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My
Sigma 360mm f/7.1 Macro (June 11, 2007)
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| Canon
EOS 20D, Sigma 180mm f/3.5 EX APO Macro HSM, Sigma 2.0x
TC, 1/125 f/11, iso 400, tripod. Arda Valley, Italy. |
The Sigma 180 Macro is a true jewel:
even though I have it in my bag since more than two years, it always
amazes me! After using it for some time with the 1.4x
TC, I tried the 2.0x and I immediately bought it - it helps a lot
with working distance and background blur, and the image quality is
still extremely good.
Coupled with the Sigma 2.0x EX DG
teleconverter, the Sigma 180 f/3.5 becomes a 360mm f/7.1 macro lens,
with 2:1 macro capability. The image quality is pretty bad wide open
at f/7.1, but if you stop down a little it improves a lot - it is
razor sharp between f/11 and f/16.
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Few days ago, I was wandering in a
grassfield in upper Arda Valley in search of orchids, when I saw this nice Libelloides coccajus
posed on a grass stem. It was 11 a.m., so the bugs
were already pretty active - getting close without
scaring it was not easy, but the impressive working
distance of my "360mm macro" was an huge
help - I've taken this photo from more than 1 meter
from the subject.
I mounted the lens on the small
Manfrotto 190MF4 tripod and I carefully focussed on
the eye, using the Canon Angle-Finder C at 2.5x
magnification. Focussing with the 180 + 2x is much
more difficult than focussing with the bare lens: the
viewfinder is 2 stops darker, and there is a wider
depth of field (f/7.1 vs f/3.5) that makes more
difficult to focus exactly in the right spot.
Moreover, every little movement of the focus ring
makes an huge difference - you have to be very
careful, to make precise adjustments. The is not
autofocus so you have to rely exclusively on you eye
and your manual focus technique.
There was a little of wind, so I set
the camera on ISO 400, and I choose the aperture f/11.
Usually I prefer to stop down to f/16 for some more
depth of field and for the maximum sharpness, but
here, other than the wind, the subject was quite close
to the background, and at f/16 it wouldn't have been
possible to get the separation from background that
you see in this photo. Of course, I placed the camera
as much parallel as possible to the subject, to
optimize the depth of field. As usual, I've taken many
shots to be sure that at least one photo turned out as
sharp as I want; I used mirror lock up and remote
release to avoid camera shake. The focal length of
360mm makes this lens very prone to vibrations - if
you don't get satisfying results from the Sigma 180 +
2x, it is very likely that either you didn't focus
precisely or you didn't use a good support and good
sharpness techniques (release and MLU). |
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| A 100% crop from
the processed photo. Click to view a wider crop. |
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As I already said, one of the
advantages of teleconverters is increased working distance.
The following table shows how focussing distance (the
distance from the subject to the sensor) and working
distance (the distance from the front element or the hood
and the subject) are influenced by 1.4x and 2.0x TCs.
| Focal
Length |
Focusing
distance at 1:1 |
Working
distance (no hood) |
Working
distance (with hood) |
| 180mm |
46.0
centimeters |
23.8
centimeters |
15.9
centimeters |
| 250mm
(180 + 1.4x) |
54.0
centimeters |
30.1
centimeters |
22.2
centimeters |
| 360mm
(180 + 2.0x) |
64.5
centimeters |
37.3
centimeters |
29.4
centimeters |
You may thing that a 2x TC
doubles the focussing distance, but this is not the case
with macro lenses. With the Sigma 180, the focussing
distance at 1:1 goes from 46cm to 64cm - a big improvement,
but not twice. The reason of this weird behaviour is that the lens
changes its focal length at the narrowest distances, to
achieve 1:1 magnification without changing its phisical length. At close distances the 180mm is not an actual
180, but it is somewhere between 80 and 140mm (this behaviour is not a peculiarity of the 180 - nearly at
macro lenses reduce their focal length to achieve the
hightest magnifications). On the other hand, in practice the
working
distance (from the subject to the end of the lens hood) is
almost dubled, from 15.9 centimeters to 29.4 centimeters -
and this is an huge improvement, that makes much easier to
photograph shy bugs.
Other than working distance,
the 2.0x teleconverter improves the background blur: the
longer focal has a narrower angle of view so, even though
depth of field is the same, a 360mm gives a more uniform
background than a 180mm. The longer focal length does not
guarantee always clean backgrounds: if the subject is close
to the background, there is not much difference between 180
and 360. With small subjects, or with relatively distant
backgounds, instead, there is a noticeable difference
between 180 and 360mm,
without a big loss of image quality.
Do
you have comments or questions?
If you have comments or questions
about this article, feel free to ask in the Juza
Nature Photography Discussion Forum!
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