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Selecting,
Storing
and Cataloguing the Photos
If you are seriously interested about photography,
you will soon end up with hundreds or thousands of photos, and ordering and cataloguing them become a necessity. There are various good systems to organize your
images, and you have to choose the one
that fits better your way of work. A simple and rational cataloguing
strategy can really improve your work, avoiding waste of time and
energy; personally, I prefer to avoid file-cataloguing programs, and
I use a very simple system of naming and folders.
The first step is to make a selection from the
photos that you have taken during the day. Often I came back home
with hundreds of photos: after downloading the from the CF to the
computer (using a card reader, I never use the USB cable attached to
the camera), I check the photo with Adobe Bridge 2.0. Bridge is a
very nice file browser supplied with Photoshop; the latest version
has many useful features, in particular, a "magnification"
tool that allows to check the detail of every photo at 100%
magnification, without opening the file.
I immediately delete the photos that are clearly
unusable (out of focus subject, blurred photos, and other photos
that can not be recovered), and I make a selection between similar
photos: I often take many similar photos of the same subject, to
select the best one when I'm back home instead of taking just one
shot in the field. After this first selection, I make a second
selection, to eliminate the photos that are so-so, or the photos
that are very similar to images that I already have: this time,
though, I don't delete the photos, I just move them into a "RAW_files"
folder, where I archive the RAWs of the photos that I don't like too
much, but I still want to keep. It is likely that I'll never give
again a look to the photos stored into this folder, but knowing that
they won't be deleted forever helps a lot to make an
"harsher" selection, whithout bein too kind or emotional
towards my photos.
When I've seleted the photos, I rename them
according to my file numbering; I use a very simple six-digit code
(e.g. "012685") and once I have finished to rename the
photos, I note the name of the last image on a "memorandum"
text file, to avoid duplicating the names next time that I have new
photos. With Adobe Bridge, it is easy to rename large numers of
files: select all the files that you want to rename, then click on
the menu Tools>Batch Rename. I always recommend to rename your photos with your own
naming scheme, instead of relying on the numbering of the camera,
that is far from realiable, in particular if you use various
cameras. (I've the Canon 20D, but I often try the cameras of my
friends or from CPS, so I taken photos with nearly every Canon
camera and even some Nikons).
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Adobe Bridge 2.0
is my preferred file browser. I use it to select, rename
and order my photos.
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I process the photo that I've selected and I save
them as TIFF, with the same number of the RAW file, but with the
name of the subject. For example, if the RAW file is "002269.cr2",
the processed file is "002269-aix_galericulata.tif",
or course here I wrote aix_galericulata, but the name is the name of
the subject.
The last step is to order the photo inside a system
of folders. I have five folders (Flora, Macro, Fauna, Landscapes,
Various), and every folder contains many sub-folders. The
name of each sub-folder is the scientific name of the subject (for
Flora, Macro and Fauna) or the name of the place or event (for Landscapes
and Various). Into each sub-folder, I store both the untouched RAW
files and the processed photos, saved as TIFF. This is a very simple
system, but it is very effective: for example, if I want the photo
of the Mandarin Duck I just have to browse to the folder Fauna
and then to the folder to Aix_galericulata, that contains the
RAW and the TIFF files.
The TIFF File
Format
I always shoot in RAW format, but I save the
post-processed files as 8-bit sRGB TIFF (of course I keep both the
RAW and the processed TIFF). The TIFF is, in my opinion, the best
format to store image files; it is a widely compatible format and
when you save a photo as uncompressed TIFF, you do not lose any
information. You can re-open the file, edit it and re-save it as
TIFF, without any problem; JPEG images, instead, accumulate
artifacts every time that you save them. Since TIFF files are not
compressed, they are very large: a 8 megapixels image creates a 22
megabytes 8-bit TIFF. The large size is prohibitive for internet
use, but it is not a problem for hard disk storage: a 500 GB
hard-disk costs about then $ 200 and it can store thousands of TIFF
files. It is possible to save TIFF files even with
layers and wide bit depth (16 bit), if you need the extra data for
post processing. On the other hand, I prefer to save the TIFF as
flat images (without layers) and in 8 bit mode, since I rarely edit
these files: if I want to make minor adjustments to a photo of my
archive, even the 8 bit TIFF is enough, and if I want to make major
retouchings I repeat the post-processing from scratch, using the RAW
file.
Backup And Storage
The prices of hard
disk continue to get lower and lower (currently a 500 GB hard
disk costs about $ 100 $), so the storage space is not a problem. Even
with an high resolution camera, you can store thousand and
thousand of files on a single hard drive. On the other hand,
there is always the risk that viruses, software problems or
hardware failures result in a corrupt disk: how can you
protect your precius photos?
The best solution is to make two or more
copies of your files. I have two external hard disks that I
use for storage - in my opinion, external HDs are better than
internal drives, for storage: I turn them on only when I need
to use them (one time per week), while usually they are turned
off, reducing the risk of failures. In terms of reliability,
hard disks are not better nor worse than DVDs or Blu-Ray
disks; they are good but not ethernal: the only way to ensure
the "ethernity" of your files is to upgrade the
support where they are stored every two-three year, or every
time that you current support becomes obsolete.
I don't use any automatic system to make
backup copies: I have the database of all my files on the main
hard disk of my PC and, one time per week, I turn on the
external hard disks, I make a copy of the current database on
each hard disk and I delete the copy of the previous week.
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three identical copies of my database on three drives, so the
risk of losing my files due to a failure is nearly
non-existent. Even in the worst case, if the main HD fails
just before I made the backup copy, I'd lose no more than the
work of one week - but this is a very remote possibility, and
to further reducing the risks I made some additional backup
copies after important trips, when I have many new photos. |
Do you have
comments or questions?
If you have comments or questions about this
article, feel free to ask in the Juza
Nature Photography Discussion Forum!
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