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| sent on May 26, 2015 (21:34) | This comment has been automatically translated (show/hide original)
I like the clean cut that draws two triangles inside of the arms.
Snap great, sharp and pose intriguing.
Congratulations. ;-) Mi piace il taglio deciso che disegna due triangoli all'interno delle braccia.
Scatto notevole, nitido e posa intrigante.
Complimenti.  |
user24517 | sent on May 26, 2015 (21:51) | This comment has been automatically translated (show/hide original)
Superb Stupenda |
| sent on May 27, 2015 (14:37) | This comment has been automatically translated (show/hide original)
Francoia, Brie, many thanks for the changeover and the nice words! Francoia, Briè, grazie mille del passaggio e delle belle parole! |
| sent on June 03, 2015 (12:40) | This comment has been automatically translated (show/hide original)
Beautiful portrait and model 8-)
Congratulations ;-)
Maurizio Bel ritratto e modella 
Complimenti
Maurizio |
| sent on June 03, 2015 (12:55) | This comment has been automatically translated (show/hide original)
Thanks Maurizio, very kind -D Grazie Maurizio, molto gentile  |
| sent on June 03, 2015 (13:59) | This comment has been automatically translated (show/hide original)
You mocked the rules and you got a great result !!!
Congratulations
Pose, cut model pretty cool !!
Hello Francesco Hai beffato le regole e hai ottenuto un gran bel risultato!!!
Complimenti
Posa, taglio modella tutto molto bello!!
Ciao Francesco |
| sent on June 03, 2015 (23:20) | This comment has been automatically translated (show/hide original)
Thanks Francesco, I'm glad you go to my genius cuts not just the usual: -D Grazie Francesco, sono contento ti vadano a genio i miei tagli non proprio usuali |
| sent on June 04, 2015 (16:25) | This comment has been automatically translated (show/hide original)
intrigantissimawow! wow! intrigantissima |
| sent on June 04, 2015 (18:34) | This comment has been automatically translated (show/hide original)
It is really very beautiful and expressive :-) Si, è veramente molto bella ed espressiva |
| sent on June 18, 2015 (11:10) | This comment has been automatically translated (show/hide original)
Beautiful and intriguing, great shot .. congratulations. ;-)
hello Bella e intrigante, ottimo scatto.. complimenti.
ciao |
| sent on June 19, 2015 (14:15) | This comment has been automatically translated (show/hide original)
Yeah, she's really magnetic, has a very intense gaze! 8-)
Thanks for the ride! Già, lei è veramente magnetica, ha uno sguardo molto intenso!
Grazie del passaggio! |
| sent on September 02, 2015 (8:03) | This comment has been automatically translated (show/hide original)
Quoto those who preceded me, beautiful shot, cut everything right! Compliments!
Bosley Quoto chi mi ha preceduto, bellissimo scatto, taglio davvero azzeccato! Complimenti!
Bosley |
| sent on September 02, 2015 (14:19) | This comment has been automatically translated (show/hide original)
Wow, aggressive ... I like !!! -D
Cris Wow, aggressiva... mi piace!!!
Cris |
| sent on September 03, 2015 (21:28) | This comment has been automatically translated (show/hide original)
Thank you both guys! -D Grazie ad entrambi ragazzi! |
| sent on June 19, 2018 (10:45) | This comment has been automatically translated (show/hide original)
For me, the sharpening is a exotic too pushed. Per me, lo sharpening è un pocchino troppo spinto. |
| sent on June 19, 2018 (21:45) | This comment has been automatically translated (show/hide original)
If I can, too much frequency separation: if you make a beauty shot you have to work also the body, otherwise too much post on the face, the skin is too plasticosa. The girl's makeup is made bad lipstick and mascara in a foreground so they have to be flawless and despite your commitment to compose you spoil the shot, there is little to do. Use a spotlight for the clamshell, do not build a catchlight in post. ? Se posso, troppa frequency separation: se fai un beauty shot allora devi lavorare anche il corpo, ma comunque troppa post sul viso, la pelle è troppo plasticosa. Il trucco sulla ragazza è applicato molto male: rossetto e mascara in un primo piano così (ma non solo..)devono essere impeccabili e nonostante il tuo impegno a comporre ti rovinano lo scatto, c'è poco da fare. Sembra che qualcuno le abbia dato un pugno in bocca e c'è troppo riflesso sulle labbra, l'eyliner poi... Usa un riflettore per il clamshell, non costruire un catchlight in post, così non recuperi parecchie ombre in post e non comprometti lo skintone. In fase di composizione falle inclinare il busto un po verso la camera: eviterà tensione sul collo quello che qui in california chiamiamo "Turtle neck". Falle abbassare i gomiti la prossima volta in modo da non avere quel crop, così otterai viso spalle e mani in una composizione molto più sensuale. E falla truccare da un professionista: ti risparmierà post produzione, e sbavature di sorta, non ti rovineranno lo scatto |
| sent on June 20, 2018 (11:21) | This comment has been automatically translated (show/hide original)
Thanks to both for the criticism and advice!
Let's say that the portrait is not really my genre, sometimes I throw myself if it happens or ask me some pictures but I prefer far other genres.
for the sharpness is very true, I had worked the photo on my old laptop and when I had seen on fixed a little ' difference was there, and not only on the sharpening...
for the skin was a battle, the trick pretty much had become shiny, it melted in his face :-/
Another problem I found is how to give precise indications to the model not being this kind of shots my daily bread, maybe that was the most difficult thing and the one on which we should experience. Grazie ad entrambi per le critiche e i consigli!
Diciamo che il ritratto non è proprio il mio genere, qualche volta mi ci butto se capita o mi chiedono qualche foto ma preferisco di gran lunga altri generi.
Per la nitidezza è verissimo, avevo lavorato la foto sul mio vecchio portatile e quando l'avevo vista su fisso un po' di differenza c'era, e non solo sullo sharpening...
Per la pelle è stata una battaglia, il trucco praticamente era diventato lucidissimo, gli si scioglieva in faccia
Un altro problema che ho riscontrato è come dare indicazioni precise alla modella non essendo questo genere di scatti il mio pane quotidiano, forse quella è stata la cosa più difficile e quella sulla quale bisognerebbe fare esperienza. |
| sent on June 20, 2018 (17:36) | This comment has been automatically translated (show/hide original)
Imagine. For the next time there is no need to get to F13: Just a range between F5 and F8 so lower also the intensity of light and recycle faster. When using a high key stop as soon as the background is white otherwise you will have too much light on the model if you do not have enough space. Move the SoftBox a little more room dx ;-) Figurati. Per la prossima volta non c'è bisogno di arrivare a f13: basta un range tra f5 e f8 così abbassi anche l'intensità della luce e ricicla più velocemente. Quando usi un high key fermati appena lo sfondo è bianco altrimenti ti ribalzerà troppa luce sulla modella se non hai sufficiente spazio. Sposta la softbox un po' più camera dx |
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