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Cons: only serves to cameras with aps-c sensor, could be firmer in the front segment (fluctuates a bit when in 55mm)
Opinion: this is my lens of choice for travel photos, portraits, nocturnal, architecture, for any service. Mounted on my Canon EOS 50D produces a set of very high quality and performance. The only thing it lacks to be an L series lens is the red stripe, but also did not make sense to Canon to produce an EF-s series lens as a L series. In all the features it provides the lens-end to users of sensor APS-C.
The following opinions have been automatically translated with Google Translate.
Opinion:I had two copies of this perspective: nothing to say about the quality of the glass, the AF and the stabilizer, but much to say about the building: rn1) the quality of the material is unsatisfactory, especially the plastic cylinder that comes out when lengthens the focalern2) for hobby I used even in the rain, and in both specimens after a period (not too long) of use in these conditions has formed the condensate below the front lens, forcing to give up shooting until all 'drying ... I asked canon and I was told that is normal, not a series L.rnPersonalmente not approve of this marketing choice: because a body of quality and performance as well as the 7D MkII can not adopt a view Basic height? rnHo solved the problem by switching to FF, although I was tempted to go down to normal use concorrenza.rnComunque recommend
Pros:Bright, crisp and clear TA, excellent stabilizer. I think the best solution for APSC. For what it offers cheap.
Cons:Enter a lot of dust.
Opinion:I had this lens for two years on 40D and I must say that I have almost never detached. The image quality is excellent: I can say calmly, comparing shots, that 17-55 is much sharper than the 24-70 TA 2.8 The first series that use of 5D MkII (which, however, has other qualities, of course) . If I could choose I would be very uncertain ... but unfortunately you can not use on FF! Stabilizer exceptional, in my gallery is a night view taken in 1/8 freehand, there is nothing else to add. Defects: color my taste a little chilly, blurred not up to the 24-70, imagine a little "hard", I would not know how to explain myself better: it lacks a bit of "atmosphere" compared to 24-70, but remains 2.8 , to my taste much better -for example- of L. 24-105 E 'a vacuum cleaner, steam-cleaned 2 times in 2 years. Still great, straconsigliato. Will revive your old APSC: try it beforechange camera, you will not regret!
Pros:Sharpness, brightness, IS, AF, full time manual focus,
Cons:Price, not including lens hood, vignetting, weight
Opinion:Outstanding optical quality, already at full aperture is very clear, and diaframmando become razor sharp even at the edges, the autofocus is impeccable and extremely quiet, the build quality is not great, but it's well-made plastic, decent but not outstanding resistance to flare. On balance it is one of the best lenses specific for APS-C, perhaps the only Sigma 18-35 is superior, but pays the reduced focal range. Compared to my "old" Tamron 17-50 are on another planet has the Tamron AF of a tractor (both in terms of slowness that noise) the Tamron 2.8 is just enough over the edge and you diaframmarlo f4 to have edges decent. The price is a little high in relation to the fact that you do not give it bag it hood and the weight is not from dragonfly! But for the rest it is to be recommended as an upgrade to the sigma / Tamron 17-50!
Opinion:A little 'sharper the Tamron 17 50 LESS smooth and clear of canon 105. 24 The same goes for the AF. I would not recommend. Costa troppo.Piuttosto'd take the Tamron 50 and a 1.4 if you do portraits or Samyang 14 for landscapes. It pays to spend three times more for a hair more sharpness? I say NO, but everyone has different needs.
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