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Canon 550D + Canon EF 70-300mm f/4-5.6 L IS USM @ 70 mm. f8, 1/400. Priorità diaframma, esposiz. -2/3. ISO 100. Mano libera.
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sent on December 16, 2011 (23:00) | This comment has been automatically translated (show/hide original)
I am not convinced at all your idea to include in part the object to the right, which has a shape really curious. Would estimate a cut in the middle of the objects by cloning the lamp sticking out the top. Non mi convince del tutto la tua idea di includere parzialmente l'oggetto a destra, che ha una forma davvero curiosa. Valuterei un taglio a metà esatta dell'oggetto clonando il lampione che spunta in cima.
sent on December 16, 2011 (23:15) | This comment has been automatically translated (show/hide original)
Thanks again for your passage and for the advice Beppeverge. Always appreciated :) Unfortunately, right there were elements of disorder and wanted to include part of the landscape with boats, so I had to keep to the left. There is also a version in b / w www.flickr.com/photos/myk1978/6510328721/in/photostream (and guess what ...? I kept the red sail ;): P) Grazie nuovamente per il tuo passaggio e per i consigli Beppeverge. Sempre e comunque apprezzati :) Purtroppo a destra c'erano elementi di disturbo e volevo includere anche parte del paesaggio con le barche, quindi mi sono dovuto tenere a sinistra. C'è anche una versione in b/n www.flickr.com/photos/myk1978/6510328721/in/photostream (e indovina... ?! ho tenuto la vela rossa ;) :P )
sent on December 16, 2011 (23:32) | This comment has been automatically translated (show/hide original)
Myk sorry but this do not get it:-D did 2 steps on your right and includevi totally without insert (maybe) the elemeti of trouble ... or not? In doing so the boats seemed framed by the viewer because most vovie alal its trajectory (triangle: you puntavi him pointing them ;-)). hello and good light, laurel scusa Myk ma questa non l'ho capita facevi 2 passi sulla tua destra e lo includevi totalmente senza inserire (forse) gli elemeti di disturbo ... o no ? Così facendo le barche sembravano inquadrate dal visore perchè più vovie alal sua traiettoria (triangolo: tu puntavi lui che puntava loro). ciao e buona luce, lauro
sent on December 16, 2011 (23:43) | This comment has been automatically translated (show/hide original)
In fact, the idea had been to the "triangle" Lauro! :-) But the realization, I realize, is not optimal. Unfortunately, too many people around and a short time (as usual) :-|. Next time I will take more time and patience to compose better! Thank you very much for the changeover and the comments! :-P In effetti l'idea era proprio quella del "triangolo" Lauro! ma la realizzazione, mi rendo conto, non è stata ottimale. Purtroppo troppa gente attorno e poco tempo (come al solito) . La prossima volta mi prenderò più tempo e pazienza per comporre meglio! Grazie molte del passaggio e dei commenti!
sent on August 26, 2014 (12:33) | This comment has been automatically translated (show/hide original)
The camera and 'sophisticated photocopier, but it' s the eye of the photographer who chooses to pose in front of the original optics. ;-) La fotocamera e' una sofisticata fotocopiatrice, ma e' l'occhio del fotografo che sceglie l'originale da porre davanti all'ottica.
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facevi 2 passi sulla tua destra e lo includevi totalmente senza inserire (forse) gli elemeti di disturbo ... o no ? Così facendo le barche sembravano inquadrate dal visore perchè più vovie alal sua traiettoria (triangolo: tu puntavi lui che puntava loro
). ciao e buona luce, lauro 
ma la realizzazione, mi rendo conto, non è stata ottimale. Purtroppo troppa gente attorno e poco tempo (come al solito) 
. La prossima volta mi prenderò più tempo e pazienza per comporre meglio! Grazie molte del passaggio e dei commenti! 
