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| sent on January 02, 2019 (23:58) | This comment has been automatically translated (show/hide original)
Don't remind me of the Velvia... I get the twinkling in my eyes... 8-)
“ It's as if he commanded the shot, some people ask, some don't. /QUOTE
I fully agree with your interpretation Claudio!
„ Non rammentarmi la Velvia ... mi vengono i lucciconi agli occhi ... 
" E' come se comandasse lo scatto, certi lo chiedono, altri no."
Concordo pienamente con la tua interpretazione Claudio!
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| sent on January 03, 2019 (0:07) | This comment has been automatically translated (show/hide original)
Personally I have never used it but I have studied thousands of photos and various ways to simulate it, since I found a Raw Converter that has the profile of 100 (DxO Photolab). It's less beautiful than the 50, but so much. Basically the channels of the three colors are pumped, is added a dominant red-magenta feature and then there is a strong contrast curve, which is an aspect that I like less because it closes the shadows and creates a lot of "black Wells" in the picture (in my photos there Almost always a point of black obvious but hardly too many shadows closed, I do not like them unless you are making silhouette). The effect of Velvia is clearly disastrous if there are people, the skin becomes "burnt" :-P (but you can always desaturate only the faces, saving the mega colors elsewhere). Personalmente non la ho mai utilizzata ma mi sono studiato migliaia di foto e vari modi di simularla, sinchè ho trovato un Raw Converter che c'ha il profilo della 100 (DxO Photolab). E' meno bella della 50, ma tant'è. Sostanzialmente i canali dei tre colori sono pompati, viene aggiunta una dominante rosso-magenta caratteristica e poi c'è una forte curva di contrasto, che è un aspetto che mi piace meno perchè chiude le ombre e crea un sacco di "pozzi neri" nella foto (nelle mie foto c'è quasi sempre un punto di nero evidente ma difficilmente troppe ombre chiuse, non mi piacciono a meno che non si stia facendo delle silhouette). L'effetto della velvia è chiaramente disastroso se ci sono persone, la pelle diventa "ustionata"  (ma si può sempre desaturare solo i visi, salvando i mega colori altrove). |
| sent on March 18, 2019 (21:31) | This comment has been automatically translated (show/hide original)
Beautiful Blue Now
I really like
Compliments
Hello Bellissima ora blu
Mi piace molto
Complimenti
Ciao |
| sent on March 19, 2019 (8:17) | This comment has been automatically translated (show/hide original)
Very kind Andrea ...
Un thanks sincero and Greetings!
Simone Gentilissimo Andrea ...
Un grazie sincero ed un saluto!
Simone |
| sent on June 21, 2019 (14:15) | This comment has been automatically translated (show/hide original)
A really impressive blue hour, Simone, congratulations! The deserted scene amplifies the feeling of magical atmosphere, good, beautiful shot.
A warm greeting
Raffaele Un'ora blu davvero suggestiva, Simone, complimenti! La scena deserta amplifica la sensazione di atmosfera magica, bravo, bello scatto.
Un caro saluto
Raffaele |
| sent on June 21, 2019 (23:31) | This comment has been automatically translated (show/hide original)
Thank you for the passage and the liking Raffaele!
Hello and good weekend ...
Simone Grazie del passaggio e del gradimento Raffaele!
Ciao e buon fine settimana ...
Simone |
| sent on January 11, 2020 (14:37) | This comment has been automatically translated (show/hide original)
Beautiful composition with lines that bring inside the shot and great shooting moment with good balance between blue and yellow.
Good day! Bella composizione con linee che portano dentro lo scatto ed ottimo momento di scatto con buon bilanciamento tra blu e giallo.
Buona giornata! |
| sent on January 11, 2020 (17:21) | This comment has been automatically translated (show/hide original)
I am pleased with your liking John ...
A warm greeting.
Simone :-P Sono lieto del tuo gradimento Giovanni ...
Un caro saluto.
Simone |
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