointed to everything and more ': butterflies normally when you are at 6 am are stuck because still cold. with the sun warming open wings heat up and fly. normally when you are shooting you tend to do so for obvious reasons the shadow of light and to ensure that the butterflies do not overheat. This is the explanation of why at 11 you are still unable to photograph. initially on the perch was not a single butterfly. I have some unpublished shots where there is' just her. while shooting I noticed that next to me there was another pontia edusa that I placed on the perch coming to the composition that you saw in the final photo. I intend to put to place without touching your hands to prevent causing damage to the subject but cutting the grass stem where he was and with coadiuvandosi andxed position on the new roost. thanks for the "strepistossa image" if you have additional questions or concerns ask as well .. no secret indeed Juza also serves to disseminate this. and hello to the next ciao danvigo chi mi conosce sa che non ho segreti e che tendo a divulgare. purtroppo molti non mettono neanche i dati di scatto io invece indico di tutto e di piu': le farfalle normalmente quando si trovano alle 6 del mattino sono ferme perchè ancora fredde. riscaldandosi col sole aprono le ali si scaldano e volano. normalmente quando si fotografa si tende a farlo all'ombra per ovvi motivi di luce e per far si che le farfalle non si surriscaldino. questa la spiegazione del perchè alle 11 si riesce ancora a fotografare. inizialmente sul posatoio c'era una sola farfalla. ho alcuni scatti non pubblicati dove c'e' solo lei. durante gli scatti mi sono accorto che affianco a me c'era un altra pontia edusa che ho posizionato sul posatoio arrivando alla composizione che tu hai visto nella foto finale. per posizionare intendo mettere senza toccare con le mani per non recare danni al soggetto ma tagliando lo stelo d'erba dove si trovava e coadiuvandosi con esso posizionarla sul nuovo posatoio. grazie per la "strepistossa immagine" se hai altre domande o dubbi chiedi pure..nessun segreto anzi juza serve anche per questo per divulgare. ciao e alla prossima |
| sent on May 04, 2013 (22:56) | This comment has been automatically translated (show/hide original)
Thank you for the very thorough explanation. Sorry if I repeated the request of another user, but around (not sure if even here on the site) you will see and hear a lot of people that touches insects or worse. Personally I find it deplorable and I believe that these practices should be reported at least under the photo, a little 'how to do it (should be done) for animals in captivity portraits.
Hello
d Grazie per la spiegazione molto esauriente. Scusa se ho ribadito la richiesta di un altro utente, ma in giro (non so se anche qui sul sito) si vede e si sente un sacco di gente che tocca gli insetti o peggio. Personalmente trovo queste pratiche deplorevoli e credo che andrebbero almeno segnalate sotto la foto, un po' come si fa (si dovrebbe fare) per gli animali ritratti in cattività.
Ciao
d |
| sent on May 06, 2013 (13:44) | This comment has been automatically translated (show/hide original)
Late, but still in time to join the copious and well-deserved congratulations!
Hello ;-) In ritardo, ma sempre in tempo per unirmi ai copiosi e meritati complimenti!
Ciao |
| sent on May 06, 2013 (22:05) | This comment has been automatically translated (show/hide original)
I must say that to choose one among all your wonderful macro is really hard ...
compliments,
Roberto. Devo dire che sceglierne una tra tutte le tue splendide macro è davvero difficile...
complimenti,
Roberto. |
| sent on May 08, 2013 (12:52) | This comment has been automatically translated (show/hide original)
thank you for the visit. always very kind ;-) grazie di cuore della visita. sempre gentilissimi |
| sent on February 03, 2014 (11:46) | This comment has been automatically translated (show/hide original)
Flavio, this is, for me, of course, one of your most beautiful pictures of butterflies. The simple elegance of the two butterflies is emphasized, by contrast, the messy, chaotic twisting of the two seeds. Bravissimo.
Hello, Joseph. Flavio, questa è, per me naturalmente, una delle tue più belle immagini di farfalle. La semplice eleganza delle due farfalle è messa in risalto, per contrasto, dal disordinato, caotico contorcimento dei due semi. Bravissimo.
Ciao, Giuseppe. |
| sent on April 26, 2014 (21:30) | This comment has been automatically translated (show/hide original)
Perfect symmetry in magnificent photos! Perfetta simmetria in foto magnifica!!! |
| sent on April 26, 2014 (22:18) | This comment has been automatically translated (show/hide original)
Bella!
Vinsss Bella!!!
Vinsss |
| sent on July 03, 2014 (8:54) | This comment has been automatically translated (show/hide original)
What a treat! :-P Che meraviglia! |
| sent on June 20, 2015 (16:56) | This comment has been automatically translated (show/hide original)
Beautiful, congratulations! Bella, complimenti! |
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