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The following opinions have been automatically translated with Google Translate.
Opinion:Optics Owned for About 1 year and then resold for Poor use, Very Sharp already at TA, Completely in Metal, Very Fluid the rings, Flare and Aberrations content, used mainly for particular shots very studied, honestly never used in landscapes because for my tastes too much field of view available, I saw it more as an "action cam" style use but with Sony Fullframe quality, However overall lens that I really liked, as already said by other reviewers the cap is easily scratched, for the absence of autofocus I never posed the problem, I always worked from f4 to f8 in hyperfocal almost always, I would have kept it in the kit even if used rarely, but I had to monetize for the Sony 12-24 ...
Pros:Metal body, sharpness even at the edges, good color rendering
Cons:Weight (but it is metal), delicate front cap
Opinion:It is not an easy lens for the whole field that you can frame but it remains a very fun lens to use. On the Z6, despite the weight, it is well balanced and the neck is not felt! It holds flares well as well as chromatic aberrations. Gia a TA is fine but in my opinion at f4 is just a razor. For the price (taken on amazon on offer at 250) is great!
Pros:Sharpness, image quality throughout the frame, relatively small aberrations.
Cons:Weight, delicate and scratch-prone cap, decliccata bezel only
Opinion:Taken directly on Aliexpress, it was a bet as there were no reviews in Italian, I was convinced by the ratings I found on Youtube. The optics are pesantuccia, all in metal, it remains very cold to the touch precisely because of the metal finish. The cap is also made of metal, it scratches easily. I have the Sony version. The frame is sharp already at TA, albeit with the obvious edge limitations given by the lens format. Flares and aberrations present, but absolutely contained compared to the great breadth of the field. The diaphragm ring is designed for video (mine is different from the one used for the image of the review), has a relatively pronounced dentition, without getting to the extremes of video optics but certainly designed for use with follow-focus automatisms. The mark for alignment with the bayonet is only on the metal back and not also on the side of the lens, forcing you to pay more attention when grafting. The value for money is exceptional, in my opinion one of the best fisheye attack E native. If you are passionate about this type of optics, I recommend it dispassionately!
Pros:Surprising sharpness even at the edges, its color rendering, all in metal
Cons:The lack of electrical contacts , perhaps a little heavy ?
Opinion:First of all, I come from Nikon SLR kit and recently landed in ML Nikon Z, I was looking for lenses that could take the place of the F without using any adapter. Supergrandadulars have always been my passion, and in the F version you can find everything and I have tried everything. I took, to tell the truth, the TTartisan, with many doubts also enticed by the cost but above all by the positive reviews that gave it as a surprising optics. I have been using it with intensity for over six months now and I never do without it both as a faithful companion in a light triptych on Z50 ... to really try.... both as a committed optics and of refined quality on Z6_2, for this reason it never fails in the travel kit. The quality, yes, is really surprising for that price, but above all for the excellent resolution at the edges of a straight fish-eye like this, attention does not work miracles, but even the supercostose Superoptics do them (many purchased and resold). Surprising the containment of the Flare even in full counter-sun situations, and very limited chromatic aberration even at full aperture. The color rendering, is a separate chapter, trying it, I realized that it is very balanced and difficult to find even so on much more noble optics. So the price/performance ratio is really exhilarating x me a nice 10 overall.
The following opinions have been automatically translated with Google Translate.
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