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The following opinions have been automatically translated with Google Translate.
Pros:Blurred, building, light, three-dimensional, color schemes.
Cons:Imprecision AF TA on the outer side (especially in low light), not excellent sharpness at RT.
Opinion:And 'the lens most discussed list of Canon, surely because of his "character" that allows only two states of mind as a result of its use: either you love it or you hate; there is in fact who hosannas considering a fetish and who slaughters on the altar of sharpness. I belong to the first group of users and I can decant the incredible quality of this 50mm.rnCostruzione classic L series, a chance to play with the pdc thanks to f / 1.2, three-dimensional frightening and fabulous colors are just a few of the infinite merits of 50one Canon's mom, but I think more importantly the quality and type of blur that this perspective can give and that I'm not afraid to define ONIRICO, MAGICO.rnSe the price to pay for it is a modest amount of shots trashed in TA and a sharpness not from macro at the widest apertures are happy to have to endure these venial sins and, if you know how to use well (is not easy), enables unique shots, imbued with the "Leica mode" that makes grigive the "magic". RNA from my opinion the best of the environmental portrait, but for those who like this focal also for reportage (personally I prefer the 35mm), there will be lavish ricompense.rnCanon will build the 50mm 1.2L II-III-IV-V-etc but if not I will not have this made no change.
pubblicata da Riccardogibilterra November 25, 2014
Pros:Beautiful, massive, bright, fast AF, blurred by fear, handyman (at least for me), L, 1.2.
Cons:You have to tame it, not coincidentally is nicknamed Talpone.
Opinion:You can read all the reviews you want, see graphics video test everything you can find on the web, but the advice I give is if you can noleggiatelo and try it, well calibrated the machine taken taken taken and buy it ........ !!! Dream lens, detachment, poetic blurred by fear! The buy back with your eyes closed is worth whatever it costs!
Pros:colors, fast and silent AF, three-dimensional image bokeh
Cons:TA is reliable only with the cross-type points
Opinion:I bought this lens after reading and re-read everything you can find on the net; what perplexed me was reading about the unreliability of the AF TA.rnIn in fact, the first impact was not much; I tried it in portraiture and the only way to get sharp photos in 1.2 was to reconcile with the central ... with all the other points, the MAF was a stroke of lotto.rnCosì I brought 5DIII and 50one to room service for the calibration of any single point of focus. Now I can finally say it's worth all the money spent and I think is the best 50mm out there ... PROVIDED THAT YOU USE IT WITH A POINT MAF CROCE.rnLo blur is really nice; 1.2 clearly one can not ask for clarity exasperated ... but who buys a goal like it does for other reasons such as its bokeh and the feeling you get by clicking (hard to describe) .rnLo detachment of the plans is spectacular as the tridimensionalità.rnA TA vignetting you see all right but for portraits & egrave; an effect that I do not mind at all ... but ... if there is not often I add it in post.rnSe you can buy it!
Cons:Apart from the price, a little too soft at room temperature
Opinion:I state that I am not a fetishist of the optics so that, after having had several 50 (1.4 Canon, Sigma EX 1.4, 1.4 sigma series art), I decided to try it to see the performance. The 50 is the lens I use the most in assoluto.rnAlla I finally gave up and I'm loving it:) rnOttica great for the type of photography that belongs to me (portrait and fashion), beautiful colors, beautiful rendering of the complexion, focus fast and accurate, three-dimensional. It is not a "blade" as the sigma 50 f 1.4 series art, but I took it on purpose because the softer and made of special focus, allow me to have pictures more easily lavorabili.rnE 'view that scales well with the camera body, very strong but not pesante.rnA f2 sharpness, of course taking into account opening is very good, since f4 becomes exceptional. At f 1.2 and F1.4 do not have to wait for clarity as that of the sigma art: if you shoot a full-length and you go to look at the eye is enlarged to 100% forperfectly definito.rnCome said by some, suffers from chromatic aberration, but is easily removed with a simple adjustment ps.rnDetto this, I finally have found the right 50 and I hardly separerò.rn
Cons:price, plasticky construction, tropicalizzazzione not adequate cost
Opinion:Extremely disappointed with this objective, after years and several research (internet, trade fairs, magazines, and acquaintances who said lens) I was perhaps influenced by the fact reviews made, or the craving to have what for many is the "OBJECTIVE" I bought it but after a few months sold, according mè not worth the money that they charge, competing brands at half the price they do best, I repeat € 1,200 / 1,300 for this purpose are troppiii.
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