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The following opinions have been automatically translated with Microsoft Translator. | Canon EOS R6 Pros: AF when doing close-up portraits Cons: A bin, the facts Canon released a version II without rumors and after a while Opinion: A machine that came out after the competitors should have had all the best features and instead it was made without reasoning, starting with i, face and eye tracking available only in one mode (over the entire frame) and therefore unusable, of necessity I made a virtue! basically with R6 you don't have eye reading on all focusing methods, but only on the whole area called tracking, so I had to customize the AF-ON button to make the discriminator between one shot-servo and the AF Point button is set to detect the eye, the AE lock button remained unchanged, I practically always press the button set for the eye, when I have to look for a particular point or because of contrasts with the background the focus should be difficult, I use the center point to hook and immediately after the dedicated button described above But the biggest problem the menu after two years I still haven't figured out if I can or can't turn off IBIS for photos, In fact, the menu is hidden and active only when you mount a lens that is not stabilized, at that point you can decide whether to activate or deactivate it for both photos and videos, but immediately after mounting a lens with stabilizer this option disappears so I assume you can't choose!! And I'm sorry because I would have liked to try to turn it off since when I take landscape photos or with a telephoto there is no way to have a photo without motion blur, they are mixed as if there were digital artifacts sent on April 03, 2024 |
 | Canon EF 70-300mm f/4-5.6 L IS USM Pros: focal excursion, 4 stop stabilizer, closed footprint, speed and precision autofocus, weight and now also the cost Cons: non-internal zoom and in some cases brightness. Opinion: Before buying it I read many positive opinions that I have to confirm, I bought it to photograph the music and theater shows, given the diaphragm I was skeptical of operation in dimly lit environments, instead the rapid and precise focus and stabilizer allow you to always take home the shot. As I have already mentioned, the diaphragm 4.5 does not prevent me from shooting with poor light conditions thanks to the excellent stabilizer that also has double sensitivity, but it does not allow me to have a selective focus when the subject to be photographed is not very close and with a shallow seabed, in essence not being able in some cases to reduce the depth of field you can not eliminate annoying elements in the background. I am a lover of wide angles but they need a search for the shot, so I must admit that more and more often I put the machine in my bag after having triggered this very versatile lens, to be ready for any eventuality, in my backpack in the central position there is the 6D or 5DII with this mounted lens and comfortable front comfortable the 16-35L f4, Leaving room in the bag for the Sammy 12mm Fisheye, the 50ino 1.8 and the flash/24-70 managing to cover all the focal points I need. The elongation of the lens during the zoom is really ineek and does not go unnoticed especially when trying to steal a portrait, but the 300mm on the other hand allow you to stay at a fair distance, on the occasion of the demolition of the Morandi Bridge, I managed to find an exclusive angle and take home a good image despite the sidereal distance, highly recommended+ sent on July 09, 2021 |
 | Samyang 12mm f/2.8 ED AS NCS Fisheye Pros: Absence of flare, cost, construction, sharpness, usable also in street, the presence of the aperture scale on the lens barrel is totally manual. Cons: Cumbersome used in live view on my 6d, use with non-screw filters Opinion: I have not yet purchased this lens, lent by a friend for a couple of shots I realized that there was a certain feeling already from the first picture, I was loaned again on the occasion of my trip to London, where I could try it for 5 days and the thing that immediately got me C Were shooting at was the total absence of flare in any light conditions in which I tripped. A very creative goal, allows you to see things from a different point of view and with the right angle you can compose without too much trouble. At diaphragm 8/11 The MAF goes from a few tens of centimeters to infinity, thus allowing to frame "important" first planes that increase the sensation of depth of the shot. The management of the exposure is not accurate and you have to take into account to apply a corrective to what is indicated by the machine (but with mine I'm used to doing with all the goals I have) In Live view my camera coupling lens gave me Some problem always and still solvable, in fact you have to use the same technique of filters ND at 10 stop, ie you have to compose with an open aperture to be able to see the right images in the display and then adjust the light according to the exposure meter taking into account Of the fixes described above, the operation is simple when you can use a tripod, a little less on the freehand shot. Returned the lens to the rightful owner, now I miss a lot and without having it in the bag I want to go around taking pictures knowing that I have to give up many shots surely achievable with this lens. In post I did not bother to download the profile for LR and I managed the distortion directly with PS, I must say that the middle part is almost always usable and without distortion, at the edges instead the distortion is accentuated but nothing incorrigible. sent on May 09, 2018 |
 | Canon EF 24-70mm f/4 L IS USM Pros: excellent sharpness to all openings, f4 fixed, manageable flare, and beautiful rendering of night lights, creates excellent stars on all light sources. Cons: The lens for how it is structured has no cons, if you could claim the impossible I would like to have the same characteristics with a 16-120 if I have to find a defect the macro can only be done at close range is very good for flowers but it is impossible to photograph the subjects that escape disturbed by a lens with a photographer a few centimeters Opinion: It 's the first lens that I mounted on my 6D and I must say that it is a winning combination, for the first year I photographed only with this and I can not complain, for the kind of photos that I often use the 16- 35 f4L and the Tamron 70-200 f4-5.6 but even having the 50ino 1.8 I can not remove it from the bag and if I have to choose to bring the machine with only one lens mounts this glass. sent on January 21, 2018 |
 | Nikon D300s Pros: Focus fast with a wide selection of points in mirino- shooting ultra fast with pleasant sound dell'otturatore- All controls to hand without getting into uncomfortable Menu- body sturdy tropicalizzato- exceptional files with good light- really paltry battery consumption. the "few" MPX allows excellent video resolutions and also excellent 30x40 prints with light and easily manageable file on HD. Cons: Noise over the ISO 800/1000, the "few" Mpx not allow Crop pushed into PP. Opinion: After trying a D80 and found myself comfortable with the controls, this was my first digital SLR that I recommend to all who want to enter this world, in fact, has very ergonomic controls that make it faster to set and become scattare.rnNonostante noisy above 800 ISO I used with the 18-200 3.5-5.6 for indoor sports photos with excellent risultati.rnpur having a FF I continued to use it, unwilling to carry two camera bodies and wanting to expand the park FF objectives are forced to sell it with only 5611 shots, will be soon on the market for those interested sent on December 19, 2016 |
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