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Alberto Parolin
www.juzaphoto.com/p/AlbertoParolin



Reviews of cameras, lenses, tripods, heads and other accessories written by Alberto Parolin


Microsoft Translator  The following opinions have been automatically translated with Microsoft Translator.

nikon_d500Nikon D500

Pros: Construction quality and design, ergonomics, viewfinder, general responsiveness, AF point coverage, buffer, XQD slot, high-detail details and colors, automatic download on smartphone with Snap Bridge, jpeg on camera, tilt display and touch.

Cons: Snap Bridge tends to disconnect, AF in video mode, ABCD presets can only be recalled from the menu

Opinion: well, after more than 18 months of use in the field, after more than 100,000 shots it is time to review this little big flagship. We start from the construction quality: the polymers used, the tires and the surface finishes are excellent, resistant to abrasion, humidity and intensive use. The D500 is a sturdy machine, beautiful to see and hold, excellent feedback of keys and dials, with the gem of backlit controls, pity only that is not illuminated the ISO button and the lens port.rnThe finger grip is deep and the palm and thumb support is well shaped. Typical commands of the Nikon professional, excellent presence of the joystik, extensive customization of the Fn keys to recall the AF modes, but winks at those who use the shot in AF-ON. The strong point of the machine is the 153 point AF module, a module that is appreciated for the vastness of the coverage area and for its precision and speed.serious; Focus. The D500 looks like an inexhaustible machine gun. Excellent presence of the XQD slot that provides very high buffer but also a remarkable speed of downloading photos on pc.rnThe diplay is tilt, great on easel and or for creative shots. Very good live view mode with very high compensation values, useful at night and a touch AF all in all quickly and accurately. On the other hand, the AF in the video because it lacks fluency, better to use the AF in the manual. Video quality I would say excellent in HD, very much affected the 4k, however, is a central crop of 1.48x, returns useful if you ulate at the end of documentary on distant subjects, better if static because the rolling shutter is high.rnAs the image quality the D500 It has top performances in terms of holding high-quality details and colors, I have taken home and easily printed ISO photos unimaginable for a DX. The dynamic range at low ISO is also excellent. Clear that you compare to an FX the luminance noise values ??are moreelevati.rn

sent on January 03, 2018


nikon_afs20_f1-8Nikon AF-S 20mm f/1.8 G ED

Pros: Weight, brightness, sunstar, blurred, good clarity.

Cons: Focus ring ring, minimum diaphragm f / 16

Opinion: Very versatile and fun to use. It offers a very contrasted yield with closed shadows. It is convenient to mount 77mm screw filters. It is usable for full opening and is engraved with intermediate diaphragms from f / 2.8 af / 8 (but not Sigma Art). It also offers good results even at night, as long as the CA is on the edges. It's a pity for the manual focus ring that is dropping. rnBellissima is the rendering of light points with a 14-point sunstar, perhaps the best Nikon lens in this view (along with 24 1.8 and 28 1.4). Excellent blurry open diaphragm. As other bright lenses, the most closed diaphragm is only f / 16. This can be a limit if you are looking for more depth of field when you work in hyperfocal focus areas and backgrounds, or when you want to stretch shooting times for creative effects. Being light and relatively small always finds a place on the bag. I find the materials appropriate to the type of use and the scratch finish does its duty.rn

sent on June 20, 2017


samyang_14Samyang 14mm f/2.8 IF ED UMC Aspherical

Pros: sharpness, price, weight, size, resistance to the light.

Cons: distortion, economic construction, manual focus

Opinion: I have to say to be very satisfied with this lens. Sharpness and contrast are superb in combination with the D750, giving a high level of detail comparable to a Sigma Art. It 'manual focus, but you can easily make up for this lack by using it in hyperfocal. RNLA resistance to flare backlight is remarkable, forwarding produces a distinctive 6-pointed star already closing to f / 6.3, better than many optical distortion grandangolari.rnLa whisker is embarrassing, but you can live in bubble holding the machine axis horizontal, and possibly using the distortion correction plugin Lightroom if there were no architectural lines in the frame. The construction is economic, the front lens is not scratch resistant and must be treated with great care even when you clean, but you can turn a blind eye because this lens is sold at a price abbordabilissimo and photo quality that you can get It is stratospheric. It 'very comcovenant and read that a place in the backpack finds sempre.rn

sent on November 18, 2015


nikon_d750Nikon D750

Pros: Ergonomics, responsive autofocus in low light conditions and also on the side steps, holding ISO, dynamic range, sensor iso-invariant, display toggle, video at 60fps

Cons: display that rotates on only one axis

Opinion: The amount of features and the location of the controls, the impression that sent me right away, is how this machine has been designed intelligently transferring all the experience of costruttore.rnCompatta and lightweight to be a full frame but at same time ergonomic: the handle has a lot of grip and "wearing" like a glove. Battery life is very good, I was able to overcome 2,000 shots in one session matrimonialistica before changing Patona, on average the battery lasts it depends 900-1000 shots and kind of selected focus and the use of live view. The burst is adequate to the class of macchina.rnL'autofocus is very fast and responsive, it works even when you put a lens in front of the ND1000. Convenient because it avoids having to assemble and disassemble the filters continuously. There are various modes of focus including 3D traking for dynamic subjects that turn sideways and mode groups. The high-performance mode & agraI; Focusing in continuous mode species with GRP and priority to the issue, but it depends on the type and brightness of the display tilting dell'ottica.rnComodo when you have the camera on a tripod or when triggered by a low shot, too bad that it turns on a single axis but always better to have it fixed. rnOttimo system row of exposures with many options and above the rhythmic autobraketing when shooting from remote or click ritardato.rnLa measurement spot metering is linkable to all points of focus and this is the useful exposure modes with preserves on high lights. The meter is reliable but not infallible. Great car iso advanced but its regulation is a bit 'hidden in the menu, to the aid are configurations U1 and U2.rnLa image quality is very high, the sharpness is a 5-10% higher than the D600, despite the same megapixel, about the low pass filter minimally invasive. In post production the raw file allows you to recover the shadowslucinanti and "save" heavily underexposed shots. rnrnInsomma, this machine is a little monster, a machine tireless, versatile and great for everything from matrimonialismo, concerts, landscaping and also sport.rnrn

sent on October 22, 2015




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