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Massimo Ferreri www.juzaphoto.com/p/MassimoFerreri  |
The following opinions have been automatically translated with Microsoft Translator. | Zeiss Milvus 100mm f/2M Pros: Optical yield, mechanical realization, versatility of use Cons: Light vignetting at f/2 Opinion: It has the same optical scheme as the "Classic" version, which I have had in the past, so from this point of view it confirmed the excellent optical yield. The Milvus version has made improvements to the mechanical realization, both from an aesthetic point of view and for tropicalization. Without the help of accessories it allows you to reach the 1:2 playback ratio, which for most of my uses is sufficient; in the rare cases where I need to get to higher magnification ratios, up to 1:1, I combine it with the PN-11 extension tube (from 52.5 mm, basically the same as for the Micro Nikon 105 AI and AIs). It should be noted that the focal length does not vary with the focus distance (which happens with other macro objectivesies). The high maximum brightness (f/2) allows it to be used also as a generic medium-canvas for an infinite number of occasions. At f/2 the yield is already very good, even if there is a bit of vignetting, easily corrected in post-production; closing the diaphragm even by a single stop, the yield becomes excellent. Using it with a Nikon D850, I find the set well balanced. The price of the new one is quite high, but in my opinion justified by the characteristics of the object; I was lucky enough to buy a used as new from a kind forum user at a much more favorable price. sent on March 11, 2021 |
 | Zeiss Milvus 50mm f/1.4 Pros: Excellent image quality, impeccable mechanical realization, aesthetic Cons: Slight bearing distortion, also stated in the Zeiss technical documentation Opinion: After having used for several years the 50 mm Zeiss ZF. 2 (Classic series), with which I have overall found well, I decided to buy this milvus and I must acknowledge that there is absolutely no comparison with the equal focal ZF. 2. The optical scheme has been completely redesigned taking into account what has already been done for the Otus series and the results have been immediately visible since the first shots: a sharpness and uniformity of yield on the whole frame absolutely fantastic. The fluidity and precision of the focus ring make each shot a unique experience. Very nice and effective the metal hood supplied. The refined mechanical accomplishment and the greatest number of lenses have resulted in a significant increase in weight, which is appreciably higher than most of the 50 mm available on the market, but I personally think it is tolerable, as the whole It is compact enough and does not cause imbalance when engaged on the machine body. It's a relatively expensive lens, but considering both optical and mechanical quality, I think the performance price ratio is certainly good. Highly recommended to those who appreciate this focal and that for the type of images they realize can do without autofocus. sent on January 03, 2019 |
 | Zeiss ZE/ZF.2 Apo Sonnar T* 135mm f/2 Pros: Exceptional optical output, brightness, flawless mechanical fabrication, minimum focus distance Cons: Nobody Opinion: I found a used specimen in absolutely new condition at an interesting price and I didn't let it slip. Already from the first test shots I could see an excellent optical yield and now, after a few months, and after using it in the most disparate shooting situations, I can only confirm the high quality of the images that this lens is in can provide. The yield is extremely uniform across the frame and there is no trace of aberrations of any kind. The perfect fluidity and the wide angle of rotation of the focus ring allow an extremely accurate focheggiatura. The electronic rangefinder of my Nikon Df (the "Green Dot" in the viewfinder) provides a sufficiently precise indication for most circumstances; In the most critical cases I use Live View. The lens comes with a beautiful metal lens hood coated internally with Velveteen and equipped with a bayonet mount, which effectively performs its task. It is a lens that I would like to recommend to all those who are looking for a bright medium-tele and with an excellent image quality, and that do not let themselves be intimidated by manual focus. sent on May 16, 2018 |
 | Zeiss ZE/ZF.2 Planar T* 50mm f/1.4 Pros: Excellent mechanical construction; outstanding optical quality from f / 4 onwards; ring focusing fluid and no games Cons: Slight pincushion distortion, annoying in architectural shots; made soft edges in apertures (but this is a design choice, as is also evident from the documentation available at Zeiss, which defines this lens as having a split personality: just knowing it and take steps accordingly) Opinion: After so many years of shooting film with bodies and Contax Zeiss optics, with the digital switchover and related optical AF I was a little 'missed the feeling with those goals. When I bought this 50 mm and I mounted on my Nikon, I seemed to go back in time and rediscover the pleasure to manually focus. The results obtained are up to the reputation of Zeiss (but this did not doubt in the least), with excellent resolution and clean colors enviable. With version ZF.2 (the one with a chip) can be used all the automatic exposure present in modern DSRL. sent on December 31, 2014 |
 | Nikon AF 60mm f/2.8 D Micro Pros: Sufficiently compact and lightweight, with excellent performance over the entire range focusing fuoco.rnRapporto playback comes to 1:1. Cons: Nothing important Opinion: The use of cameras with FX format, so that, besides the use proper macro, may be used with satisfaction as optical "normal." The front lens is quite recessed, making it in my opinion unnecessary to use a lens hood (which would in any case purchased separately). No longer in production, can be found only on the used market, as in my case, and considering the average market price of this objective, it follows a high cost / beneficio.rn sent on August 08, 2013 |
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