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Claudio Ermi
www.juzaphoto.com/p/ClaudioErmi



Reviews of cameras, lenses, tripods, heads and other accessories written by Claudio Ermi


Microsoft Translator  The following opinions have been automatically translated with Microsoft Translator.

nikon_z_fcNikon Z fc

Pros: Aesthetics, Functions, Dynamic Range, High ISO, Resolution, Burst.

Cons: 1 Fn key, grip, lack of native Z mount lenses for Nikon APS-C.

Opinion: I have been using it for about 1 month in combination with the Kit 16/50mm lens, it is really a pleasure to carry it with you as light and compact as it is. The menu is the classic Nikon: simple, complete and intuitive. The screen is touch like the latest generation cameras. Remarkable the burst that reaches 11 FPS, I tried it in AF-C with the FTZ and 70-200mm VRII G, despite the unbalanced proportions due to the weight, with the tracking of the subject hooks very well. The screen is adjustable to use it also for vlogging shooting. The Z fc has full-time "Eye Autofocus" mode when shooting video. When taking photos, it also includes focus modes that combine face and eye AF with a wide focus area, allowing you to have more control over where the camera looks for a subject. It does not have the Joystick. Out of tune note: lack of native lenses with z mount attachment for aps-c of the parent company, or at least those that are there do not enthusiastic at all. With the addition of the FTZ adapter it loses a bit of sense, going to increase the size and ruining the aesthetics a little, but if you have a kit with F Mount attack it is necessary not to change the kit. Perhaps the only lens is the 28mm f/2.8 which on aps-c corresponds to a 42mm. In my opinion, a successful and aesthetically perfect room that will make inroads to the most nostalgic, reminiscent of the FM2. Jpeg colors are pleasant, with the golden yellows, warm greens, and vibrant reds you've come to expect from Nikon. Like the Z50 (and Sony), it doesn't have an anti-aliasing filter, so detail capture is high, but at the expense of color aliasing and moiré. JPEG sharpness is quite aggressive, with wide-range sharpness causing more halos around the edges (also known as overshoot) than competitors like Fujifilm and Sony. Noise reduction is quite effective but not at Sony's levels. One last thing worth noting is the camera's white balance system. There are three auto white balance settings: "general", "keep white", and "warm". On the "general" white balance I found that the photos have a blue dominant, doing some tests I moved it to "warm" and the appearance is more realistic. That said, the chamber is promoted with flying colors, calculating that in the future it will surely hold the market, like the DF. Dear Nikon give us some noteworthy optics with more open apertures for aps-c with Z mount.

sent on September 02, 2021




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