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Canon
50D test and comparison

The Canon 50D, announced only one year
after the 40D, has been a big surprise under various aspects: Canon
has made an huge jump in pixel count, from 10 to 15 megapixel, and
an even bigger jump in ISO values, from a maximum of 3200 to 12800
max. Moreover, the price was about 30% higher than 40D: as you can
imagine, similar specifications raise great expectations, and they
have led to great disappointment when the first cameras were
delivered and they did not give what Canon "promised". The
highest ISO settings are a joke - 6400 and 12800 are so noisy that
they are unusable - and overall the noise is on par with the
previous 40D, or slightly worse.
If you add that the first samples shown
on the web had very poor sharpness and a lot of optical aberations,
that the 40D Canon be bought for a much lower price, and the 50D
does not even offer the advantage of movie mode (for now reserved to
5D2), you can understand why the 50D has not generated as much
enthusiasm as other Canon cameras.
Actually, the 50D is not that bad. It
has not yet the extraordinary price/performances ratio of the 40D,
but overall it is a nice camera! Even though the highest ISO
settings are way over the top, Canon has managed to maintain the
same noise of the 40D, while increasing the pixel count from 10 to
15 megapixel - this is already a big achievement. Moreover, 15
megapixels allow to make very large prints or big crops: the first
(very bad) samples shown on internet where not a camera fault, but
they were taken either with poor lenses or poor techniques. 15 mp on
APS-C would translate in 38 megapixel on FF sensor: of course, such
resolution requires high quality lenses, and you have to pay a lot
of attention to motion blur and focus error. When used properly, the
50D is capable of very sharp, detailed images.
In this page, I have examined some
features of the 50D, and I have made a side by side comparison with
the top of the line 1DsIII...you will be surprised by the results!
Specifications
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|
Canon
EOS 1Ds Mark III
|
Canon
EOS 50D
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Canon
EOS 40D
|
|
Image sensor
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21 megapixels, FF
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15 megapixels, APS-C
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10 megapixels, APS-C
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| ISO
sensitivities |
ISO
50 - 3200 |
ISO
100 - 12800 |
ISO
100 - 3200 |
| ISO
performance |
usable
up to 3200 |
usable
up to 1600 |
usable
up to 1600 |
| Continuous
shooting |
5
FPS for 12 RAW |
6.3
FPS for 16 RAW |
6.5
FPS for 17 RAW |
| Viewfinder |
100%
coverage, 0.76x |
95%
coverage, 0.95x |
95%
coverage, 0.95x |
| LCD
screen |
3.0",
320x240px LCD |
3.0",
640x480px LCD |
3.0",
320x240px LCD |
| Live
view |
yes |
yes
(with silent shooting) |
yes
(with silent shooting) |
| Video |
no |
no |
no |
| Weather
sealing |
yes |
no |
no |
| Dimensions |
150
x 160 x 80mm |
145
x 108 x 74mm |
145
x 108 x 74mm |
| Weight |
1385g
with battery |
822
with battery |
822
with battery |
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Current price
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$ 6,550
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$ 1,200
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$ 900
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Announced
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2007
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2008
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2007
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Image quality : detail and resolution
These are some 100% crops from the test
photo, converted with ACR with no sharpening, minimum
contrast, and without any other enhancement.
| Canon
50D (upresized) |
Canon
1DsIII |
 |
 |
 |
 |
The 1DsIII has more resolution and you
can clearly see that it has more fine detail, but overall the
difference is not huge as you may expect by comparing a $1200 APS-C
camera with 15 mp sensor with a $6500 21 megapixel FF camera!
Of course, you need sharp lenses to
take advantage of the 15 mp of the 50D. For these test, I have used
the Canon 24-105 L at f/8.
Image quality : noise
I have made a simple comparison
at the hightest ISO settings; these are 100% crops with no sharpening, minimum
contrast, and without any other enhancement. Of course I have not
applied any noise reduction.
|
Canon
50D (upresized) |
Canon
1DsIII |
| 800 |
 |
 |
| 1600 |
 |
 |
| 3200 |
 |
 |
The 1DsIII has 1 full stop
advantage: ISO 3200 on 1DsIII is like ISO 1600 on 50D, ISO
1600 on 1DsIII is like ISO 800 on 50D, and so on. That said,
even the 50D performance is not bad, considering the price
difference and the much smaller sensor.
Image quality : diffraction and aperture
One of my biggest worries about
the 50D was diffaction: with such small pixel, how does
diffraction influence image quality? I have taken some test
photos at f/11, f/16, f/22 and f/32, with a very small subject
(at high macro ratios diffraction is more visible). The
following images are 100% crops.
|
Canon
50D (upresized) |
Canon
1DsIII |
| 11 |
 |
 |
| 16 |
 |
 |
| 22 |
 |
 |
| 32 |
 |
 |
In comparison with the 1DsIII,
the 50D shows the diffraction "1 stop earlier" - for
example, at f/11 the 50D shows the same diffraction of the
1DsIII at f/16. It is not a problem: considering that the
APS-C sensors gives 1 stop more depth of field, with the 50D
you can use an aperture 1 stop wider than the aperture you
would have used with a FF camera, and you will get the same
depth of field and the same diffraction.
Conclusions
If you give a look to the detailed
specifications on Canon website, the 50D seems to have a lot of
improvements in comparison with the 40D; actually, many of these
improvements are just...marketing. The 50D has higher ISO settings
(buy they are unusable), two sRAW modes (useless), AF in live view
(so slow it is unusable), higher resolution screen (nice for the
eye, but in practice it does not give advantages).
If you consider only the specifications
that matter most, the 50D and the Canon 40D are very similar - except for
the big difference in resolution. It is worth the price difference?
It depends - if you print very large, or if you make big
crops, the 50D is worth the $300 higher price; instead, if you
don't crop a lot, you can save some money and buy the 40D,
that has an unparalleled price/performances ratio!
The 50D is not meant to be a 1DsIII
equivalent, but since I use this camera, I have
decided to compare it with the 50D. You may be surprised by
the results; of course the 1DsIII has better image quality,
but the difference is not huge, and in many situations the
APS-C 1.6x crop and more extended depth of field compensates
for the higher noise. Actually, in some respects the 50D (and
40D) are even better than the top of the line 1 series - they
are much smaller, lighter, and they have a more advanced live
view.
Do you have
comments or questions?
If you have comments or questions about this
article, feel free to ask in the Juza
Nature Photography Discussion Forum!
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