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| sent on July 06, 2016 (22:16) | This comment has been translated
Thank you all! |
| sent on December 20, 2016 (19:39) | This comment has been translated
Nice! |
| sent on December 21, 2016 (8:46) | This comment has been translated
Thanks Marcello :) |
| sent on January 01, 2017 (20:38) | This comment has been translated
Marvelous |
| sent on January 01, 2017 (20:44) | This comment has been translated
Thanks Nikispinnato  |
| sent on January 16, 2017 (15:58) | This comment has been automatically translated (show/hide original)
Very well made, very beautiful shades and details of the door. Regarding the sky, you have replaced in the post or have you recovered?
Note some 'grit on the dress of the groom (I think due to a recovery) and a bit' of chromatic aberration on the arc.
;-) Molto ben resa, molto belle le tonalità e i dettagli del portone. Per quanto riguarda il cielo, lo hai sostituito in post oppure lo hai recuperato?
Da notare un po' di grana sul vestito dello sposo (penso dovuto a un recupero) e un po' di aberrazione cromatica sull'arco.
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| sent on January 16, 2017 (16:05) | This comment has been automatically translated (show/hide original)
Thanks Luigi! No, the sky is the original .. I did a show on the clouds to
Then retrieve the black spots.
As good the D700 has limits ..
For chromatic aberrations, however, there is unfortunately not bother me ..
From my "tam-cess" I can not ask for much :-D
I'll try to better manage the noise speech next time Grazie Luigi! No il cielo è originale .. ho fatto un'esposizione sulle nuvole per
Recuperare poi le zone in ombra.
Per quanto ottima la D700 ha dei limiti..
Per le aberrazioni cromatiche ci sta però non mi preoccupano .. purtroppo
Dal mio "tam-cess " non posso chiedere molto
Proverò a gestire meglio il discorso del rumore la prossima volta |
| sent on January 16, 2017 (16:25) | This comment has been automatically translated (show/hide original)
Wait ... explain well. have exposed the scene in the clouds, then everything else was underexposed? Or did you two shots, one with exposure to the scene and one for the clouds?
Just out of curiosity! ;-) Aspetta... spiegami bene. hai esposto la scena sulle nuvole, quindi tutto il resto era sottoesposto? Oppure hai fatto 2 scatti, uno con esposizione sulla scena e uno per le nuvole?
Giusto per curiosità! |
| sent on January 16, 2017 (16:40) | This comment has been automatically translated (show/hide original)
You can not do two shots ... I exposed the clouds and worked nef opening underexposed areas Non puoi fare due scatti... ho esposto sulle nuvole e lavorato il nef aprendo le zone sottoesposte |
| sent on January 16, 2017 (17:06) | This comment has been automatically translated (show/hide original)
Surely you can do two shots, using the burst with multiple exposure. Just set the stop values ??...
However you are a daredevil, I would not have risked! :-D Certamente puoi fare due scatti, usando la raffica con esposizione multipla. Basta impostare i valori di stop...
Comunque sei un temerario, io non avrei rischiato! |
| sent on January 16, 2017 (17:12) | This comment has been automatically translated (show/hide original)
Excuse me then as lines up? I can try PixInsight .. :-D
Bold? But it should be enough to know the medium is one that allows you
To do .. the rest is drivel
:-D Scusa poi come allinei ? Si posso provare con pixinsight..
Temerario? Ma va basta conoscere il mezzo è quello che ti permette
Di fare.. il resto è una stupidata
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| sent on January 16, 2017 (17:35) | This comment has been automatically translated (show/hide original)
Align is hogwash, 2 frames on two levels and then move them helping you with transparency ;-)
Obviously, once aligned, you should use the layer mask to bring out the sky, or the opposite. The rule of "maximum results with minimum effort"! ;) Allinearli è una fesseria, i 2 fotogrammi su due livelli e poi li sposti aiutandoti con la trasparenza
Ovviamente, una volta allineati, dovrai usare la maschera di livello per fare emergere il cielo, altrimenti il contrario. La regola del "massimo risultato col minimo sforzo"! ;) |
| sent on January 16, 2017 (17:38) | This comment has been automatically translated (show/hide original)
But it goes a sheaf ... the best single photo ... then the people on the bottom moves and you move you by pressing the shutter button ... no no better the old method Ma va è una menata... meglio la foto singola... poi la gente sul fondo si muove e ti muovi tu con la pressione del pulsante di scatto... no no meglio il metodo antico |
| sent on January 30, 2017 (14:35) | This comment has been automatically translated (show/hide original)
gorgeous!
I did not know this goal seems nowhere to be found ... bellissima!
non conoscevo questo obbiettivo sembra introvabile... |
| sent on June 19, 2018 (20:03) | This comment has been automatically translated (show/hide original)
My goodness that picture! It looks like a pictorial "trompe l'oeil", if I look at it continuously I have the feeling of being caught cadendoci inside. The doors of the portal are perfect frame. Touché Alexander, my compliments congratulations and my sincerely Francis. Mamma mia che foto! Sembra un "Trompe d'oeil" pittorico, se la guardo di continuo ho la sensazione di essere catturato cadendoci dentro. Le ante del portale fanno da cornice perfetta. Touché Alessandro, i miei complimenti vivissimi e miei cordiali saluti Francesco. |
| sent on June 24, 2018 (11:51) | This comment has been automatically translated (show/hide original)
Thanks Francesco grazie Francesco |
| sent on January 02, 2020 (4:44) | This comment has been automatically translated (show/hide original)
nice light balance, great shot. Ciaooo bel bilanciamento della luce, grande scatto. ciaooo |
| sent on January 02, 2020 (11:18) | This comment has been automatically translated (show/hide original)
Thanks Gianni Grazie Gianni |
| sent on May 05, 2020 (20:44) | This comment has been automatically translated (show/hide original)
Bravo here too Bravo anche qui |
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