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Five
Steps to Improve Your Photos
You have just purchased your first DSLR, and you are
not happy by the result that you get? Even tough it takes some time
to improve, there are some things that can immediately help your
photography - in this article, I have listed five suggestions that I
consider very important to improve your results!
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Read the
camera manual
Many photographers - sometimes even professionals -
don't fullfill the potential of their cameras because they don't
know how to use properly some features, or they don't even know that
some features exists. When I buy a new camera, I always read the
entire manual - of course, I'd be able to use the camera even without
reading the manual, but I'd miss many useful things.
Other than that, if you don't know well your camera
you may think that it does not work or it has defects, while
actually you are not using it properly. Some common complaints are:
The autofocus is not
precise: even though there are few defective cameras that actually
have focus problems, generally the 90% of focus errors are due
to the photographer. Read carefully the pages
about AF and learn how to use it; pay attention to center the subject (or the area where
you want to focus) into the selected AF point. Other than that,
remember that AF is not perfect - you can not expect to get always
sharp photos, in particular if you photograph a fast moving
subject.
The images have color
cast (or: my friend's camera gives better colors):
usually the color cast are a consequence of white balance errors;
personally, I always use Auto White Balance and I don't care at all
about color casts, because when I convert the RAW files I can adjust
the white balance to get perfect colors. Another complaint that I
hear often is "that Canon/Nikon/ect camera gives much better
colors than mine". All DSLRs currently in production gives
quite good colors; what really matters is not the camera, but the
post processing - if you process well your RAW files, you can get
excellent colors with any camera.
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The photos are soft: many photographers that have switched
to a DSLR from a compact cameras think that the photos are soft. The
reason is that compact cameras often use a strong in-camera
sharpening, while DSLRs generally apply less processing to the
photos; this is a positive thing, since a less processed photo has
less artifacts and it is more "customizable" by the
photographer. You can get a perfect sharpness by shooting in RAW and
with good post-processing techniques; of course, you need also good
lenses and good techniques (the photo must be properly focused, and
you have to use a tripod or a fast shutter speed to avoid blur).
The photos are
underexposed: some cameras actually tend to
underexpose by 0.3 or 0.7 stops, if you use them in complete
automatism. I recommend to spend some time learn the basis of exposure, in particular
the use of histogram. The histogram is a very useful tool, once you know
how to read it you will be able to get always properly exposed images.
A DSLR is a very versatile and powerful tool, and
the time that you spend reading the manual will be repaid by great images.
Understand
composition, light and background
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To master the technical and the artistic side of
photography, I recommend to read the articles in the
Nature Photography section. But if you don't know where to
begin, try to remember there essential guidelines:
Composition:
don't place the subject (or the horizon line) right in the center of the
frame: centered images often have a "static" look. Instead, you should try asymmetrical
compositions: if your subject
is a flower or an animal, put more room in front of it than behind
it; if you are photographing a landscape, frame 2/3 of earth and 1/3
of sky (or vise-versa); and so on.
Wildlife - angle of view:
one of the most common errors of beginners is to take photos of
animal and plants from the eye level of the photographer, that
results in a "high to low" perspective and a very
amateurish look. If you want to improve your photos, you have to get
low: the camera should be at the same height of the eye of the
subject, or even lower.
Light: the
light changes during the day. At early morning or at late afternoon
there is the better light for photos; a warm, "sweet"
light. The central hours of the day, instead have a white, harsh
light: they are far from ideal.
Background:
the background is a very important element of an image: usually, it
should be as clean as possible, otherwise it distracts the attention
from the subject. The easiest way to get a pleasing background is to
use a long focal length and a wide aperture.
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Learn from
other photographers
One of the best ways to improve your photos is to
receive suggestions and critiques from other photographers, and to
analyze their images. I suggest to joyn a nature photography forum,
where you can post your images and receive useful
feedback; you can also view and comment the images of other
photographers. This is a fantastic opportunity to learn and to know
other nature lovers! If you are not a member yet, I highly recommend
to joyn the Juza
Nature Photography Discussione Forum!
Learn how to
post-process your photos
Good post-processing techniques are essential to get
the best results. I know many photographers - even professionals -
that have very poor post-processing techiques, so they are not able
to optimize images that otherwise would be fantastic. I suggest to
get Adobe Photoshop CS3 (or Photoshop Elements if you have a tight
budget) and to learn how to use it for nature photos - many PS
techniques are described here on JuzaPhoto, and there are many other
websites that explains how to use PS.
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Before and after: a
good post processing makes a big difference.
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Use the
right equipment
If you have a limited budget, I recommend to invest
in lenses, instead of buying an expensive camera: a cheap Canon 450D
with an excellent lens gives better results than a Canon 1DsIII with
a poor lens!
Which are the "good" lenses? A 70-300mm zoom lens costs nearly $300 and it is
lighter and more versatile than a 300mm f/2.8 lens, that costs ten
times as much ($3,000-$4,000). Nevertheless, a professional is willing to
spend that much to get the bulky, fixed focal 300 f/2.8 : why? Both the lenses reach the focal length of 300mm, so
you get exactly the same magnification, but the images taken with
the 300 f/2.8 are sharp and rich of details, while the images taken
with the 70-300 are much softer.
Of course, this is an extreme example; you don't
have to spend an exaggerate amount of money, there are also some
affordable high-quality lenses. The following table can help you to
choose the right lens.
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Description |
Examples |
| Cheap
(and crappy)
lenses |
These
lenses are quite cheap, but they have poor image and built
quality. Avoid them! |
Many
18-200 or 28-300 f/4.5-6.3 zooms; the cheapest 70-300
f/4-5.6; etc. |
| Cheap
(but quite good) lenses |
These
lenses are quite cheap, but they have relatively good
image quality for their price. Recommended if you have a
tight budget. |
Many
18-55 f/3.5-5.6 image stabilized zooms; 50mm f/1.8; 70-300
f/4-5.6 image stabilized lenses; etc. |
| Semi-Pro
lenses |
These
lenses are not flawless, but they give a very good quality. Often, they
have fast ultrasonic motors and image stabilization. They
are an excellent combination between price and
performances, and I recommend them to amateurs. |
The
Canon 17-85 IS, Nikkor 16-85 VR and other stabilized
standard zooms; Sigma 10-20 and similar; etc. |
| Cheap
Pro lenses |
Some
professional lenses are not too expensive; their quality
is very good for the price. Highly recommended! |
Sigma
180mm macro; Canon, Nikkor and Sigma 300mm f4; 70-200 f/4
IS, etc. |
| Top
Pro lenses |
The
best of the best, but at a very high price. |
14-24
f/2.8, 300 f/2.8 image stabilized, 600 f/4 image
stabilized and other superteles, etc. |
Other than lenses, another thing that can make a big
difference is the tripod.
The tripod is a great help to get
sharp images. If you handhold the camera, many times you need to
use wide apertures or high iso to get a shutter speed fast enough to
freeze hand shake; often resulting in insufficiend depth of field or
poor image quality due to noise.
With the tripod, instead, your only concern are the
subject movements; other than that, you have the freedom to choose
the shutter speed and the aperture that you prefer; you can use the
lowest ISO setting, too. The result are sharp, noise free images.
Do you have
comments or questions?
If you have comments or questions about this
article, feel free to ask in the Juza
Nature Photography Discussion Forum!
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