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Mallard
at high ISO (December 06, 2006)
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| Canon EOS 20D, Canon EF 300mm f/2.8 L IS USM, 1/2000 f/2.8, iso 800, handheld. Racconigi, Italy. |
This is one of the first photos that
I've taken with the Canon 20D, few months ago. It was a dark, cloudy
day, and I was photographing from the hide of Racconigi under a
light rain. Mounted on my camera, there was one of the most
beautiful lenses ever produced my Canon - the 300 2.8 L IS USM. This
is an extremely sharp lens, it has a super fast autofocus and it is
easily handholdable...compared to the 600 f/4, it is featherweight.
I set the camera on ISO 800 and the the
lens on f/2.8 to get a fast shutter speed and a nice background.
Many photographers tend to stop down too much, while it is possible
to photograph well many subject even with very wide apertures, as
f/2.8 or f/4. Of course, the focus must be perfect! Here, the camera
focussed on the neck of the subject and, since it is parallel to che
camera, it is sharp from the tip of the tail to the bill. The tips
of the wings are slightly out of focus and blurred by movement, but
in my opinion they don't detract from the photo - in wildlife
photography, it is essential to have the eye of the subject in sharp
focus, while usually the tips of the wings or the tail don't detract
too much from the photo, even if they are out of focus (but they
much not be clipped!).
ISO 800 was essential to freeze the
fast motion of the subject in action, and the good noise
characteristics of the 20D helped to get good image quality. I often
stress the importance of high ISO; between the various cameras that
I've tried, the recent Canon cameras (i.e. the models announced from
2004) are the best, and, in my opinion, the difference is evident
even at ISO 200 or 400. At ISO 800 or 1600, the difference are
substantial. Of course, if you make a small print of the out-of-the
camera photo, the differences between the Canons and other brands
are much reduced. But if you need to make significant processings
(crop, adjustments of contrast, color and saturation), the noise is
strongly amplified, and the advantage of Canon cameras become
important.
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Unprocessed crop from original
photo, just converted from RAW to JPEG
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The same crop, with
the basic adjustements of contrast and saturation. |
The crop from the
final photo. There is just a little of noise in the shadows. |
The crops above illustrated three steps
of my processing workflow. The first crop is the photo converted
from RAW with my usual settings (very low contrast, low saturation
and no sharpening or noise reduction to preserve the maximum
detail). Even at ISO 800, the noise is quite low. The second crop is
the photo after the first adjustments of contrast and saturation:
the image is enhanced, but the noise is much more visible. The third
crop shows the final image: it is easy to eliminate the noise from
background; there is still a bit of noise on the mallard since I
applied little noise reduction on the subject (I use the layer mask
to apply a different intensity of noise reduction on background and
subject), but overall the image quality is pretty good considering
the situation, and the noise would be barely visible in print.
Do you have
comments or questions?
If you have comments or questions about this
article, feel free to ask in the Juza
Nature Photography Discussion Forum!
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