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Untitled Photo...

feeling Blue

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avatarjunior
sent on November 01, 2014 (8:43) | This comment has been automatically translated (show/hide original)

Loved the crop to 16/10 shooting! Maybe from the point of view of the composition would try to position the torque along one of the third and the bench to the right on the third opposite vertical (but i are fixed:-P). Very nice sense of infinity (loss horizon) to the center of the picture:-D

great shot
Hello
Ian

avatarsenior
sent on January 03, 2015 (3:21) | This comment has been automatically translated (show/hide original)

Beautiful image compliments; ) :)
Hello Francis

avatarsenior
sent on January 03, 2015 (8:10) | This comment has been automatically translated (show/hide original)

composiizone beautiful and nice moment caught, I like
Julian:-):-)

avatarsenior
sent on February 06, 2015 (23:16) | This comment has been automatically translated (show/hide original)

Very beautiful, just as a sense of space and vastness, all enriched the human element!
... But all those dots are coots? wow!

avatarsenior
sent on February 25, 2015 (22:29) | This comment has been automatically translated (show/hide original)

I agree with those who say that hangs, but I liked the choice of keeping the human figures on the side of the frame that gives a greater feeling of spaciousness and then the atmosphere that gives this picture to find incatevole.
Greetings, Arrow

avatarjunior
sent on February 25, 2015 (22:50) | This comment has been automatically translated (show/hide original)

I like, very delicate colors, charming and relaxing

avatarsenior
sent on March 06, 2015 (3:04) | This comment has been automatically translated (show/hide original)

Ian I answer on the composition because I think is interesting: the photo was a 3: 2 cut to emphasize the most important part is that the glow that is light and empty at the same time and let out a little 'fuzzy dock - the pink strip on the floor came equally from the corner -. It is conceptually wrong in this photo on the third reason: the couple is immediately reached from the eye through the strip of pink tiles on the floor coming out of a corner and the position of the two, who look towards the center but on the sidelines, see, and gives emphasis, in that fog and glow that occupies almost the whole scene from the center. It is the true subject and you get it in two steps. The photo makes sense even if everyone sees us what he wants. The cut is functional in that sense. I love the rule of thirds, but it is even more importantthat the parts are in a position that enhances the meaning, weight, and that there are lines to lead the eye to what you want to see. Use the rule of thirds here would diminish that sense and would have been a school wrong because it would take away the limelight from the true subject. It is a good reference, but should be used wisely: the lines are much more important and in this photo lines and positions and posture of the body take you where I want you to look. If you feel like watching between whites and blacks in film the anchor on the lawn. Try drawing squinting strong lines of the image and see where they lead

Thanks for the comments

avatarsenior
sent on July 15, 2015 (1:05) | This comment has been automatically translated (show/hide original)

In my opinion you can safely think of neglecting the rule of composition when shooting communicates something to the observer. Not landscape photography this ....
There is no atmosphere in your recovery, you feel that vague sense of melancholy autumn \\ winter reinforced by cold colors. The wet pavement with shadows and figures with umbrella give effect to this feeling.
Gian

avatarsenior
sent on July 15, 2015 (6:26) | This comment has been automatically translated (show/hide original)

Shooting spectacular. Great atmosphere. The rules of composition pass in the fourth floor.
For me this is the photograph.
Something that simply does not show, but communicates and relates

Congratulations

avatarsenior
sent on November 11, 2015 (0:26) | This comment has been automatically translated (show/hide original)

It is landscape photography this ...


Something that not just shows, but communicates and tells


I thank you deeply.

The photo has several technical errors in the first place the shallow depth of field - too small, taken to 2.8 with the old canon 24 at that diaphragm then is terrible - it is a photo that I "saw" in a second and took first in two to miss the moment. I do not like doing exegesis of what I do, I am not a phenomenon, however, I saw that someone gave me the enormous gratification to read you something, pure desire to communicate I want to say what I have seen IO:

the couple walked and thought di do the usual photo-serving but then she started to look at the lake and is found close to the diagonal line. perfect ... in the middle of the fog, that horizon that eye appeared indefinite and there I saw immediately the symbols and geometry to express what I was experiencing in my life: the couple watched the huge white that was their uncertain future , indefinite, in the freezing cold of a relationship that did not work and that it would not lead to anything. And the apparent serenity was only resignation and loneliness.

It was not a picture of the landscape, and thanks very much for stopping to think about my photos.

avatarsenior
sent on August 15, 2017 (13:30) | This comment has been automatically translated (show/hide original)

Great composition well done




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